{"id":11336,"date":"2020-11-11T14:20:37","date_gmt":"2020-11-11T14:20:37","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=11336"},"modified":"2020-11-11T14:20:37","modified_gmt":"2020-11-11T14:20:37","slug":"ray-harryhausen-master-of-special-effects","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/art\/filmmaking\/ray-harryhausen-master-of-special-effects\/","title":{"rendered":"Ray Harryhausen: Mistr filmov\u00fdch trik\u016f, jeho\u017e odkaz \u017eije d\u00e1l"},"content":{"rendered":"

Ray Harryhausen: Mistr speci\u00e1ln\u00edch efekt\u016f<\/h2>\n\n

Ran\u00fd \u017eivot a inspirace<\/h2>\n\n

Ray Harryhausen se narodil v roce 1920 a v\u00e1\u0161e\u0148 pro film z\u00edskal ji\u017e v \u00fatl\u00e9m v\u011bku. Inspirov\u00e1n prac\u00ed Willise O’Briena, tv\u016frce King Konga, se Harryhausen vydal na cestu, aby ovl\u00e1dl um\u011bn\u00ed speci\u00e1ln\u00edch efekt\u016f.<\/p>\n\n

Stop-motion animace: Revolu\u010dn\u00ed technika<\/h2>\n\n

V \u00e9\u0159e p\u0159ed po\u010d\u00edta\u010dov\u011b generovan\u00fdmi sn\u00edmky byl Harryhausen pr\u016fkopn\u00edkem v pou\u017e\u00edv\u00e1n\u00ed stop-motion animace. Tato slo\u017eit\u00e1 technika zahrnovala fotografov\u00e1n\u00ed model\u016f miniatur sn\u00edmek po sn\u00edmku, \u010d\u00edm\u017e vytv\u00e1\u0159ela iluzi pohybu. Harryhausen\u016fv proces Dynamation, kter\u00fd kombinoval zadn\u00ed projek\u010dn\u00ed pl\u00e1tna a \u017eiv\u00e9 z\u00e1b\u011bry, mu umo\u017enil bezprobl\u00e9mov\u011b integrovat sv\u00e1 stvo\u0159en\u00ed do sc\u00e9n se \u017eivou akc\u00ed.<\/p>\n\n

Ikonick\u00e1 monstra a fantastick\u00e9 sv\u011bty<\/h2>\n\n

Harryhausenovy v\u00fdtvory se staly legend\u00e1rn\u00edmi ve sv\u011bt\u011b kinematografie. Od ob\u0159\u00edho Kyklopa v “Sedm\u00e9 Sindb\u00e1dov\u011b cest\u011b” po mocn\u00e9ho Krakena v “Souboji Tit\u00e1n\u016f” jeho monstra uchv\u00e1tila publikum svou realisti\u010dnost\u00ed a majest\u00e1tnost\u00ed. Vdechl \u017eivot tak\u00e9 fantastick\u00fdm sv\u011bt\u016fm, jako bylo ztracen\u00e9 m\u011bsto Atlantis ve filmu “Jason a Argonauti”.<\/p>\n\n

Vliv na filma\u0159e<\/h2>\n\n

Harryhausen\u016fv po\u010din m\u011bl z\u00e1sadn\u00ed vliv na generace filma\u0159\u016f, v\u010detn\u011b George Lucase a Stevena Spielberga. Jeho schopnost vytv\u00e1\u0159et v\u011brohodn\u00e9 bytosti a nadpozemsk\u00e9 krajiny je inspirovala k posouv\u00e1n\u00ed hranic speci\u00e1ln\u00edch efekt\u016f a kinematografie.<\/p>\n\n

D\u011bdictv\u00ed inovac\u00ed a inspirace<\/h2>\n\n

Harryhausen\u016fv odkaz p\u0159esahuje jeho vlastn\u00ed filmy. Jeho techniky a inovace ovliv\u0148uj\u00ed um\u011blce speci\u00e1ln\u00edch efekt\u016f dodnes. Jeho osobn\u00ed sb\u00edrka skic, artefakt\u016f a upom\u00ednkov\u00fdch p\u0159edm\u011bt\u016f nab\u00edz\u00ed pohled do mysli mistrovsk\u00e9ho \u0159emesln\u00edka.<\/p>\n\n

Nadch\u00e1zej\u00edc\u00ed aukce Harryhausenov\u00fdch poklad\u016f<\/h2>\n\n
    \n
  1. \u0159\u00edjna se bude dra\u017eit pokladnice Harryhausenov\u00fdch sb\u011bratelsk\u00fdch p\u0159edm\u011bt\u016f. To zahrnuje plak\u00e1ty, fotoapar\u00e1ty, fotografie a bronzovou helmu no\u0161enou v “Souboji Tit\u00e1n\u016f”. Fanou\u0161ci a sb\u011bratel\u00e9 maj\u00ed p\u0159\u00edle\u017eitost vlastnit kousek filmov\u00e9 historie a oslavit genialitu Raye Harryhausena.<\/li>\n<\/ol>\n\n

    Zachov\u00e1n\u00ed jeho d\u011bdictv\u00ed<\/h2>\n\n

    Aukce Harryhausenov\u00fdch memorabili\u00ed slou\u017e\u00ed nejen k prodeji jeho v\u00fdtvor\u016f, ale tak\u00e9 k zachov\u00e1n\u00ed jeho d\u011bdictv\u00ed. Nab\u00edz\u00ed jedine\u010dnou p\u0159\u00edle\u017eitost ocenit vliv jeho pr\u00e1ce na sv\u011bt filmu a inspirovat budouc\u00ed generace um\u011blc\u016f a vyprav\u011b\u010d\u016f.<\/p>\n\n

    Za sc\u00e9nami Harryhausenovy magie<\/h2>\n\n

    Abychom pln\u011b pochopili genialitu Harryhausenov\u00fdch speci\u00e1ln\u00edch efekt\u016f, je nezbytn\u00e9 pono\u0159it se do slo\u017eit\u00e9ho procesu, kter\u00fd stoj\u00ed za jeho v\u00fdtvory.<\/p>\n\n

    Dynamation: Technick\u00e9 mistrovsk\u00e9 d\u00edlo<\/h2>\n\n

    Harryhausenova technika Dynamation zahrnovala fotografov\u00e1n\u00ed miniatury proti zadn\u00edmu projek\u010dn\u00edmu pl\u00e1tnu p\u0159es \u010d\u00e1ste\u010dn\u011b maskovan\u00fd sklen\u011bn\u00fd panel. Maskovan\u00e1 \u010d\u00e1st by pot\u00e9 byla znovu odhalena, aby se vlo\u017eily prvky pop\u0159ed\u00ed ze \u017eiv\u00fdch z\u00e1b\u011br\u016f. Tento proces umo\u017enil, aby se tvor zd\u00e1nliv\u011b plynule pohyboval v prost\u0159ed\u00ed \u017eiv\u00e9 akce.<\/p>\n\n

    Um\u011bn\u00ed tvorby miniatur<\/h2>\n\n

    Harryhausenovy miniatury byly pe\u010dliv\u011b zpracov\u00e1ny a jejich dokon\u010den\u00ed \u010dasto trvalo m\u011bs\u00edce. Pou\u017eil r\u016fzn\u00e9 materi\u00e1ly, v\u010detn\u011b hl\u00edny, latexu a kovu, aby vytvo\u0159il realistick\u00e9 a detailn\u00ed modely. Pozornost v\u011bnovan\u00e1 detail\u016fm v jeho miniatur\u00e1ch p\u0159isp\u011bla k v\u011brohodnosti jeho tvor\u016f na pl\u00e1tn\u011b.<\/p>\n\n

    Magie integrace \u017eiv\u00fdch z\u00e1b\u011br\u016f<\/h2>\n\n

    Kl\u00ed\u010dem k Harryhausenovu \u00fasp\u011bchu byla jeho schopnost plynule integrovat sv\u00e9 miniatury do \u017eiv\u00fdch z\u00e1b\u011br\u016f. Pe\u010dliv\u011b napl\u00e1noval pohyb miniatur tak, aby odpov\u00eddal pohyb\u016fm \u017eiv\u00fdch herc\u016f, \u010d\u00edm\u017e vytvo\u0159il pro div\u00e1ky soudr\u017en\u00fd a pohlcuj\u00edc\u00ed z\u00e1\u017eitek.<\/p>\n\n

    Trval\u00fd vliv na film<\/h2>\n\n

    Harryhausenovy inovativn\u00ed techniky zp\u016fsobily revoluci ve speci\u00e1ln\u00edch efektech v Hollywoodu. Jeho schopnost o\u017eivit na pl\u00e1tn\u011b fantastick\u00e9 sv\u011bty a bytosti inspirovala nespo\u010det filma\u0159\u016f a okouzlila generace filmov\u00fdch div\u00e1k\u016f. Jeho odkaz nad\u00e1le inspiruje a ovliv\u0148uje sv\u011bt filmu dodnes.<\/p>","protected":false},"excerpt":{"rendered":"

    Ray Harryhausen: Mistr speci\u00e1ln\u00edch efekt\u016f Ran\u00fd \u017eivot a inspirace Ray Harryhausen se narodil v roce 1920 a v\u00e1\u0161e\u0148 pro film z\u00edskal ji\u017e v \u00fatl\u00e9m v\u011bku. Inspirov\u00e1n prac\u00ed Willise O’Briena, tv\u016frce…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15345],"tags":[15343,15341,15338,15344,15339,15340,15342],"class_list":["post-11336","post","type-post","status-publish","format-standard","hentry","category-filmmaking","tag-jason-and-the-argonauts","tag-monsters","tag-ray-harryhausen","tag-the-7th-voyage-of-sinbad","tag-special-effects","tag-stop-motion-animation","tag-clash-of-the-titans"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11336","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=11336"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11336\/revisions"}],"predecessor-version":[{"id":11337,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11336\/revisions\/11337"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=11336"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=11336"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=11336"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}