Po t\u00e9m\u011b\u0159 400 letech pe\u010dliv\u011b zrestaurovalo muzeum Louvre ikonick\u00fd portr\u00e9t Anny Klevsk\u00e9 z roku 1539 od Hanse Holbeina. V\u00fdsledkem je \u017eiv\u00e9 a realistick\u00e9 ztv\u00e1rn\u011bn\u00ed tudorovsk\u00e9 kr\u00e1lovny. Restaur\u00e1torsk\u00fd proces odhalil skryt\u00e9 detaily a osv\u011btlil p\u0159esv\u011bd\u010dovac\u00ed s\u00edlu um\u011bn\u00ed, kter\u00e1 hr\u00e1la z\u00e1sadn\u00ed roli v Jind\u0159ichov\u011b VIII. rozhodnut\u00ed si Annu vz\u00edt.<\/p>\n\n
Hans Holbein, zn\u00e1m\u00fd sv\u00fdm mistrovsk\u00fdm portr\u00e9tn\u00edm um\u011bn\u00edm, zachytil Annu Klevskou v cel\u00e9 jej\u00ed n\u00e1dhe\u0159e. Obl\u00e9kla se do oslniv\u011b \u010derven\u00e9ho sametu s brilantn\u011b modr\u00fdm pozad\u00edm a jej\u00ed o\u0159\u00ed\u0161kov\u011b hn\u011bd\u00e9 o\u010di z\u00e1\u0159\u00ed pod pr\u016fhlednou pl\u00e1t\u011bnou \u010depi\u010dkou zdobenou drahokamy. Ned\u00e1vno odhalen\u00e9 \u017eiv\u00e9 barvy a pe\u010dliv\u00e9 detaily ukazuj\u00ed Holbein\u016fv v\u00fdjime\u010dn\u00fd um a p\u0159esv\u011bd\u010dovac\u00ed s\u00edlu jeho um\u011bn\u00ed.<\/p>\n\n
Kdy\u017e Jind\u0159ich VIII. spat\u0159il Holbein\u016fv portr\u00e9t, byla okouzlen Anninou nebeskou kr\u00e1sou a souhlasil, \u017ee si ji vezme. Kdy\u017e se v\u0161ak Jind\u0159ich s Annou osobn\u011b setkal, byl jej\u00edm vzhledem roz\u010darov\u00e1n a zjistil, \u017ee je m\u00e9n\u011b okouzluj\u00edc\u00ed ne\u017e jej\u00ed malovan\u00fd prot\u011bj\u0161ek. Navzdory sv\u00e9mu po\u010d\u00e1te\u010dn\u00edmu zklam\u00e1n\u00ed pokra\u010doval Jind\u0159ich v man\u017eelstv\u00ed z politick\u00fdch d\u016fvod\u016f, kter\u00e9 nakonec skon\u010dilo o \u0161est m\u011bs\u00edc\u016f pozd\u011bji anulac\u00ed.<\/p>\n\n
Anna Klevsk\u00e1 se stala vhodnou kandid\u00e1tkou pro Jind\u0159ichovo VIII. \u010dtvrt\u00e9 man\u017eelstv\u00ed po smrti jeho t\u0159et\u00ed man\u017eelky, Jany Seymourov\u00e9. Thomas Cromwell, Jind\u0159ich\u016fv hlavn\u00ed poradce, vychvaloval Anninu kr\u00e1su a ctnosti a popisoval ji jako \u201esamotn\u00fd obraz l\u00e1sky a kr\u00e1sy\u201c.<\/p>\n\n
Holbein\u016fv portr\u00e9t, a\u010dkoli lichotil Anninu vzhledu, mo\u017en\u00e1 pln\u011b nezachytil jej\u00ed skute\u010dnou podobu. Historici nazna\u010duj\u00ed, \u017ee Anna byla vy\u0161\u0161\u00ed a robustn\u011bj\u0161\u00ed, ne\u017e je zobrazeno na obraze. P\u0159esto hr\u00e1l portr\u00e9t v\u00fdznamnou roli v Jind\u0159ichov\u011b rozhodnut\u00ed si Annu vz\u00edt, co\u017e ukazuje vliv um\u011bn\u00ed na historick\u00e9 ud\u00e1losti.<\/p>\n\n
Zrestaurovan\u00fd portr\u00e9t Anny Klevsk\u00e9 nab\u00edz\u00ed jedine\u010dn\u00fd pohled do minulosti a odhaluje \u017eiv\u00e9 barvy a jemn\u00e9 detaily ran\u011b novov\u011bk\u00e9ho portr\u00e9tn\u00edho mal\u00ed\u0159stv\u00ed. Poskytuje vhled do tudorovsk\u00e9ho dvora, role um\u011bn\u00ed p\u0159i formov\u00e1n\u00ed vn\u00edm\u00e1n\u00ed a slo\u017eit\u00e9ho vztahu mezi Jind\u0159ichem VIII. a jeho \u0161esti man\u017eelkami.<\/p>\n\n
P\u0159i bli\u017e\u0161\u00edm zkoum\u00e1n\u00ed si div\u00e1ci mohou v\u0161imnout slab\u00e9 te\u010dky pobl\u00ed\u017e lev\u00e9ho koutku Annin\u00fdch \u00fast, co\u017e nazna\u010duje p\u0159\u00edtomnost znam\u00e9nka kr\u00e1sy. Tento jemn\u00fd detail dod\u00e1v\u00e1 portr\u00e9tu autenti\u010dnost a \u0161arm a nazna\u010duje Anninu p\u0159irozenou kr\u00e1su.<\/p>\n\n
Ned\u00e1vn\u00fd v\u00fdzkum pomoc\u00ed infra\u010derven\u00e9 reflectografie nav\u00edc odhalil pod Annin\u00fdm \u017eiv\u016ftkem te\u010dkovanou podkresbu, kter\u00e1 poskytuje cenn\u00e9 poznatky o Holbeinov\u011b um\u011bleck\u00e9m procesu a v\u00fdvoji portr\u00e9tu.<\/p>\n\n
P\u0159es anulaci jej\u00edho man\u017eelstv\u00ed s Jind\u0159ichem VIII. \u017eila Anna Klevsk\u00e1 dlouh\u00fd a pohnut\u00fd \u017eivot. Byla ozna\u010dena za kr\u00e1lovu \u201emilovanou sestru\u201c a udr\u017eovala s Jind\u0159ichem \u00fazk\u00e9 p\u0159\u00e1telstv\u00ed a\u017e do jeho smrti. Anna si u\u017e\u00edvala pohodlnou existenci, dost\u00e1vala \u0161t\u011bdr\u00e9 p\u0159\u00edsp\u011bvky a v\u011bnovala se r\u016fzn\u00fdm aktivit\u00e1m, jako jsou hazardn\u00ed hry a lov.<\/p>\n\n
Anna p\u0159e\u017eila v\u0161echny ostatn\u00ed Jind\u0159ichovy VIII. man\u017eelky a zem\u0159ela za vl\u00e1dy sv\u00e9 nevlastn\u00ed dcery Marie I. Jej\u00ed p\u0159\u00edb\u011bh slou\u017e\u00ed jako p\u0159ipom\u00ednka slo\u017eit\u00e9 a \u010dasto nep\u0159edv\u00eddateln\u00e9 povahy kr\u00e1lovsk\u00fdch s\u0148atk\u016f a odolnosti \u017een tv\u00e1\u0159\u00ed v tv\u00e1\u0159 protivenstv\u00ed.<\/p>\n\n
Restaur\u00e1torsk\u00fd projekt muzea Louvre vdechl Holbeinovu mistrovsk\u00e9mu d\u00edlu nov\u00fd \u017eivot a zajistil jeho zachov\u00e1n\u00ed pro budouc\u00ed generace. Pe\u010dliv\u00fd proces \u010di\u0161t\u011bn\u00ed a restaurov\u00e1n\u00ed odhalil p\u016fvodn\u00ed \u017eivost obrazu a odkryl skryt\u00e9 detaily, co\u017e poskytuje hlub\u0161\u00ed porozum\u011bn\u00ed Ann\u011b Klevsk\u00e9 a jej\u00edmu m\u00edstu v historii.<\/p>","protected":false},"excerpt":{"rendered":"
Anna Klevsk\u00e1: Portr\u00e9t, kter\u00e9 okouzlilo Jind\u0159icha VIII. Zrestaurovan\u00e9 mistrovsk\u00e9 d\u00edlo v Louvru Po t\u00e9m\u011b\u0159 400 letech pe\u010dliv\u011b zrestaurovalo muzeum Louvre ikonick\u00fd portr\u00e9t Anny Klevsk\u00e9 z roku 1539 od Hanse Holbeina.…<\/p>\n","protected":false},"author":4,"featured_media":23634,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3740],"tags":[15683,15686,15685,15687,3890,15684],"class_list":["post-11602","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-portraiture","tag-anne-of-cleves","tag-hans-holbein","tag-royal-portraits","tag-louvre-museum","tag-art-restoration","tag-tudor-history"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11602","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=11602"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11602\/revisions"}],"predecessor-version":[{"id":11603,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11602\/revisions\/11603"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media\/23634"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=11602"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=11602"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=11602"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}