{"id":11748,"date":"2025-10-05T14:02:52","date_gmt":"2025-10-05T14:02:52","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=11748"},"modified":"2025-10-05T14:02:52","modified_gmt":"2025-10-05T14:02:52","slug":"the-divine-art-of-tapestries-a-renaissance-in-the-21st-century","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/art\/textile-art\/the-divine-art-of-tapestries-a-renaissance-in-the-21st-century\/","title":{"rendered":"Tapis\u00e9rie vzk\u0159\u00ed\u0161en\u00e9: Renesance tkan\u00e9ho um\u011bn\u00ed ve 21. stolet\u00ed"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Bo\u017esk\u00e9 um\u011bn\u00ed tapis\u00e9ri\u00ed: Renesance ve 21. stolet\u00ed<\/h2>\n\n<h2 class=\"wp-block-heading\">Zapomenut\u00e1 um\u011bleck\u00e1 forma znovu z\u00edsk\u00e1v\u00e1 svou sl\u00e1vu<\/h2>\n\n<p>Tapis\u00e9rie, kdysi pova\u017eovan\u00e9 za zapr\u00e1\u0161enou relikvii minulosti, za\u017e\u00edvaj\u00ed v posledn\u00ed dob\u011b renesanci popularity, jak dokazuj\u00ed ned\u00e1vn\u00e9 v\u00fdstavy v presti\u017en\u00edch muze\u00edch po cel\u00e9m sv\u011bt\u011b. Nejnov\u011bj\u0161\u00ed v\u00fdstava Art Institute of Chicago, <strong>\u201eBo\u017esk\u00e9 um\u011bn\u00ed: \u010cty\u0159i stolet\u00ed evropsk\u00fdch tapis\u00e9ri\u00ed\u201c<\/strong>, p\u0159edstavuje dokonal\u00e9 \u0159emesln\u00e9 zpracov\u00e1n\u00ed a nad\u010dasovou kr\u00e1su t\u011bchto tkan\u00fdch mistrovsk\u00fdch d\u011bl.<\/p>\n\n<h2 class=\"wp-block-heading\">Historick\u00fd v\u00fdznam<\/h2>\n\n<p>Tapis\u00e9rie maj\u00ed bohatou historii, sahaj\u00edc\u00ed a\u017e do st\u0159edov\u011bku. Byly vysoce cen\u011bny kr\u00e1lovskou rodinou a c\u00edrkv\u00ed, kter\u00e9 si objedn\u00e1valy renomovan\u00e9 um\u011blce jako Raphael, Rubens a Le Brun, aby navrhovali kartony (velkoform\u00e1tov\u00e9 kresby) pro tapis\u00e9rie. Tyto tapis\u00e9rie slou\u017eily mnoha \u00fa\u010del\u016fm, od poskytov\u00e1n\u00ed izolace ve studen\u00fdch hradech a\u017e po demonstraci bohatstv\u00ed a postaven\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">Technick\u00e9 aspekty tkan\u00ed tapis\u00e9ri\u00ed<\/h2>\n\n<p>Tapis\u00e9rie se vytv\u00e1\u0159ej\u00ed propl\u00e9t\u00e1n\u00edm nit\u00ed r\u016fzn\u00fdch barev a materi\u00e1l\u016f, steh po stehu. Tento proces je podobn\u00fd digit\u00e1ln\u00edmu um\u011bn\u00ed, p\u0159i\u010dem\u017e ka\u017ed\u00fd steh p\u0159edstavuje pixel. Vizu\u00e1ln\u00ed pole tapis\u00e9rie je proto inherentn\u011b zrnit\u00e9, ale tato charakteristika dod\u00e1v\u00e1 jej\u00ed jedine\u010dn\u00e9 kouzlo a texturu.<\/p>\n\n<p>Tkan\u00ed tapis\u00e9ri\u00ed je vysoce kvalifikovan\u00e9 \u0159emeslo, kter\u00e9 vy\u017eaduje specializovan\u00e9 \u0161kolen\u00ed a l\u00e9ta zku\u0161enost\u00ed. Slo\u017eitost designu a jemnost detail\u016f ur\u010duj\u00ed obt\u00ed\u017enost procesu tkan\u00ed. Um\u011blci jako Raphael a Rubens posouvali hranice tkan\u00ed tapis\u00e9ri\u00ed a vyz\u00fdvali d\u00edlny k vytv\u00e1\u0159en\u00ed st\u00e1le slo\u017eit\u011bj\u0161\u00edch a realisti\u010dt\u011bj\u0161\u00edch d\u011bl.<\/p>\n\n<h2 class=\"wp-block-heading\">Konzervace a vystavov\u00e1n\u00ed<\/h2>\n\n<p>Tapis\u00e9rie vy\u017eaduj\u00ed pe\u010dlivou konzervaci, aby se zachovaly jejich jemn\u00e9 materi\u00e1ly. P\u016fsoben\u00ed sv\u011btla m\u016f\u017ee po\u0161kodit hedv\u00e1bn\u00e9 nit\u011b, kter\u00e9 \u010dasto tvo\u0159\u00ed z\u00e1klad tapis\u00e9rie. Proto by tapis\u00e9rie nem\u011bly b\u00fdt vystavov\u00e1ny po dlouhou dobu.<\/p>\n\n<p>V\u00fdstava Art Institute of Chicago p\u0159edstavuje 70 tapis\u00e9ri\u00ed, kter\u00e9 pro\u0161ly rozs\u00e1hlou konzervac\u00ed za posledn\u00edch 13 let. Tyto tapis\u00e9rie byly pe\u010dliv\u011b obnoveny do sv\u00e9 d\u0159\u00edv\u011bj\u0161\u00ed sl\u00e1vy, co\u017e n\u00e1v\u0161t\u011bvn\u00edk\u016fm umo\u017e\u0148uje ocenit jejich kr\u00e1su a \u0159emesln\u00e9 zpracov\u00e1n\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">Vliv modern\u00edch um\u011blc\u016f<\/h2>\n\n<p>Tradice tkan\u00ed tapis\u00e9ri\u00ed pokra\u010dovala do modern\u00ed \u00e9ry, s um\u011blci jako Goya, Picasso a Mir\u00f3, kte\u0159\u00ed za\u010dlenili tapis\u00e9rii do sv\u00e9 um\u011bleck\u00e9 praxe. Zvl\u00e1\u0161t\u011b pozoruhodn\u00e9 jsou Goyaovy rokokov\u00e9 kartony pro \u0161pan\u011blsk\u00fd dv\u016fr, a\u010dkoli jejich p\u0159eveden\u00ed do tapis\u00e9ri\u00ed m\u011blo za n\u00e1sledek n\u011bkter\u00e1 nezam\u00fd\u0161len\u00e1 zkreslen\u00ed v d\u016fsledku omezen\u00ed procesu tkan\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">Budoucnost tapis\u00e9ri\u00ed<\/h2>\n\n<p>Navzdory probl\u00e9m\u016fm s konzervac\u00ed a vystavov\u00e1n\u00edm z\u016fst\u00e1vaj\u00ed tapis\u00e9rie d\u016fle\u017eitou um\u011bleckou formou, kter\u00e1 p\u0159eklenuje propast mezi v\u00fdtvarn\u00fdm um\u011bn\u00edm a dekorativn\u00edm um\u011bn\u00edm. V\u00fdstava Art Institute of Chicago je d\u016fkazem trval\u00e9 s\u00edly a kr\u00e1sy t\u011bchto tkan\u00fdch mistrovsk\u00fdch d\u011bl.<\/p>\n\n<p>S p\u0159esunem sb\u00edrky obraz\u016f muzea do nov\u00e9 Modern Wing budou tapis\u00e9rie integrov\u00e1ny do expozic, co\u017e n\u00e1v\u0161t\u011bvn\u00edk\u016fm umo\u017en\u00ed za\u017e\u00edt interakci mezi r\u016fzn\u00fdmi um\u011bleck\u00fdmi formami. I kdy\u017e mo\u017en\u00e1 nebude mo\u017en\u00e9 znovu vystavit 70 tapis\u00e9ri\u00ed najednou, z\u00e1vazek Art Institute p\u0159edv\u00e9st tuto um\u011bleckou formu zaji\u0161\u0165uje, \u017ee tapis\u00e9rie budou nad\u00e1le fascinovat publikum pro dal\u0161\u00ed generace.<\/p>","protected":false},"excerpt":{"rendered":"<p>Bo\u017esk\u00e9 um\u011bn\u00ed tapis\u00e9ri\u00ed: Renesance ve 21. stolet\u00ed Zapomenut\u00e1 um\u011bleck\u00e1 forma znovu z\u00edsk\u00e1v\u00e1 svou sl\u00e1vu Tapis\u00e9rie, kdysi pova\u017eovan\u00e9 za zapr\u00e1\u0161enou relikvii minulosti, za\u017e\u00edvaj\u00ed v posledn\u00ed dob\u011b renesanci popularity, jak dokazuj\u00ed ned\u00e1vn\u00e9&hellip;<\/p>\n","protected":false},"author":2,"featured_media":25027,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14496],"tags":[15886,3742,104,15887,2943,401,706,2156,15885,15185,2072],"class_list":["post-11748","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-textile-art","tag-art-institute-of-chicago","tag-baroque-art","tag-art-history","tag-european-art","tag-modern-art","tag-conservation","tag-craftsmanship","tag-medieval-art","tag-tapestry","tag-textile-art","tag-renaissance-art"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11748","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=11748"}],"version-history":[{"count":2,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11748\/revisions"}],"predecessor-version":[{"id":25028,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11748\/revisions\/25028"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media\/25027"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=11748"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=11748"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=11748"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}