Stoupenci b\u00fdval\u00e9ho brazilsk\u00e9ho prezidenta Jaira Bolsonara 8. ledna vtrhli do vl\u00e1dn\u00edch budov v Bras\u00edlii a zp\u016fsobili zna\u010dn\u00e9 \u0161kody na um\u011bleck\u00fdch d\u00edlech v prezidentsk\u00e9m pal\u00e1ci, kongresu a nejvy\u0161\u0161\u00edm soudu. T\u00fdm odborn\u00edk\u016f st\u00e1le hodnot\u00ed rozsah \u0161kod, ale n\u011bkter\u00e1 d\u00edla byla potvrzena jako nen\u00e1vratn\u011b zni\u010den\u00e1.<\/p>\n\n
Tyto budovy, navr\u017een\u00e9 slavn\u00fdm modernistick\u00fdm architektem Oscarem Niemeyerem, jsou zaps\u00e1ny na seznamu sv\u011btov\u00e9ho d\u011bdictv\u00ed UNESCO a ukr\u00fdvaj\u00ed rozs\u00e1hlou sb\u00edrku um\u011bn\u00ed, kter\u00e1 p\u0159edstavuje kulturn\u00ed d\u011bdictv\u00ed Braz\u00edlie. Podle prezidentsk\u00e9 kancel\u00e1\u0159e je hodnota po\u0161kozen\u00fdch um\u011bleck\u00fdch d\u011bl nevy\u010d\u00edsliteln\u00e1 vzhledem k jejich historick\u00e9mu v\u00fdznamu.<\/p>\n\n
Mezi nejv\u00fdznamn\u011bj\u0161\u00ed po\u0161kozen\u00e1 um\u011bleck\u00e1 d\u00edla pat\u0159\u00ed hodiny ze 17. stolet\u00ed vyroben\u00e9 Balthazarem Martinem, dar Domu Jo\u00e3ovi VI. Portugalsk\u00e9mu. Byly zcela zni\u010deny a zbyla po nich jen jejich prot\u011bj\u0161ky ve Versaillesk\u00e9m pal\u00e1ci ve Francii.<\/p>\n\n
Dal\u0161\u00ed ikonick\u00e9 d\u00edlo, “As Mulatas” od Emiliana Di Cavalcantiho, bylo prop\u00edchnuto na sedmi m\u00edstech. Toto modernistick\u00e9 mistrovsk\u00e9 d\u00edlo je ocen\u011bno na v\u00edce ne\u017e 1,5 milionu dolar\u016f a zt\u011bles\u0148uje jedine\u010dn\u00fd brazilsk\u00fd styl um\u011blce, inspirovan\u00fd Matissem a Picassem.<\/p>\n\n
Namalovan\u00e1 socha Jorgeho Eduarda “Bandeira do Brasil” byla nalezena vzn\u00e1\u0161ej\u00edc\u00ed se ve vod\u011b pot\u00e9, co demonstranti otev\u0159eli hydranty a zaplavili podlahu. Bronzov\u00e1 socha “O Flautista” od Bruna Giorgiho a d\u0159ev\u011bn\u00e1 n\u00e1st\u011bnn\u00e1 socha od Franse Krajcberga byly tak\u00e9 rozbity, s \u00falomky rozpt\u00fdlen\u00fdmi po chodb\u00e1ch.<\/p>\n\n
Nepokoje vyvolaly konspira\u010dn\u00ed teorie a odm\u00edtnut\u00ed p\u0159ijmout v\u00fdsledky ned\u00e1vn\u00fdch prezidentsk\u00fdch voleb. B\u00fdval\u00fd prezident Bolsonaro pop\u0159el odpov\u011bdnost za ud\u00e1losti, ale v souvislosti s \u00fatoky bylo zadr\u017eeno p\u0159es 1 000 osob.<\/p>\n\n
Mezin\u00e1rodn\u00ed spole\u010denstv\u00ed odsoudilo po\u0161kozen\u00ed brazilsk\u00e9ho kulturn\u00edho d\u011bdictv\u00ed a srovn\u00e1valo jej s \u00fatoky 6. ledna na Kapitol USA. Zachov\u00e1n\u00ed n\u00e1rodn\u00edho kulturn\u00edho d\u011bdictv\u00ed uprost\u0159ed politick\u00e9ho n\u00e1sil\u00ed je nal\u00e9hav\u00fdm probl\u00e9mem a brazilsk\u00e1 vl\u00e1da \u010del\u00ed v\u00fdzv\u011b obnovit po\u0161kozen\u00e1 um\u011bleck\u00e1 d\u00edla a ochr\u00e1nit sv\u00e9 um\u011bleck\u00e9 d\u011bdictv\u00ed.<\/p>\n\n
Obnova prob\u00edh\u00e1, ale rozsah \u0161kod a proveditelnost opravy n\u011bkter\u00fdch d\u011bl z\u016fst\u00e1vaj\u00ed nejist\u00e9. Ztr\u00e1ta t\u011bchto um\u011bleck\u00fdch d\u011bl p\u0159edstavuje hlubokou ztr\u00e1tu pro brazilskou kulturu a historii.<\/p>\n\n
Nepokoje tak\u00e9 po\u0161kodily mezin\u00e1rodn\u00ed image a pov\u011bst Braz\u00edlie a vrhly st\u00edn na demokratick\u00e9 instituce zem\u011b a jej\u00ed z\u00e1vazek zachovat sv\u00e9 kulturn\u00ed d\u011bdictv\u00ed. Obnoven\u00ed po\u0161kozen\u00fdch um\u011bleck\u00fdch d\u011bl a st\u00edh\u00e1n\u00ed osob odpov\u011bdn\u00fdch za \u00fatoky budou z\u00e1sadn\u00edmi kroky k obnoven\u00ed d\u016fv\u011bry a prok\u00e1z\u00e1n\u00ed odolnosti Braz\u00edlie.<\/p>","protected":false},"excerpt":{"rendered":"
Demonstranti po\u0161kodili um\u011bleck\u00e1 d\u00edla v brazilsk\u00fdch vl\u00e1dn\u00edch budov\u00e1ch Odhad \u0161kod a historick\u00fd v\u00fdznam Stoupenci b\u00fdval\u00e9ho brazilsk\u00e9ho prezidenta Jaira Bolsonara 8. ledna vtrhli do vl\u00e1dn\u00edch budov v Bras\u00edlii a zp\u016fsobili zna\u010dn\u00e9…<\/p>\n","protected":false},"author":2,"featured_media":24187,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[710],"tags":[15953,6799,89,6355,15952],"class_list":["post-11799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-history","tag-art-damage","tag-brazil","tag-cultural-heritage","tag-political-violence","tag-riots"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=11799"}],"version-history":[{"count":2,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11799\/revisions"}],"predecessor-version":[{"id":24188,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/11799\/revisions\/24188"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media\/24187"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=11799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=11799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=11799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}