Silueta se sv\u00fdm jednoduch\u00fdm, st\u00ednovan\u00fdm obrysem se m\u016f\u017ee zd\u00e1t jako omezuj\u00edc\u00ed m\u00e9dium pro um\u011bleck\u00fd v\u00fdraz. Postr\u00e1d\u00e1 detaily a barvy jin\u00fdch um\u011bleck\u00fdch forem, co\u017e zt\u011b\u017euje vyj\u00e1d\u0159en\u00ed slo\u017eit\u00fdch emoc\u00ed nebo p\u0159\u00edb\u011bh\u016f. V rukou um\u011blkyn\u011b Kary Walkerov\u00e9 se v\u0161ak silueta st\u00e1v\u00e1 mocn\u00fdm n\u00e1strojem spole\u010densk\u00e9 kritiky a subverze.<\/p>\n\n
D\u00edlo Kary Walkerov\u00e9 ve Whitney Museum s n\u00e1zvem “Kara Walker: My Complement, My Enemy, My Oppressor, My Love” zpochyb\u0148uje omezen\u00ed siluety. Jej\u00ed um\u011bn\u00ed se zam\u011b\u0159uje na nevy\u0159\u010den\u00e9 p\u0159\u00edb\u011bhy Afroameri\u010dan\u016f na Jihu a zesm\u011b\u0161\u0148uje rasu, pohlav\u00ed a sexualitu.<\/p>\n\n
Walkerova velkoform\u00e1tov\u00e1 siluetov\u00e1 fr\u00edza “Gone, An Historical Romance of a Civil War as It Occurred Between the Dusky Thighs of One Young Negress and Her Heart” se rozprost\u00edr\u00e1 p\u0159es celou st\u011bnu galerie. Na prvn\u00ed pohled mohou o\u010di div\u00e1ka p\u0159ej\u00edt p\u0159es tvary, ani\u017e by pln\u011b pochopily hr\u016fzn\u00e9 a znepokojiv\u00e9 zobrazen\u00e9 akce.<\/p>\n\n
P\u0159i bli\u017e\u0161\u00edm zkoum\u00e1n\u00ed div\u00e1k objev\u00ed sc\u00e9nu n\u00e1sil\u00ed a vyko\u0159is\u0165ov\u00e1n\u00ed: oble\u010den\u00fd p\u00e1n ukradne polibek mlad\u00e9 d\u00edvce, zat\u00edmco pobl\u00ed\u017e d\u00edt\u011b ukazuje u\u0161krcenou husu \u017een\u011b le\u017e\u00edc\u00ed na z\u00e1dech u jeho nohou. Mu\u017esk\u00e9 postavy miz\u00ed pod sukn\u011bmi \u017een, jejich kon\u010detiny jsou rozta\u017een\u00e9 v n\u00e1siln\u00fdch a nep\u0159\u00edjemn\u00fdch pozic\u00edch.<\/p>\n\n
Walkerovo d\u00edlo je jak skatologick\u00e9, tak zpov\u011bdn\u00ed a odhaluje hr\u016fzy, kter\u00e9 \u010d\u00edhaj\u00ed pod povrchem zdvo\u0159il\u00e9 spole\u010dnosti. Jej\u00ed siluety odhaluj\u00ed rasov\u00e9 n\u00e1sil\u00ed, sexu\u00e1ln\u00ed zneu\u017e\u00edv\u00e1n\u00ed a genderovou nerovnost, kter\u00e9 tr\u00e1pily Afroameri\u010dany v pr\u016fb\u011bhu historie.<\/p>\n\n
Zd\u016frazn\u011bn\u00edm propasti mezi t\u00edm, co je vid\u011bt a nen\u00ed vid\u011bt, vytv\u00e1\u0159ej\u00ed Walkerovy siluety pocit neklidu a nepohodl\u00ed. Div\u00e1k je nucen \u010delit nevysloven\u00fdm pravd\u00e1m a skryt\u00fdm realit\u00e1m, kter\u00e9 um\u011blec odhaluje.<\/p>\n\n
Walkerovy siluety maj\u00ed znepokojivou kvalitu no\u010dn\u00edch m\u016fr, kde hr\u016fzy, kter\u00e9 n\u00e1s pron\u00e1sleduj\u00ed, jsou z\u00e1rove\u0148 skryt\u00e9 i nevyhnuteln\u00e9. St\u00edny, kter\u00e9 definuj\u00ed jej\u00ed postavy, se st\u00e1vaj\u00ed metaforou pro nevysloven\u00e1 traumata a nespravedlnosti, kter\u00e9 nad\u00e1le formuj\u00ed na\u0161i spole\u010dnost.<\/p>\n\n
D\u00edlo Kary Walkerov\u00e9 demonstruje s\u00edlu siluet jako m\u00e9dia pro spole\u010densk\u00fd koment\u00e1\u0159. Podvracen\u00edm tradi\u010dn\u00edch p\u0159\u00edb\u011bh\u016f spojen\u00fdch s touto um\u011bleckou formou odhaluje skryt\u00e9 pravdy a \u010del\u00ed nep\u0159\u00edjemn\u00fdm realit\u00e1m, kter\u00e9 \u010dasto rad\u011bji ignorujeme.<\/p>\n\n
Pr\u016fkopnick\u00e9 d\u00edlo Kary Walkerov\u00e9 m\u011blo hlubok\u00fd vliv na sou\u010dasn\u00e9 um\u011bn\u00ed. Jej\u00ed schopnost pou\u017e\u00edvat siluety ke zkoum\u00e1n\u00ed slo\u017eit\u00fdch spole\u010densk\u00fdch probl\u00e9m\u016f inspirovala novou generaci um\u011blc\u016f, aby se zapojili do sv\u011bta kolem sebe a zpochyb\u0148ovali status quo.<\/p>","protected":false},"excerpt":{"rendered":"
Podstatn\u00e9 Siluety: Podvratn\u00e9 Um\u011bn\u00ed Kary Walkerov\u00e9 Omezen\u00ed Siluet Silueta se sv\u00fdm jednoduch\u00fdm, st\u00ednovan\u00fdm obrysem se m\u016f\u017ee zd\u00e1t jako omezuj\u00edc\u00ed m\u00e9dium pro um\u011bleck\u00fd v\u00fdraz. Postr\u00e1d\u00e1 detaily a barvy jin\u00fdch um\u011bleck\u00fdch forem,…<\/p>\n","protected":false},"author":2,"featured_media":23793,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2835],"tags":[1080,17378,4407,6679,17380,17379,12,9],"class_list":["post-12864","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contemporary-art","tag-african-american-history","tag-kara-walker","tag-gender","tag-race","tag-sexuality","tag-silhouettes","tag-social-commentary","tag-art"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/12864","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=12864"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/12864\/revisions"}],"predecessor-version":[{"id":12865,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/12864\/revisions\/12865"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media\/23793"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=12864"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=12864"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=12864"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}