B\u011bhem restaur\u00e1torsk\u00fdch prac\u00ed v historick\u00e9 v\u00edde\u0148sk\u00e9 katedr\u00e1le svat\u00e9ho \u0160t\u011bp\u00e1na se pod vrstvami \u0161p\u00edny objevil pozoruhodn\u00fd objev v \u010d\u00e1sti nyn\u00ed vyu\u017e\u00edvan\u00e9 jako obchod se suven\u00fdry. V\u011bdci se domn\u00edvaj\u00ed, \u017ee dosud nezn\u00e1m\u00e9 um\u011bleck\u00e9 d\u00edlo je n\u00e1st\u011bnn\u00e1 malba vytvo\u0159en\u00e1 v d\u00edln\u011b n\u011bmeck\u00e9ho renesan\u010dn\u00edho mistra Albrechta D\u00fcrera, mo\u017en\u00e1 i samotn\u00fdm um\u011blcem.<\/p>\n\n
N\u00e1st\u011bnn\u00e1 malba m\u00e1 podobu dvourozm\u011brn\u00e9ho triptychu, zobrazuj\u00edc\u00edho svat\u00e9ho Leopolda, patrona Rakouska, po jeho\u017e boc\u00edch stoj\u00ed svat\u00e1 Kate\u0159ina a svat\u00e1 Mark\u00e9ta. Pod nimi je \u201eobraz typu predella\u201c p\u0159ipom\u00ednaj\u00edc\u00ed z\u00e1klad olt\u00e1\u0159e.<\/p>\n\n
Odborn\u00edci jsou zvl\u00e1\u0161t\u011b zaujati podkresbami svat\u00e9 Kate\u0159iny a svat\u00e9 Mark\u00e9ty, kter\u00e9 byly vyryty do \u010derstv\u00e9 om\u00edtky kolem roku 1505. Podle prohl\u00e1\u0161en\u00ed katedr\u00e1ly jsou tyto kresby \u201enepochybn\u011b od um\u011blce z D\u00fcrerova okruhu\u201c. D\u00fcrer\u016fv specialista Erwin Pokorny v\u0161ak jde je\u0161t\u011b d\u00e1le a tvrd\u00ed, \u017ee kresby vytvo\u0159il s\u00e1m mistr kv\u016fli jejich v\u00fdjime\u010dn\u00e9 kvalit\u011b.<\/p>\n\n
D\u00edlo ve svat\u00e9m \u0160t\u011bp\u00e1nu mohl objednat c\u00edsa\u0159 Svat\u00e9 \u0159\u00ed\u0161e \u0159\u00edmsk\u00e9 Maxmili\u00e1n I., kter\u00fd b\u011bhem sv\u00e9 vl\u00e1dy roz\u0161\u00ed\u0159il rakousk\u00e9 \u00fazem\u00ed. D\u00fcrerova biografie ze 17. stolet\u00ed zmi\u0148uje n\u00e1st\u011bnnou malbu objednanou c\u00edsa\u0159em, ale \u017e\u00e1dn\u00e9 jin\u00e9 z\u00e1znamy o t\u00e9to objedn\u00e1vce se nedochovaly. A\u017e doposud bylo toto d\u00edlo pova\u017eov\u00e1no za ztracenou legendu.<\/p>\n\n
D\u00fcrer se narodil v roce 1471 v Norimberku a proslavil se jako mal\u00ed\u0159, kresl\u00ed\u0159 a grafik. Je v\u0161eobecn\u011b pova\u017eov\u00e1n za nejv\u011bt\u0161\u00edho n\u011bmeck\u00e9ho renesan\u010dn\u00edho um\u011blce. Cesty do It\u00e1lie a Nizozemska v\u00fdznamn\u011b ovlivnily jeho tvorbu a formovaly jeho z\u00e1jem o lidskou anatomii a pou\u017e\u00edv\u00e1n\u00ed barev a designu.<\/p>\n\n
Objev podkresby v katedr\u00e1le svat\u00e9ho \u0160t\u011bp\u00e1na vyvol\u00e1v\u00e1 ot\u00e1zky o D\u00fcrerov\u011b mo\u017en\u00e9 n\u00e1v\u0161t\u011bv\u011b V\u00eddn\u011b, kter\u00e1 nebyla d\u0159\u00edve zdokumentov\u00e1na. Mohl se tam zastavit na sv\u00e9 cest\u011b z Norimberka do Ben\u00e1tek nebo nav\u0161t\u00edvit sv\u00e9ho p\u0159\u00edtele, n\u011bmeck\u00e9ho humanistick\u00e9ho u\u010dence Konr\u00e1da Celtise.<\/p>\n\n
O D\u00fcrerovi bylo d\u0159\u00edve zn\u00e1mo, \u017ee vytvo\u0159il pouze jednu dal\u0161\u00ed sadu n\u00e1st\u011bnn\u00fdch maleb, kter\u00e9 zdobily norimberskou radnici, ale byly ztraceny b\u011bhem druh\u00e9 sv\u011btov\u00e9 v\u00e1lky. Objev v katedr\u00e1le svat\u00e9ho \u0160t\u011bp\u00e1na tak p\u0159id\u00e1v\u00e1 jeho um\u011bleck\u00e9mu odkazu v\u00fdznamnou \u010d\u00e1st.<\/p>\n\n
Svat\u00fd \u0160t\u011bp\u00e1n zah\u00e1jil projekt konzervov\u00e1n\u00ed triptychu a v\u00fdzkum malby bude letos zve\u0159ejn\u011bn v rakousk\u00e9m \u010dasopise o um\u011bn\u00ed a pam\u00e1tkov\u00e9 p\u00e9\u010di. Pokorny z\u016fst\u00e1v\u00e1 p\u0159esv\u011bd\u010den, \u017ee podkresby vytvo\u0159ila D\u00fcrerova vlastn\u00ed ruka, co\u017e zd\u016fraz\u0148uje v\u00fdznam objevu pro pochopen\u00ed um\u011blcov\u00fdch cest a vliv\u016f.<\/p>","protected":false},"excerpt":{"rendered":"
Albrecht D\u00fcrerovo skryt\u00e9 mistrovsk\u00e9 d\u00edlo: Odhalen\u00ed tajemstv\u00ed katedr\u00e1ly svat\u00e9ho \u0160t\u011bp\u00e1na Objev ztracen\u00e9ho pokladu B\u011bhem restaur\u00e1torsk\u00fdch prac\u00ed v historick\u00e9 v\u00edde\u0148sk\u00e9 katedr\u00e1le svat\u00e9ho \u0160t\u011bp\u00e1na se pod vrstvami \u0161p\u00edny objevil pozoruhodn\u00fd objev v…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6574],"tags":[17609,104,17610,2072,16502,17611],"class_list":["post-13026","post","type-post","status-publish","format-standard","hentry","category-renaissance-art","tag-albrecht-durer","tag-art-history","tag-st-stephens-cathedral","tag-renaissance-art","tag-vienna","tag-lost-masterpiece"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/13026","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=13026"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/13026\/revisions"}],"predecessor-version":[{"id":13027,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/13026\/revisions\/13027"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=13026"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=13026"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=13026"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}