{"id":134,"date":"2020-08-02T19:02:31","date_gmt":"2020-08-02T19:02:31","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=134"},"modified":"2020-08-02T19:02:31","modified_gmt":"2020-08-02T19:02:31","slug":"rediscovering-lost-medieval-melodies-the-consolation-of-philosophy-comes-to-life","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/art\/music\/rediscovering-lost-medieval-melodies-the-consolation-of-philosophy-comes-to-life\/","title":{"rendered":"Znovuobjeven\u00e9 ztracen\u00e9 st\u0159edov\u011bk\u00e9 melodie: \u00dat\u011bcha z filozofie o\u017e\u00edv\u00e1"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Znovuobjeven\u00ed ztracen\u00fdch st\u0159edov\u011bk\u00fdch melodi\u00ed: \u00dat\u011bcha filosofie o\u017e\u00edv\u00e1<\/h2>\n\n<h2 class=\"wp-block-heading\">Z\u00e1hada zmizel\u00e9 str\u00e1nky<\/h2>\n\n<p>V srdci knihovny Univerzity v Cambridge se rozvinulo stalet\u00ed star\u00e9 tajemstv\u00ed. Str\u00e1nka z rukopisu &#8220;Cambridgsk\u00fdch p\u00edsn\u00ed&#8221; z 11. stolet\u00ed, obsahuj\u00edc\u00ed neocenitelnou st\u0159edov\u011bkou hudbu, zmizela ve 40. letech 19. stolet\u00ed. O n\u011bkolik desetilet\u00ed pozd\u011bji badatelka Margaret Gibsonov\u00e1 narazila na chyb\u011bj\u00edc\u00ed str\u00e1nku ve frankfurtsk\u00e9 knihovn\u011b, co\u017e znovu za\u017eehlo snahu o rozlu\u0161t\u011bn\u00ed jej\u00edch star\u00fdch hudebn\u00edch tajemstv\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">P\u0159eklad hudebn\u00ed notace<\/h2>\n\n<p>St\u0159edov\u011bk\u00e1 hudebn\u00ed notace, zn\u00e1m\u00e1 jako &#8220;neumy&#8221;, poskytovala pouze obecn\u00fd melodick\u00fd n\u00e1stin a mnoho detail\u016f ponech\u00e1vala na interpretaci um\u011blce. Prost\u0159ednictv\u00edm pe\u010dliv\u00e9 anal\u00fdzy a spolupr\u00e1ce s odborn\u00edkem na starou hudbu Benjaminem Bagbym v\u011bdci poskl\u00e1dali melodie Boethiov\u00fdch p\u00edsn\u00ed a dali tak hlas hudb\u011b, kter\u00e1 byla v\u00edce ne\u017e tis\u00edcilet\u00ed ztracena.<\/p>\n\n<h2 class=\"wp-block-heading\">Boethiovo trval\u00e9 d\u011bdictv\u00ed<\/h2>\n\n<p>\u00dat\u011bcha z filozofie, kterou napsal \u0159\u00edmsk\u00fd filozof Boethius b\u011bhem sv\u00e9ho uv\u011bzn\u011bn\u00ed za zradu, se stala z\u00e1kladn\u00edm kamenem klasick\u00e9 literatury. Jej\u00ed trval\u00e1 t\u00e9mata moudrosti, ctnosti a hled\u00e1n\u00ed smyslu rezonovala s u\u010denci a vl\u00e1dci po cel\u00e1 stalet\u00ed. Boethiovo d\u00edlo bylo p\u0159elo\u017eeno a adaptov\u00e1no do p\u00edsn\u00ed, co\u017e odr\u00e1\u017e\u00ed \u017eivou hudebn\u00ed kulturu ran\u00e9ho st\u0159edov\u011bku.<\/p>\n\n<h2 class=\"wp-block-heading\">Proces rekonstrukce<\/h2>\n\n<p>Rekonstrukce Boethiov\u00fdch p\u00edsn\u00ed, kterou vedl cambridgesk\u00fd specialista Sam Barrett, zahrnovala delik\u00e1tn\u00ed kombinaci odborn\u00fdch znalost\u00ed a um\u011bleck\u00e9 intuice. Barrett pe\u010dliv\u011b analyzoval neumy a konzultoval Bagbyho, aby prozkoumal r\u016fzn\u00e9 melodick\u00e9 mo\u017enosti. Prost\u0159ednictv\u00edm pe\u010dliv\u00e9ho procesu pokus\u016f a omyl\u016f postupn\u011b rozpl\u00e9tali slo\u017eitou tapis\u00e9rii st\u0159edov\u011bk\u00fdch melodi\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">Duch star\u00e9 hudby<\/h2>\n\n<p>&#8220;Byly chv\u00edle, kdy jsem na tom pracoval, a myslel jsem si, \u017ee jsem v 11. stolet\u00ed,&#8221; poznamenal Barrett. &#8220;Hudba byla tak bl\u00edzko, \u017ee byla t\u00e9m\u011b\u0159 hmatateln\u00e1.&#8221; T\u00edm, \u017ee p\u0159eklenul propast mezi star\u00fdmi a modern\u00edmi hudebn\u00edmi tradicemi, poskytla rekonstrukce Boethiov\u00fdch p\u00edsn\u00ed nahl\u00e9dnut\u00ed do \u017eiv\u00fdch zvukov\u00fdch krajin st\u0159edov\u011bk\u00e9 Evropy.<\/p>\n\n<h2 class=\"wp-block-heading\">Role star\u00e9 hudby<\/h2>\n\n<p>Odborn\u00e9 znalosti Benjamina Bagbyho ve star\u00e9 hudb\u011b byly z\u00e1sadn\u00ed pro o\u017eiven\u00ed Boethiov\u00fdch p\u00edsn\u00ed. Jeho hlubok\u00e9 pochopen\u00ed st\u0159edov\u011bk\u00fdch interpreta\u010dn\u00edch praktik a jeho schopnost experimentovat s r\u016fzn\u00fdmi melodick\u00fdmi interpretacemi hr\u00e1ly z\u00e1sadn\u00ed roli p\u0159i rekonstrukci ztracen\u00fdch melodi\u00ed. Bagbyho pr\u00e1ce uk\u00e1zala z\u00e1sadn\u00ed roli, kterou hraj\u00ed specialist\u00e9 na starou hudbu p\u0159i zachov\u00e1n\u00ed a o\u017eivov\u00e1n\u00ed star\u00fdch hudebn\u00edch tradic.<\/p>\n\n<h2 class=\"wp-block-heading\">V\u00fdznam Boethiovy hudby<\/h2>\n\n<p>Znovunalezen\u00ed Boethiov\u00fdch p\u00edsn\u00ed nejen obohacuje na\u0161e ch\u00e1p\u00e1n\u00ed st\u0159edov\u011bk\u00e9 hudby, ale tak\u00e9 vrh\u00e1 sv\u011btlo na \u0161ir\u0161\u00ed kulturn\u00ed krajinu t\u00e9 doby. Prost\u0159ednictv\u00edm sv\u00fdch melodi\u00ed Boethius vyj\u00e1d\u0159il sv\u00e9 filozofick\u00e9 \u00favahy a nab\u00eddl \u00fat\u011bchu sv\u00fdm spoluv\u011bz\u0148\u016fm. Rekonstrukce jeho p\u00edsn\u00ed poskytuje hmatateln\u00e9 spojen\u00ed s den intelektu\u00e1ln\u00edm a emocion\u00e1ln\u00edm sv\u011btem antick\u00e9ho sv\u011bta.<\/p>\n\n<h2 class=\"wp-block-heading\">Dopad modern\u00ed v\u011bdy<\/h2>\n\n<p>Rekonstrukce Boethiov\u00fdch p\u00edsn\u00ed je sv\u011bdectv\u00edm s\u00edly modern\u00ed v\u011bdy. Prost\u0159ednictv\u00edm pe\u010dliv\u00e9ho v\u00fdzkumu, spolupr\u00e1ce a um\u011bleck\u00e9 intuice v\u011bdci odemkli tajemstv\u00ed star\u00e9 hudebn\u00ed notace a p\u0159ivedli ztracen\u00e9 melodie k \u017eivotu. Jejich pr\u00e1ce nejen roz\u0161i\u0159uje na\u0161e znalosti o st\u0159edov\u011bk\u00e9 hudb\u011b, ale tak\u00e9 podporuje hlub\u0161\u00ed ocen\u011bn\u00ed trval\u00e9 s\u00edly lidsk\u00e9 kreativity nap\u0159\u00ed\u010d v\u011bky.<\/p>","protected":false},"excerpt":{"rendered":"<p>Znovuobjeven\u00ed ztracen\u00fdch st\u0159edov\u011bk\u00fdch melodi\u00ed: \u00dat\u011bcha filosofie o\u017e\u00edv\u00e1 Z\u00e1hada zmizel\u00e9 str\u00e1nky V srdci knihovny Univerzity v Cambridge se rozvinulo stalet\u00ed star\u00e9 tajemstv\u00ed. Str\u00e1nka z rukopisu &#8220;Cambridgsk\u00fdch p\u00edsn\u00ed&#8221; z 11. stolet\u00ed, obsahuj\u00edc\u00ed&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[327],"tags":[380,378,376,379,377],"class_list":["post-134","post","type-post","status-publish","format-standard","hentry","category-music","tag-boethius","tag-music-history","tag-medieval-music","tag-consolation-of-philosophy","tag-lost-treasures"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=134"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/134\/revisions"}],"predecessor-version":[{"id":135,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/134\/revisions\/135"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=134"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=134"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}