Archeologov\u00e9 v Pompej\u00edch u\u010dinili mimo\u0159\u00e1dn\u00fd objev: starov\u011bkou j\u00eddelnu zdobenou s\u00e9ri\u00ed \u00fa\u017easn\u00fdch fresek zobrazuj\u00edc\u00edch mytologick\u00e9 postavy spojen\u00e9 s trojskou v\u00e1lkou. M\u00edstnost o p\u016fsobiv\u00fdch rozm\u011brech 15 metr\u016f na d\u00e9lku a 6 metr\u016f na \u0161\u00ed\u0159ku m\u00e1 mozaikovou podlahu zdobenou v\u00edce ne\u017e milionem drobn\u00fdch b\u00edl\u00fdch dla\u017edic, kter\u00e9 vytv\u00e1\u0159ej\u00ed strhuj\u00edc\u00ed pozad\u00ed pro \u017eiv\u00e9 fresky.<\/p>\n\n
Jedna z nejv\u00edce fascinuj\u00edc\u00edch fresek zobrazuje legend\u00e1rn\u00ed Helenu Trojskou a Parida, jejich\u017e \u00fat\u011bk vyvolal ud\u00e1losti, kter\u00e9 vedly k trojsk\u00e9 v\u00e1lce. Helena, kdysi man\u017eelka Menel\u00e1a, kr\u00e1le Sparty, uprchla do Tr\u00f3je s trojsk\u00fdm princem Parisem, co\u017e vyvolalo konflikt, kter\u00fd se m\u011bl nav\u017edy zapsat do \u0159eck\u00e9 mytologie.<\/p>\n\n
Na dal\u0161\u00ed fresce je zobrazen starov\u011bk\u00fd \u0159eck\u00fd b\u016fh Apoll\u00f3n, jak pron\u00e1sleduje trojskou kn\u011b\u017eku Kassandru. Apoll\u00f3n ud\u011blil Kassand\u0159e dar proroctv\u00ed, ale kdy\u017e odm\u00edtla jeho milostn\u00e9 n\u00e1vrhy, proklel ji, aby nikdo nev\u011b\u0159il jej\u00edm viz\u00edm v\u00e1lky.<\/p>\n\n
St\u011bny za freskami pokr\u00fdv\u00e1 \u010dern\u00e9 pozad\u00ed, kter\u00e9 se pravd\u011bpodobn\u011b pou\u017e\u00edvalo k tomu, aby se zabr\u00e1nilo tomu, aby kou\u0159 a saze z olejov\u00fdch lamp po\u0161kodily um\u011bleck\u00e1 d\u00edla. Mihotav\u00e9 sv\u011btlo t\u011bchto lamp by na fresky vrhalo nadpozemskou z\u00e1\u0159i a p\u016fsobilo by dojmem, \u017ee se pohybuj\u00ed, zvl\u00e1\u0161t\u011b po n\u011bkolika sklenk\u00e1ch kamp\u00e1nsk\u00e9ho v\u00edna.<\/p>\n\n
J\u00eddelna se otev\u00edr\u00e1 do n\u00e1dvo\u0159\u00ed s schodi\u0161t\u011bm vedouc\u00edm do dal\u0161\u00edho patra budovy. Na oblouc\u00edch schodi\u0161t\u011b n\u011bkdo na\u010drtl sc\u00e9nu zobrazuj\u00edc\u00ed “dva p\u00e1ry gladi\u00e1tor\u016f a n\u011bco, co vypad\u00e1 jako obrovsk\u00fd stylizovan\u00fd falus”, uv\u00e1d\u00ed Pompejsk\u00fd archeologick\u00fd park.<\/p>\n\n
S\u00ed\u0148 se nach\u00e1z\u00ed v soukrom\u00e9m dom\u011b v oblasti Regio IX ve m\u011bst\u011b, kterou archeologov\u00e9 vykop\u00e1vaj\u00ed ji\u017e asi rok. Toto m\u00edsto odhalilo \u010detn\u00e9 objevy, v\u010detn\u011b pek\u00e1rny, staveni\u0161t\u011b a fresky zobrazuj\u00edc\u00ed pizzu podobn\u00fd placek, z nich\u017e ka\u017ed\u00fd vrh\u00e1 sv\u011btlo na ka\u017edodenn\u00ed \u017eivot v Pompej\u00edch p\u0159ed katastrof\u00e1ln\u00ed erupc\u00ed Vesuvu v roce 79 n. l.<\/p>\n\n
Objevov\u00e1n\u00ed a uchov\u00e1v\u00e1n\u00ed starov\u011bk\u00fdch artefakt\u016f b\u011bhem vykop\u00e1vek je komplexn\u00ed a n\u00e1ro\u010dn\u00fd \u00fakol. Roberta Prisco, hlavn\u00ed restaur\u00e1torka na m\u00edst\u011b, ned\u00e1vno v\u011bnovala cel\u00fd den “snaze zabr\u00e1nit z\u0159\u00edcen\u00ed oblouku”, co\u017e zd\u016fraz\u0148uje k\u0159ehkost t\u011bchto objev\u016f.<\/p>\n\n
“Tato zodpov\u011bdnost je obrovsk\u00e1,” \u0159\u00edk\u00e1 Prisco. “M\u00e1me v\u00e1\u0161e\u0148 a hlubokou l\u00e1sku k tomu, co d\u011bl\u00e1me, proto\u017ee to, co objevujeme a chr\u00e1n\u00edme, je z\u00e1rove\u0148 radost\u00ed pro generace, kter\u00e9 p\u0159ijdou po n\u00e1s.”<\/p>\n\n
Archeologov\u00e9 studuj\u00ed Pompeje ji\u017e po stalet\u00ed, ale dosud bylo vykop\u00e1no pouze asi dv\u011b t\u0159etiny starov\u011bk\u00e9ho m\u011bsta. Pro Gabriela Zuchtriegla, \u0159editele Pompejsk\u00e9ho archeologick\u00e9ho parku, jsou nov\u011b objeven\u00e9 fresky nejen d\u016fle\u017eit\u00fdm archeologick\u00fdm n\u00e1lezem, ale tak\u00e9 nad\u010dasov\u00fdm zamy\u0161len\u00edm nad lidskou p\u0159irozenost\u00ed.<\/p>\n\n
“Mytologick\u00e9 p\u00e1ry poskytly n\u00e1m\u011bty k rozhovor\u016fm o minulosti a \u017eivot\u011b, kter\u00e9 se na prvn\u00ed pohled zdaj\u00ed b\u00fdt pouze romantick\u00e9 povahy,” \u0159\u00edk\u00e1. “Ve skute\u010dnosti se vztahuj\u00ed ke vztahu mezi jedincem a osudem: Kassandra, kter\u00e1 m\u016f\u017ee vid\u011bt budoucnost, ale nikdo j\u00ed nev\u011b\u0159\u00ed; Apoll\u00f3n, kter\u00fd stoj\u00ed na stran\u011b Trojan\u016f proti \u0159eck\u00fdm \u00fato\u010dn\u00edk\u016fm, ale jako b\u016fh nem\u016f\u017ee zajistit v\u00edt\u011bzstv\u00ed; Helena a Paris, kte\u0159\u00ed jsou p\u0159es sv\u016fj politicky nekorektn\u00ed milostn\u00fd vztah p\u0159\u00ed\u010dinou v\u00e1lky, nebo snad jen z\u00e1minkou. Kdo v\u00ed?”<\/p>\n\n
Zuchtriegel dod\u00e1v\u00e1: “V dne\u0161n\u00ed dob\u011b n\u00e1s Helena a Paris reprezentuj\u00ed v\u0161echny: Ka\u017ed\u00fd den se m\u016f\u017eeme rozhodnout, zda se zam\u011b\u0159\u00edme v\u00fdhradn\u011b na sv\u016fj vlastn\u00ed soukrom\u00fd \u017eivot, nebo zda budeme zkoumat zp\u016fsob, jak\u00fdm jsou na\u0161e \u017eivoty propleteny se \u0161irok\u00fdm proudem d\u011bjin.”<\/p>\n\n
Fresky v nov\u011b objeven\u00e9 pompejsk\u00e9 j\u00eddeln\u011b nab\u00edzej\u00ed strhuj\u00edc\u00ed pohled do antick\u00e9 mytologie, um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed a trval\u00fdch lidsk\u00fdch t\u00e9mat l\u00e1sky, osudu a hled\u00e1n\u00ed smyslu \u017eivota. Zat\u00edmco archeologov\u00e9 budou i nad\u00e1le pronikat do tajemstv\u00ed Pompej\u00ed, tato \u00fa\u017easn\u00e1 um\u011bleck\u00e1 d\u00edla budou i nad\u00e1le inspirovat a zaujmout publikum po cel\u00e9m sv\u011bt\u011b.<\/p>","protected":false},"excerpt":{"rendered":"
Pompejsk\u00e9 spektakul\u00e1rn\u00ed fresky: Okno do antick\u00e9 mytologie a lidsk\u00e9 p\u0159irozenosti Objevov\u00e1n\u00ed um\u011bleck\u00fdch poklad\u016f Archeologov\u00e9 v Pompej\u00edch u\u010dinili mimo\u0159\u00e1dn\u00fd objev: starov\u011bkou j\u00eddelnu zdobenou s\u00e9ri\u00ed \u00fa\u017easn\u00fdch fresek zobrazuj\u00edc\u00edch mytologick\u00e9 postavy spojen\u00e9 s…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4678],"tags":[88,104,15413,27,195,7585,3481,2313],"class_list":["post-13599","post","type-post","status-publish","format-standard","hentry","category-ancient-art","tag-archaeology","tag-art-history","tag-frescoes","tag-history","tag-mythology","tag-pompeii","tag-roman-empire","tag-ancient-greece"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/13599","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=13599"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/13599\/revisions"}],"predecessor-version":[{"id":13600,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/13599\/revisions\/13600"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=13599"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=13599"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=13599"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}