Afgh\u00e1nist\u00e1n, n\u00e1rod poznamenan\u00fd des\u00edtkami let konfliktu, p\u0159edstavuje tapis\u00e9rii kr\u00e1sy a drsnosti. Fotografka Beth Wald se vydala na cestu do t\u00e9to tajemn\u00e9 zem\u011b v doprovodu novin\u00e1\u0159e Roba Schultheise. Jejich z\u00e1\u017eitky zachycen\u00e9 na \u00fachvatn\u00fdch sn\u00edmc\u00edch a dojemn\u00fdch slovech odhaluj\u00ed slo\u017eitosti, kter\u00e9 Afgh\u00e1nist\u00e1n definuj\u00ed.<\/p>\n\n
Waldovy cesty ji zavedly do m\u011bsta Maz\u00e1re \u0160ar\u00edf, kde se nach\u00e1z\u00ed n\u00e1dhern\u00e1 Velk\u00e1 me\u0161ita Hazrat Ali. P\u0159esto\u017ee se m\u011bsto nach\u00e1z\u00ed pobl\u00ed\u017e v\u00e1lkou zm\u00edtan\u00fdch oblast\u00ed, me\u0161ita vyza\u0159ovala auru m\u00edru. \u017deny od\u011bn\u00e9 do spl\u00fdvav\u00fdch burek s ukryt\u00fdmi tv\u00e1\u0159emi se ladn\u011b pohybovaly po n\u00e1dvo\u0159\u00edch.<\/p>\n\n
Kdy\u017e se Wald vydala do me\u0161ity, za\u017eila okam\u017eik ne\u010dekan\u00e9ho spojen\u00ed. \u017dena, jej\u00ed\u017e tv\u00e1\u0159 byla nyn\u00ed viditeln\u00e1, sev\u0159ela Waldovou ruku a sundala si z prstu kr\u00e1sn\u00fd st\u0159\u00edbrn\u00fd a rub\u00ednov\u00fd prsten. Jemn\u00fdm gestem ho vlo\u017eila do Waldovy ruky, co\u017e symbolizovalo pouto vytvo\u0159en\u00e9 mezi dv\u011bma cizinkami z velmi odli\u0161n\u00fdch sv\u011bt\u016f.<\/p>\n\n
Schultheis, zku\u0161en\u00fd novin\u00e1\u0159, kter\u00fd o Afgh\u00e1nist\u00e1nu d\u016fkladn\u011b informoval, byl sv\u011bdkem temn\u011bj\u0161\u00ed str\u00e1nky t\u00e9to zem\u011b. Vzpom\u00edn\u00e1 na d\u011bsiv\u00e9 z\u00e1\u017eitky z navigace po zr\u00e1dn\u00fdch silnic\u00edch, kde bezohledn\u00ed \u0159idi\u010di ignorovali varov\u00e1n\u00ed p\u0159ed minov\u00fdmi poli a zkorumpovan\u00ed dopravn\u00ed policist\u00e9 lovili nic netu\u0161\u00edc\u00ed cestuj\u00edc\u00ed.<\/p>\n\n
Navzdory nebezpe\u010d\u00ed nejsou Schultheisovy vzpom\u00ednky definov\u00e1ny pouze konfliktem. Hovo\u0159\u00ed o odolnosti afgh\u00e1nsk\u00e9ho lidu, o jejich schopnosti nach\u00e1zet radostn\u00e9 okam\u017eiky uprost\u0159ed t\u011b\u017ekost\u00ed.<\/p>\n\n
V odklonu od Afgh\u00e1nist\u00e1nu Wald a Schultheis obr\u00e1tili svou pozornost k jin\u00e9mu druhu konfliktu odehr\u00e1vaj\u00edc\u00edmu se v Hendersonu v New Yorku. Mezi ryb\u00e1\u0159sk\u00fdmi pr\u016fvodci a kormor\u00e1ny, vodn\u00edmi pt\u00e1ky s nenasytnou chut\u00ed na ryby, vypukl ho\u0159k\u00fd spor.<\/p>\n\n
Ryb\u00e1\u0159\u0161t\u00ed pr\u016fvodci tvrdili, \u017ee kormor\u00e1ni decimuj\u00ed jejich \u017eivobyt\u00ed, zat\u00edmco v\u011bdci argumentovali, \u017ee pt\u00e1ci pouze prosperuj\u00ed ve zm\u011bn\u011bn\u00e9m ekosyst\u00e9mu. Waldovo zpravodajstv\u00ed zachycuje slo\u017eitosti tohoto konfliktu a zkoum\u00e1 perspektivy v\u0161ech z\u00fa\u010dastn\u011bn\u00fdch stran.<\/p>\n\n
Rozmno\u017eov\u00e1n\u00ed kormor\u00e1n\u016f m\u011blo z\u00e1sadn\u00ed vliv na m\u00edstn\u00ed populace ryb v Hendersonu a na komunity, kter\u00e9 jsou na nich z\u00e1visl\u00e9. \u017drav\u00e9 potravn\u00ed n\u00e1vyky pt\u00e1k\u016f vyv\u00edjej\u00ed obrovsk\u00fd tlak na tyto k\u0159ehk\u00e9 ekosyst\u00e9my, ohro\u017euj\u00ed \u017eivobyt\u00ed ryb\u00e1\u0159\u016f a rovnov\u00e1hu p\u0159\u00edrody.<\/p>\n\n
Zku\u0161enosti Beth Wald a Roba Schultheise v Afgh\u00e1nist\u00e1nu a Hendersonu v New Yorku zd\u016fraz\u0148uj\u00ed mnohostrannou povahu lidsk\u00e9 existence. Uprost\u0159ed hr\u016fz v\u00e1lky lze naj\u00edt okam\u017eiky kr\u00e1sy a spojen\u00ed. A uprost\u0159ed konfliktu je \u010dasto pot\u0159eba porozum\u011bn\u00ed a kompromisu, abychom na\u0161li cestu vp\u0159ed.<\/p>","protected":false},"excerpt":{"rendered":"
Grim a kr\u00e1sno: Cesta fotografky Beth Wald do Afgh\u00e1nist\u00e1nu Slo\u017eit\u00e1 a kontrastn\u00ed zem\u011b Afgh\u00e1nist\u00e1n, n\u00e1rod poznamenan\u00fd des\u00edtkami let konfliktu, p\u0159edstavuje tapis\u00e9rii kr\u00e1sy a drsnosti. Fotografka Beth Wald se vydala na…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19203],"tags":[1563,6,1164,19202,252,2290,4045,97],"class_list":["post-14298","post","type-post","status-publish","format-standard","hentry","category-photojournalism","tag-afghanistan","tag-photography","tag-conflict","tag-cormorants","tag-nature","tag-fishing","tag-war","tag-science"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/14298","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=14298"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/14298\/revisions"}],"predecessor-version":[{"id":14299,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/14298\/revisions\/14299"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=14298"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=14298"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=14298"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}