V roce 1885 vlo\u017eil Vincent van Gogh sv\u00e9 srdce a du\u0161i do obrazu \u201eBrambor\u00e1\u0159i\u201c, pochmurn\u00e9ho zobrazen\u00ed rodiny venkovan\u016f shrom\u00e1\u017ed\u011bn\u00fdch u ve\u010de\u0159e. Van Gogh v\u011b\u0159il, \u017ee tento obraz mu otev\u0159e dve\u0159e na pa\u0159\u00ed\u017eskou um\u011bleckou sc\u00e9nu, jeho p\u0159ijet\u00ed bylo v\u0161ak zcela odli\u0161n\u00e9, ne\u017e doufal.<\/p>\n\n
Kritici \u201eBrambor\u00e1\u0159e\u201c ztrhali, ozna\u010dovali je za technicky nedokonal\u00e9 a postr\u00e1daj\u00edc\u00ed um\u011bleck\u00e9 z\u00e1sluhy. Anthon van Rappard, kolega-mal\u00ed\u0159, napsal van Goghovi zdrcuj\u00edc\u00ed dopis, ve kter\u00e9m kritizoval obrazovy anatomick\u00e9 chyby a nedostatek vyt\u0159\u00edbenosti.<\/p>\n\n
P\u0159es kritiku se Van Gogh pevn\u011b dr\u017eel sv\u00e9 v\u00edry v s\u00edlu obrazu. Obhajoval ho jako ztv\u00e1rn\u011bn\u00ed tvrd\u00e9 reality \u017eivota venkovan\u016f a zd\u016fraz\u0148oval d\u016fle\u017eitost zachycen\u00ed jejich boj\u016f a lidskosti.<\/p>\n\n
V\u00edce ne\u017e stolet\u00ed po sv\u00e9m vzniku jsou nyn\u00ed \u201eBrambor\u00e1\u0159i\u201c pova\u017eov\u00e1ni za jedno z nejzn\u00e1m\u011bj\u0161\u00edch van Goghov\u00fdch d\u011bl. Nov\u00e1 v\u00fdstava v Muzeu Vincenta van Gogha v Amsterdamu zve n\u00e1v\u0161t\u011bvn\u00edky, aby se pono\u0159ili do bou\u0159liv\u00e9 historie obrazu a znovuobjevili jeho v\u00fdznam.<\/p>\n\n
Van Gogh \u201eBrambor\u00e1\u0159e\u201c namaloval b\u011bhem sv\u00e9ho pobytu v Nuenen, venkovsk\u00e9m m\u011bst\u011b v Nizozemsku, kde se pono\u0159il do \u017eivota farm\u00e1\u0159\u016f a d\u011bln\u00edk\u016f. Zemit\u00e9 t\u00f3ny a hrub\u00e9 textury obrazu odr\u00e1\u017eej\u00ed drsnou existenci jeho n\u00e1m\u011btu.<\/p>\n\n
V\u00fdstava p\u0159edstavuje \u010detn\u00e9 p\u0159\u00edpravn\u00e9 studie a skici, kter\u00e9 odhaluj\u00ed Van Goghovu pe\u010dlivou p\u0159\u00edpravu na obraz. Opakovan\u011b nav\u0161t\u011bvoval rodinu De Grootov\u00fdch a zachycoval jejich p\u00f3zy a v\u00fdrazy b\u011bhem jejich ve\u010de\u0159\u00ed. Tyto studie dokl\u00e1daj\u00ed jeho oddanost autenticit\u011b a touhu zprost\u0159edkovat podstatu venkovsk\u00e9ho \u017eivota.<\/p>\n\n
P\u0159es po\u010d\u00e1te\u010dn\u00ed odm\u00edtnut\u00ed z\u016fstali \u201eBrambor\u00e1\u0159i\u201c pro Van Gogha celo\u017eivotn\u00edm m\u011b\u0159\u00edtkem. I kdy\u017e pozd\u011bji vyvinul sv\u016fj ikonick\u00fd styl jasn\u00fdch barev a odv\u00e1\u017en\u00fdch tah\u016f \u0161t\u011btcem, uva\u017eoval o vytvo\u0159en\u00ed druh\u00e9 verze obrazu. To sv\u011bd\u010d\u00ed o jeho neochv\u011bjn\u00e9 v\u00ed\u0159e v s\u00edlu sv\u00e9ho ran\u00e9ho mistrovsk\u00e9ho d\u00edla.<\/p>\n\n
Kur\u00e1torka Bregje Gerritse zd\u016fraz\u0148uje Van Goghovo neochv\u011bjn\u00e9 odhodl\u00e1n\u00ed tv\u00e1\u0159\u00ed v tv\u00e1\u0159 kritice. \u201eSt\u00e1l si za svou vlastn\u00ed prac\u00ed,\u201c \u0159\u00edk\u00e1, \u201euzn\u00e1val jej\u00ed nedostatky, ale up\u0159ednost\u0148oval jej\u00ed emocion\u00e1ln\u00ed dopad p\u0159ed technickou dokonalost\u00ed.\u201c<\/p>\n\n
Dnes jsou \u201eBrambor\u00e1\u0159i\u201c uzn\u00e1v\u00e1ni jako pr\u016fkopnick\u00e9 d\u00edlo, kter\u00e9 zpochybnilo spole\u010densk\u00e9 normy a posunulo hranice um\u011bn\u00ed. P\u0159ipom\u00ednaj\u00ed n\u00e1m Van Goghovu neochv\u011bjnou v\u00edru ve svou vlastn\u00ed vizi a d\u016fle\u017eitost zastupov\u00e1n\u00ed marginalizovan\u00fdch a p\u0159ehl\u00ed\u017een\u00fdch.<\/p>\n\n
V\u00fdstava v Muzeu Vincenta van Gogha nab\u00edz\u00ed jedine\u010dnou p\u0159\u00edle\u017eitost prozkoumat slo\u017eitosti obklopuj\u00edc\u00ed \u201eBrambor\u00e1\u0159e\u201c, jejich kontroverzn\u00ed p\u0159ijet\u00ed a trval\u00fd odkaz jako jednoho z Van Goghov\u00fdch nejmocn\u011bj\u0161\u00edch a nejz\u00e1hadn\u011bj\u0161\u00edch mistrovsk\u00fdch d\u011bl.<\/p>","protected":false},"excerpt":{"rendered":"
Brambor\u00e1\u0159i: Van Goghovo kontroverzn\u00ed mistrovsk\u00e9 d\u00edlo Zrozen\u00ed mistrovsk\u00e9ho d\u00edla V roce 1885 vlo\u017eil Vincent van Gogh sv\u00e9 srdce a du\u0161i do obrazu \u201eBrambor\u00e1\u0159i\u201c, pochmurn\u00e9ho zobrazen\u00ed rodiny venkovan\u016f shrom\u00e1\u017ed\u011bn\u00fdch u ve\u010de\u0159e.…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[710],"tags":[104,2253,19907,19909,19908,2252],"class_list":["post-14885","post","type-post","status-publish","format-standard","hentry","category-art-history","tag-art-history","tag-impressionism","tag-the-potato-eaters","tag-controversial-masterpiece","tag-peasant-life","tag-vincent-van-gogh"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/14885","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=14885"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/14885\/revisions"}],"predecessor-version":[{"id":14886,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/14885\/revisions\/14886"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=14885"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=14885"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=14885"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}