Jill Pelto, talentovan\u00e1 um\u011blkyn\u011b a za\u010d\u00ednaj\u00edc\u00ed klimatolo\u017eka, na\u0161la jedine\u010dn\u00fd zp\u016fsob, jak komunikovat nal\u00e9havost zm\u011bny klimatu: skrze um\u011bn\u00ed. Jej\u00ed akvarely obsahuj\u00ed skute\u010dn\u00e1 klimatick\u00e1 data, transformuj\u00edc\u00ed v\u011bdeck\u00e9 grafy do ohromuj\u00edc\u00edch krajin, kter\u00e9 vypr\u00e1v\u011bj\u00ed p\u0159esv\u011bd\u010div\u00fd p\u0159\u00edb\u011bh o ekologick\u00e9 krizi, kter\u00e9 \u010del\u00edme.<\/p>\n\n
Peltovy obrazy nejsou jen kr\u00e1sn\u00e1 um\u011bleck\u00e1 d\u00edla; jsou to siln\u00e9 n\u00e1stroje pro sd\u011blov\u00e1n\u00ed slo\u017eit\u00fdch v\u011bdeck\u00fdch informac\u00ed. Pou\u017e\u00edv\u00e1n\u00edm graf\u016f jako z\u00e1kladu sv\u00fdch krajin zp\u0159\u00edstup\u0148uje data \u0161ir\u0161\u00edmu publiku a \u010din\u00ed je srozumiteln\u011bj\u0161\u00edmi. Zubat\u00e1 \u010d\u00e1ra taj\u00edc\u00edho ledovce nebo stoupaj\u00edc\u00ed k\u0159ivka teplot oce\u00e1n\u016f se v jej\u00edch obrazech st\u00e1vaj\u00ed hmatateln\u00fdmi prvky, vyvol\u00e1vaj\u00edc\u00edmi pocit nal\u00e9havosti a obav.<\/p>\n\n
Peltova v\u00e1\u0161e\u0148 pro zvy\u0161ov\u00e1n\u00ed pov\u011bdom\u00ed o zm\u011bn\u011b klimatu pramen\u00ed z jej\u00edch osobn\u00edch zku\u0161enost\u00ed v ter\u00e9nu. Kdy\u017e doprov\u00e1zela sv\u00e9ho otce glaciologa na v\u00fdzkumn\u00fdch expedic\u00edch, byla p\u0159\u00edm\u00fdm sv\u011bdkem ni\u010div\u00fdch dopad\u016f zm\u011bny klimatu na ledovce a ekosyst\u00e9my, kter\u00e9 milovala. Taj\u00edc\u00ed led a ustupuj\u00edc\u00ed sn\u011bhov\u00e1 pokr\u00fdvka na ni hluboce zap\u016fsobily a inspirovaly ji k tomu, aby vyu\u017eila sv\u00e9 um\u011bn\u00ed ke zv\u00fd\u0161en\u00ed pov\u011bdom\u00ed o tomto probl\u00e9mu.<\/p>\n\n
Jednou z v\u00fdzev, kter\u00fdm Pelto \u010delila, bylo naj\u00edt zp\u016fsob, jak p\u0159ev\u00e9st v\u011bdeck\u00e1 data do um\u011bleck\u00fdch d\u011bl, kter\u00e1 by u div\u00e1k\u016f rezonovala emocion\u00e1ln\u011b. Uv\u011bdomila si, \u017ee grafy, i kdy\u017e jsou informativn\u00ed, \u010dasto postr\u00e1daj\u00ed s\u00edlu vyvolat stejn\u00e9 pocity \u00fa\u017easu a obav, jak\u00e9 vzbuzuje sama p\u0159\u00edroda. T\u00edm, \u017ee za\u010dlenila grafy do sv\u00fdch krajin, p\u0159eklenula propast mezi v\u011bdou a emocemi a vytvo\u0159ila um\u011bleck\u00e1 d\u00edla, kter\u00e1 jsou jak kr\u00e1sn\u00e1, tak podn\u011btn\u00e1.<\/p>\n\n
Pelto v\u011b\u0159\u00ed, \u017ee um\u011bn\u00ed je univerz\u00e1ln\u00ed jazyk, kter\u00fd m\u016f\u017ee p\u0159ekonat kulturn\u00ed a disciplin\u00e1rn\u00ed hranice. Pou\u017e\u00edv\u00e1n\u00edm um\u011bn\u00ed ke sd\u011blov\u00e1n\u00ed zm\u011bny klimatu douf\u00e1, \u017ee oslov\u00ed lidi, kte\u0159\u00ed se mo\u017en\u00e1 nezaj\u00edmaj\u00ed o tradi\u010dn\u00ed v\u011bdeck\u00e9 zpr\u00e1vy nebo novinov\u00e9 \u010dl\u00e1nky. Jej\u00ed obrazy nab\u00edzej\u00ed jedine\u010dn\u00fd pohled na danou problematiku a zvou div\u00e1ky, aby se s daty propojili na osobn\u00ed \u00farovni.<\/p>\n\n
Peltova pr\u00e1ce p\u0159it\u00e1hla pozornost v\u011bdc\u016f i obh\u00e1jc\u016f \u017eivotn\u00edho prost\u0159ed\u00ed. Spolupracuje s v\u00fdzkumn\u00edky, aby pro sv\u00e9 obrazy na\u0161la nejp\u0159esn\u011bj\u0161\u00ed a nejaktu\u00e1ln\u011bj\u0161\u00ed data. Spole\u010dn\u011b zkoumaj\u00ed nov\u00e9 zp\u016fsoby, jak vyu\u017e\u00edvat um\u011bn\u00ed jako n\u00e1stroj pro v\u011bdeckou komunikaci a obhajobu.<\/p>\n\n
Peltov\u00fdm kone\u010dn\u00fdm c\u00edlem je inspirovat div\u00e1ky k tomu, aby podnikli kroky proti zm\u011bn\u011b klimatu. Douf\u00e1, \u017ee jej\u00ed obrazy nejen zv\u00fd\u0161\u00ed pov\u011bdom\u00ed, ale tak\u00e9 motivuj\u00ed lidi ke zm\u011bn\u011b \u017eivotn\u00edho stylu, podpo\u0159e environment\u00e1ln\u00ed politiky a obhajob\u011b udr\u017eiteln\u00e9 budoucnosti. Vyu\u017e\u00edv\u00e1n\u00edm sv\u00e9ho um\u011bn\u00ed jako katalyz\u00e1toru zm\u011bny se sna\u017e\u00ed vytvo\u0159it informovan\u011bj\u0161\u00ed a anga\u017eovan\u011bj\u0161\u00ed spole\u010dnost, kter\u00e1 je odhodl\u00e1na chr\u00e1nit planetu.<\/p>\n\n
Pelto v sou\u010dasn\u00e9 dob\u011b pracuje na s\u00e9rii obraz\u016f o populac\u00edch karibu a dopadech zm\u011bny klimatu na jejich stanovi\u0161t\u011b. Tak\u00e9 zkoum\u00e1 mo\u017enosti spolupr\u00e1ce s dal\u0161\u00edmi v\u011bdci na tvorb\u011b um\u011bleck\u00fdch d\u011bl, kter\u00e1 se zab\u00fdvaj\u00ed \u0161irokou \u0161k\u00e1lou environment\u00e1ln\u00edch probl\u00e9m\u016f. Jej\u00ed v\u00e1\u0161e\u0148 pro komunikaci o zm\u011bn\u011b klimatu i nad\u00e1le \u0159\u00edd\u00ed jej\u00ed um\u011bleck\u00e9 snahy a je odhodl\u00e1na vyu\u017e\u00edt sv\u00e9 jedine\u010dn\u00e9 talenty k tomu, aby p\u0159isp\u011bla ke zm\u011bn\u011b v boji proti zm\u011bn\u011b klimatu.<\/p>","protected":false},"excerpt":{"rendered":"
Um\u011bn\u00ed a zm\u011bna klimatu: Akvarelov\u00e9 mistrovsk\u00e9 kusy Jill Pelto Jill Pelto, talentovan\u00e1 um\u011blkyn\u011b a za\u010d\u00ednaj\u00edc\u00ed klimatolo\u017eka, na\u0161la jedine\u010dn\u00fd zp\u016fsob, jak komunikovat nal\u00e9havost zm\u011bny klimatu: skrze um\u011bn\u00ed. Jej\u00ed akvarely obsahuj\u00ed skute\u010dn\u00e1…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2808],"tags":[909,1888,160,821,34],"class_list":["post-15928","post","type-post","status-publish","format-standard","hentry","category-climate-art","tag-watercolor-painting","tag-environmental-art","tag-science-communication","tag-data-visualization","tag-climate-change"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/15928","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=15928"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/15928\/revisions"}],"predecessor-version":[{"id":15929,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/15928\/revisions\/15929"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=15928"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=15928"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=15928"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}