{"id":1617,"date":"2022-10-16T20:37:57","date_gmt":"2022-10-16T20:37:57","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=1617"},"modified":"2022-10-16T20:37:57","modified_gmt":"2022-10-16T20:37:57","slug":"ansel-adams-legacy-masterworks-national-museum-american-art","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/art\/photography\/ansel-adams-legacy-masterworks-national-museum-american-art\/","title":{"rendered":"Um\u011bleck\u00fd objektiv Ansela Adamse: Cesta krajinami, portr\u00e9ty a ochranou p\u0159\u00edrody"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Um\u011bleck\u00fd objektiv Ansela Adamse: Odkaz \u00fachvatn\u00fdch fotografi\u00ed<\/h2>\n\n<h2 class=\"wp-block-heading\">Ran\u00fd \u017eivot a ocen\u011bn\u00ed<\/h2>\n\n<p>Ansel Adams, narozen\u00fd v roce 1902, byl americk\u00fd fotograf proslul\u00fd sv\u00fdmi strhuj\u00edc\u00edmi krajinami a neochv\u011bjnou obhajobou ochrany divok\u00fdch oblast\u00ed. V roce 1980 obdr\u017eel presti\u017en\u00ed Prezidentskou medaili svobody v uzn\u00e1n\u00ed jeho mimo\u0159\u00e1dn\u00e9ho p\u0159\u00ednosu v oblasti fotografie.<\/p>\n\n<h2 class=\"wp-block-heading\">V\u00fdstava v N\u00e1rodn\u00edm muzeu americk\u00e9ho um\u011bn\u00ed<\/h2>\n\n<p>N\u00e1rodn\u00ed muzeum americk\u00e9ho um\u011bn\u00ed v sou\u010dasn\u00e9 dob\u011b vystavuje poutavou v\u00fdstavu, kter\u00e1 p\u0159edstavuje 115 nejikoni\u010dt\u011bj\u0161\u00edch i m\u00e9n\u011b zn\u00e1m\u00fdch d\u011bl Ansela Adamse z jeho plodn\u00e9 \u010dty\u0159icetilet\u00e9 kari\u00e9ry. V\u00fdstava s n\u00e1zvem \u201eAnsel Adams, A Legacy: Masterworks from The Friends of Photography Collection\u201c nab\u00edz\u00ed komplexn\u00ed retrospektivu mnohostrann\u00e9 um\u011bleck\u00e9 tvorby Ansela Adamse.<\/p>\n\n<h2 class=\"wp-block-heading\">Krajiny americk\u00e9ho jihoz\u00e1padu<\/h2>\n\n<p>Adamova l\u00e1ska k americk\u00e9 krajin\u011b je patrn\u00e1 z jeho dechberouc\u00edch fotografi\u00ed jihoz\u00e1padu. Od ty\u010d\u00edc\u00edch se vrchol\u016f n\u00e1rodn\u00edho parku Yosemite a\u017e po rozs\u00e1hl\u00e9 pou\u0161tn\u00ed v\u00fdhledy v Nov\u00e9m Mexiku zachytil Adams majest\u00e1tnost a samotu t\u011bchto nezkrocen\u00fdch zem\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">Pohledy na San Francisco<\/h2>\n\n<p>Krom\u011b sv\u00fdch ikonick\u00fdch krajin zam\u011b\u0159il Adams sv\u016fj objektiv tak\u00e9 na San Francisco a zachytil pulzuj\u00edc\u00ed ulice a architektonick\u00e9 pam\u00e1tky m\u011bsta. Jeho sn\u00edmky odhaluj\u00ed hlubok\u00e9 pochopen\u00ed m\u011bstsk\u00e9ho prost\u0159ed\u00ed a jejich lidsk\u00fdch obyvatel.<\/p>\n\n<h2 class=\"wp-block-heading\">N\u00e1rodn\u00ed parky a detaily p\u0159\u00edrody<\/h2>\n\n<p>Adams byl v\u00e1\u0161niv\u00fdm zast\u00e1ncem ochrany n\u00e1rodn\u00edch park\u016f a jeho fotografie hr\u00e1ly z\u00e1sadn\u00ed roli v utv\u00e1\u0159en\u00ed ve\u0159ejn\u00e9ho m\u00edn\u011bn\u00ed o d\u016fle\u017eitosti ochrany t\u011bchto nedot\u010den\u00fdch krajin. V\u00fdstava p\u0159edstavuje \u00fa\u017easn\u00e9 sn\u00edmky n\u00e1rodn\u00edch park\u016f po cel\u00fdch Spojen\u00fdch st\u00e1tech, v\u010detn\u011b Yosemitsk\u00e9ho \u00fadol\u00ed, Glacier Bay a Grand Tetons.<\/p>\n\n<h2 class=\"wp-block-heading\">Portr\u00e9ty<\/h2>\n\n<p>P\u0159esto\u017ee je nejv\u00edce zn\u00e1m\u00fd sv\u00fdmi krajinami, vynikal Adams tak\u00e9 v portr\u00e9tn\u00ed fotografii. V\u00fdstava zahrnuje v\u00fdb\u011br jeho portr\u00e9t\u016f, kter\u00e9 zachycuj\u00ed podstatu jednotlivc\u016f ze v\u0161ech spole\u010densk\u00fdch vrstev, od um\u011bleck\u00fdch koleg\u016f a\u017e po environmentalisty a domorod\u00e9 Ameri\u010dany.<\/p>\n\n<h2 class=\"wp-block-heading\">Charakteristick\u00e9 v\u00fdhledy a m\u00e9n\u011b zn\u00e1m\u00e9 skvosty<\/h2>\n\n<p>Mezi vrcholy v\u00fdstavy pat\u0159\u00ed n\u011bkter\u00e1 z nejslavn\u011bj\u0161\u00edch d\u011bl Ansela Adamse, jako nap\u0159\u00edklad \u201eMoonrise, Hernandez, New Mexico, 1941\u201c. V\u00fdstava v\u0161ak p\u0159edstavuje tak\u00e9 m\u00e9n\u011b zn\u00e1m\u00e9 skvosty, jako nap\u0159\u00edklad \u201eTrees in Snow, 1932\u201c, kter\u00e9 odhaluje Adamsovy ran\u00e9 experimenty s fotografi\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">Trval\u00fd odkaz<\/h2>\n\n<p>Odkaz Ansela Adamse jako mistrovsk\u00e9ho fotografa je nesporn\u00fd. Jeho sn\u00edmky nejen inspirovaly generace fotograf\u016f, ale tak\u00e9 sehr\u00e1ly z\u00e1sadn\u00ed roli v utv\u00e1\u0159en\u00ed ve\u0159ejn\u00e9ho uzn\u00e1n\u00ed kr\u00e1sy a k\u0159ehkosti p\u0159\u00edrodn\u00edho sv\u011bta. Jak poznamen\u00e1v\u00e1 kur\u00e1tor v\u00fdstavy Andy Grundberg, Adams dos\u00e1hl postaven\u00ed \u201etrval\u00e9 pam\u00e1tky ve ve\u0159ejn\u00e9 p\u0159edstavivosti\u201c, podobn\u011b jako \u017eulov\u00e1 st\u011bna Half Dome v jeho milovan\u00e9m n\u00e1rodn\u00edm parku Yosemite.<\/p>","protected":false},"excerpt":{"rendered":"<p>Um\u011bleck\u00fd objektiv Ansela Adamse: Odkaz \u00fachvatn\u00fdch fotografi\u00ed Ran\u00fd \u017eivot a ocen\u011bn\u00ed Ansel Adams, narozen\u00fd v roce 1902, byl americk\u00fd fotograf proslul\u00fd sv\u00fdmi strhuj\u00edc\u00edmi krajinami a neochv\u011bjnou obhajobou ochrany divok\u00fdch oblast\u00ed.&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[3529,6,3530,250,267,252],"class_list":["post-1617","post","type-post","status-publish","format-standard","hentry","category-photography","tag-ansel-adams","tag-photography","tag-landscapes","tag-national-parks","tag-environmentalism","tag-nature"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/1617","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=1617"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/1617\/revisions"}],"predecessor-version":[{"id":1618,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/1617\/revisions\/1618"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=1617"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=1617"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=1617"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}