{"id":1619,"date":"2022-04-16T22:37:36","date_gmt":"2022-04-16T22:37:36","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=1619"},"modified":"2022-04-16T22:37:36","modified_gmt":"2022-04-16T22:37:36","slug":"rediscovering-dorothy-arzner-hollywoods-forgotten-female-pioneer","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/art\/film\/rediscovering-dorothy-arzner-hollywoods-forgotten-female-pioneer\/","title":{"rendered":"Dorothy Arzner: Zapomenut\u00e1 pr\u016fkopnice Hollywoodu"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Dorothy Arzner: Zapomenut\u00e1 pr\u016fkopnice Hollywoodu<\/h2>\n\n<h2 class=\"wp-block-heading\">Po\u010d\u00e1tky kari\u00e9ry a p\u0159echod k re\u017eii<\/h2>\n\n<p>Dorothy Arzner, pr\u016fkopnick\u00e1 re\u017eis\u00e9rka, se objevila v obdob\u00ed zlat\u00e9ho v\u011bku Hollywoodu. Za\u010d\u00ednala jako stenografka, ale rychle postupovala a stala se filmovou st\u0159iha\u010dkou. V roce 1927 debutovala jako re\u017eis\u00e9rka sn\u00edmkem &#8220;M\u00f3da pro \u017eeny&#8221; a uk\u00e1zala sv\u016fj talent k navigaci filmov\u00fdm pr\u016fmyslem v obdob\u00ed p\u0159echodu od n\u011bm\u00e9ho k mluven\u00e9mu filmu.<\/p>\n\n<h2 class=\"wp-block-heading\">Spolupr\u00e1ce s hollywoodsk\u00fdmi ikonami<\/h2>\n\n<p>Arznerova kari\u00e9ra nabrala na obr\u00e1tk\u00e1ch, kdy\u017e re\u017e\u00edrovala pozoruhodn\u00e9 filmy s hollywoodsk\u00fdmi ikonami, jako jsou Katharine Hepburn, Joan Crawford a Lucille Ball. Zn\u00e1m\u00e1 sv\u00fdm osobit\u00fdm stylem, \u010dasto nosila kalhoty a chovala se jako kluk, co\u017e \u017eivilo spekulace o jej\u00edch vztaz\u00edch se \u017eensk\u00fdmi hv\u011bzdami.<\/p>\n\n<h2 class=\"wp-block-heading\">V\u00fdzvy a \u00fasp\u011bchy v mu\u017esk\u00e9m oboru<\/h2>\n\n<p>Jako \u017eena v mu\u017esk\u00e9m oboru \u010delila Arzner v\u00fdzv\u00e1m a spole\u010densk\u00fdm o\u010dek\u00e1v\u00e1n\u00edm. P\u0159esto vzdorovit\u011b \u017eila otev\u0159en\u011b se svou partnerkou, Marion Morgan, po v\u011bt\u0161inu sv\u00e9ho \u017eivota. Navzdory kritice z\u016fstala soust\u0159ed\u011bn\u00e1 na svou kari\u00e9ru a stala se jednou z nejproduktivn\u011bj\u0161\u00edch re\u017eis\u00e9rek v historii Hollywoodu.<\/p>\n\n<h2 class=\"wp-block-heading\">Technick\u00e9 inovace a mikrofon na ty\u010di<\/h2>\n\n<p>Arzner\u016fv p\u0159\u00ednos nespo\u010d\u00edval jen v re\u017eii. Na place filmu &#8220;The Wild Party&#8221; d\u016fmysln\u011b p\u0159ipevnila mikrofon na ryb\u00e1\u0159sk\u00fd prut, aby vylep\u0161ila kvalitu zvuku pro hv\u011bzdu n\u011bm\u00e9ho filmu Claru Bow. Tato inovace, pozd\u011bji zn\u00e1m\u00e1 jako mikrofon na ty\u010di, zp\u016fsobila revoluci ve zvukov\u00e9m z\u00e1znamu ve filmech.<\/p>\n\n<h2 class=\"wp-block-heading\">Soukrom\u00fd \u017eivot a odkaz<\/h2>\n\n<p>Arzner\u016fv soukrom\u00fd \u017eivot z\u016fstal soukrom\u00fd, ale jej\u00ed vliv na Hollywood je nepopirateln\u00fd. Zpochybnila normy a uk\u00e1zala talent a odhodl\u00e1n\u00ed \u017een ve filmov\u00e9m pr\u016fmyslu. Jej\u00ed d\u00edlo dodnes inspiruje filma\u0159e i div\u00e1ky.<\/p>\n\n<h2 class=\"wp-block-heading\">Obnoven\u00ed ztracen\u00e9ho odkazu<\/h2>\n\n<p>Navzdory sv\u00fdm pr\u016fkopnick\u00fdm \u00fasp\u011bch\u016fm byl Arzner\u016fv odkaz do zna\u010dn\u00e9 m\u00edry zapomenut. Ned\u00e1vn\u00e9 v\u00fdzkumy a iniciativy v\u0161ak op\u011bt p\u0159ivedly jej\u00ed pr\u00e1ci do pop\u0159ed\u00ed. V\u011bdci jako Judith Mayne zd\u016fraznili Arznerovu jedine\u010dnou perspektivu a p\u0159\u00ednos kinematografii.<\/p>\n\n<h2 class=\"wp-block-heading\">Nevy\u0159\u010den\u00e9 p\u0159\u00edb\u011bhy \u017een ve filmu<\/h2>\n\n<p>Arzner\u016fv p\u0159\u00edb\u011bh je p\u0159ipom\u00ednkou nevy\u0159\u010den\u00fdch p\u0159\u00edb\u011bh\u016f \u017een, kter\u00e9 utv\u00e1\u0159ely filmov\u00fd pr\u016fmysl. Jej\u00ed pr\u016fkopnick\u00fd duch a odolnost otev\u00edraj\u00ed cestu budouc\u00edm generac\u00edm re\u017eis\u00e9rek, aby prolomily bari\u00e9ry a zanechaly svou stopu ve sv\u011bt\u011b filmu.<\/p>\n\n<h2 class=\"wp-block-heading\">Kl\u00ed\u010dov\u00e1 slova s dlouh\u00fdm \u0445\u0432\u043estem<\/h2>\n\n<ul class=\"wp-block-list\">\n<li>Zapomenut\u00e1 re\u017eis\u00e9rka: Dorothy Arzner<\/li>\n<li>P\u0159\u00ednos Dorothy Arzner k Hollywoodu<\/li>\n<li>Dorothy Arzner a p\u0159echod od n\u011bm\u00e9ho k mluven\u00e9mu filmu<\/li>\n<li>Spolupr\u00e1ce Dorothy Arzner s v\u00fdznamn\u00fdmi hv\u011bzdami<\/li>\n<li>V\u00fdzvy Dorothy Arzner jako \u017eeny v Hollywoodu<\/li>\n<li>Odkaz Dorothy Arzner jako re\u017eis\u00e9rky<\/li>\n<li>Vliv re\u017eis\u00e9rek na Hollywood<\/li>\n<li>\u017densk\u00e1 posiln\u011bn\u00ed Dorothy Arzner a Hollywood<\/li>\n<li>Pr\u016fkopnice ve filmu: Obnoven\u00ed Dorothy Arzner<\/li>\n<li>Nevy\u0159\u010den\u00e9 p\u0159\u00edb\u011bhy Dorothy Arzner a \u017een, kter\u00e9 psaly filmovou historii<\/li>\n<\/ul>","protected":false},"excerpt":{"rendered":"<p>Dorothy Arzner: Zapomenut\u00e1 pr\u016fkopnice Hollywoodu Po\u010d\u00e1tky kari\u00e9ry a p\u0159echod k re\u017eii Dorothy Arzner, pr\u016fkopnick\u00e1 re\u017eis\u00e9rka, se objevila v obdob\u00ed zlat\u00e9ho v\u011bku Hollywoodu. Za\u010d\u00ednala jako stenografka, ale rychle postupovala a stala&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1458],"tags":[3531,3532,3533,3534],"class_list":["post-1619","post","type-post","status-publish","format-standard","hentry","category-film","tag-female-film-directors","tag-hollywood-history","tag-trailblazers","tag-women-in-film"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/1619","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=1619"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/1619\/revisions"}],"predecessor-version":[{"id":1620,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/1619\/revisions\/1620"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=1619"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=1619"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=1619"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}