V roce 1979, v p\u0159edve\u010der sov\u011btsk\u00e9 invaze, se Steve McCurry poprv\u00e9 vydal do Afgh\u00e1nist\u00e1nu, p\u0159evle\u010den\u00fd za p\u0159\u00edslu\u0161n\u00edka domorod\u00e9ho kmene. Vr\u00e1til se v roce 1992, pot\u00e9, co se Sov\u011bti st\u00e1hli, aby zdokumentoval znovuzrozen\u00ed zem\u011b. K\u00e1bul, hlavn\u00ed m\u011bsto, bylo m\u011bstem kontrast\u016f, kde se tradi\u010dn\u00ed od\u011bvy m\u00edsily s modern\u00edmi b\u011b\u017eeck\u00fdmi botami.<\/p>\n\n
Jednoho dne McCurry zahl\u00e9dl neobvykl\u00fd pohled: star\u00fd tax\u00edk zna\u010dky Chevy, poz\u016fstatek z roku 1959. Auto, nat\u0159en\u00e9 jasn\u011b \u017elutou barvou, proj\u00ed\u017ed\u011blo vybledl\u00fdmi ulicemi a vezlo n\u00e1klad cestuj\u00edc\u00edch. McCurryho zarazila nesourodost t\u00e9to americk\u00e9 ikony ve v\u00e1lkou zm\u00edtan\u00e9m m\u011bst\u011b.<\/p>\n\n
V kufru Chevyho si McCurry v\u0161iml skupiny mlad\u00fdch d\u011bt\u00ed z etnick\u00e9 skupiny Haz\u00e1r\u016f, \u0161\u00editsk\u00e9 muslimsk\u00e9 men\u0161iny, kter\u00e1 je v Afgh\u00e1nist\u00e1nu \u010dasto marginalizov\u00e1na. D\u011bti se vracely ze \u0161koly dom\u016f, jejich tv\u00e1\u0159e vyjad\u0159ovaly sm\u011bs nevinnosti a odolnosti. McCurry zachytil tento okam\u017eik na fotografii, kter\u00e1 se stala jedn\u00edm z jeho nejkultovn\u011bj\u0161\u00edch sn\u00edmk\u016f.<\/p>\n\n
Haz\u00e1rsk\u00e1 komunita \u010delila diskriminaci a pron\u00e1sledov\u00e1n\u00ed v pr\u016fb\u011bhu cel\u00e9 afgh\u00e1nsk\u00e9 historie. Navzdory sv\u00e9 odolnosti jsou \u010dasto ter\u010dem posm\u011bchu a p\u0159edsudk\u016f ze strany jin\u00fdch etnick\u00fdch skupin. McCurryho fotografie zd\u016fraz\u0148uje v\u00fdzvy, kter\u00fdm tato men\u0161inov\u00e1 komunita \u010del\u00ed.<\/p>\n\n
McCurry byl sv\u011bdkem Afgh\u00e1nist\u00e1nu b\u011bhem n\u011bkolika desetilet\u00ed v\u00e1lek a konflikt\u016f. Cestoval s mud\u017eahed\u00ednsk\u00fdmi bojovn\u00edky, v\u00e1le\u010dn\u00fdmi p\u00e1ny a americk\u00fdmi voj\u00e1ky a dokumentoval lidskou cenu v\u00e1lky. V roce 1992, b\u011bhem raketov\u00e9ho \u00fatoku v K\u00e1bulu, hledal \u00fato\u010di\u0161t\u011b v bl\u00e1zinci, kde potkal pacienty, kte\u0159\u00ed byli z\u00e1rove\u0148 vyd\u011b\u0161en\u00ed a nete\u010dn\u00ed ke chaosu venku.<\/p>\n\n
Po sta\u017een\u00ed sov\u011btsk\u00fdch vojsk se Afgh\u00e1nist\u00e1n propadl do ob\u010dansk\u00e9 v\u00e1lky a nakonec se moci chopili Taliban. McCurry se do zem\u011b vr\u00e1til po p\u00e1du Talibanu a stal se sv\u011bdkem v\u00fdzev spojen\u00fdch s obnovou a usm\u00ed\u0159en\u00edm. Zdokumentoval tak\u00e9 prob\u00edhaj\u00edc\u00ed americkou intervenci v Afgh\u00e1nist\u00e1nu, kter\u00e1 p\u0159inesla zemi jak nad\u011bji, tak nejistotu.<\/p>\n\n
McCurry vid\u011bl Afgh\u00e1nist\u00e1n proj\u00edt nes\u010detn\u00fdmi prom\u011bnami. Od sov\u011btsk\u00e9 invaze p\u0159es re\u017eim Talibanu a\u017e po americkou p\u0159\u00edtomnost zem\u011b pro\u0161la dramatick\u00fdmi zm\u011bnami. McCurryho fotografie zachycuj\u00ed tyto okam\u017eiky p\u0159evrat\u016f a p\u0159echod\u016f a poskytuj\u00ed vhled do odolnosti a p\u0159izp\u016fsobivosti afgh\u00e1nsk\u00e9ho lidu.<\/p>\n\n
McCurryho pr\u00e1ce hr\u00e1la kl\u00ed\u010dovou roli v utv\u00e1\u0159en\u00ed na\u0161eho ch\u00e1p\u00e1n\u00ed Afgh\u00e1nist\u00e1nu. Jeho fotografie zachytily kr\u00e1su i trag\u00e9dii zem\u011b a zd\u016fraznily lidsk\u00e9 p\u0159\u00edb\u011bhy, kter\u00e9 se skr\u00fdvaj\u00ed za titulky. Prost\u0159ednictv\u00edm jeho objektivu se st\u00e1v\u00e1me sv\u011bdky odolnosti afgh\u00e1nsk\u00e9ho lidu, jeho boj\u016f a jeho nad\u011bj\u00ed do budoucna.<\/p>","protected":false},"excerpt":{"rendered":"
Afgh\u00e1nist\u00e1n Stevea McCurryho: Cesta fotografa Prvn\u00ed setk\u00e1n\u00ed V roce 1979, v p\u0159edve\u010der sov\u011btsk\u00e9 invaze, se Steve McCurry poprv\u00e9 vydal do Afgh\u00e1nist\u00e1nu, p\u0159evle\u010den\u00fd za p\u0159\u00edslu\u0161n\u00edka domorod\u00e9ho kmene. Vr\u00e1til se v roce…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19203],"tags":[1563,4241,8590,243,21655,21656],"class_list":["post-16332","post","type-post","status-publish","format-standard","hentry","category-photojournalism","tag-afghanistan","tag-photojournalism","tag-humanity","tag-resilience","tag-steve-mccurry","tag-war-and-conflict"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/16332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=16332"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/16332\/revisions"}],"predecessor-version":[{"id":16333,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/16332\/revisions\/16333"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=16332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=16332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=16332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}