Sidney Bechet, narozen\u00fd v roce 1897 v New Orleans, byl hudebn\u00ed z\u00e1zrak, kter\u00fd za\u010dal vystupovat profesion\u00e1ln\u011b ve v\u011bku 13 let. Hr\u00e1l kl\u00ed\u010dovou roli ve v\u00fdvoji jazzov\u00e9 hudby, a to je\u0161t\u011b d\u0159\u00edve, ne\u017e \u017e\u00e1nr z\u00edskal v\u0161eobecn\u011b uzn\u00e1van\u00fd n\u00e1zev.<\/p>\n\n
Na rozd\u00edl od jin\u00fdch hudebn\u00edk\u016f z New Orleans sv\u00e9 doby se Bechet rozhodl hr\u00e1t na klarinet a sopr\u00e1nsaxofon m\u00edsto popul\u00e1rn\u011bj\u0161\u00ed kornety. Jeho unik\u00e1tn\u00ed zvuk a improviz\u00e1torsk\u00fd styl ho odli\u0161ily jako jednoho z prvn\u00edch velk\u00fdch jazzov\u00fdch s\u00f3list\u016f.<\/p>\n\n
V roce 1917 byla vyd\u00e1na nahr\u00e1vka “jass”, kter\u00e1 je \u0161iroce pova\u017eov\u00e1na za n\u00e1rodn\u00ed zrozen\u00ed jazzu. Tato ud\u00e1lost vyvolala n\u00e1r\u016fst popt\u00e1vky po jazzov\u00fdch hudebn\u00edc\u00edch a Bechet spolu s mnoha sv\u00fdmi sou\u010dasn\u00edky z New Orleans opustil m\u011bsto, aby na\u0161el pr\u00e1ci jinde.<\/p>\n\n
Becherovy cesty ho zavedly do Chicaga a nakonec do Francie, kde na\u0161el vn\u00edmav\u011bj\u0161\u00ed publikum pro svou inovativn\u00ed hudbu. Otev\u0159en\u00e1 krajina ran\u00e9ho jazzu mu dala svobodu experimentovat a rozv\u00edjet sv\u016fj vlastn\u00ed osobit\u00fd styl.<\/p>\n\n
B\u011bhem sv\u00e9 kari\u00e9ry spolupracoval Bechet s n\u011bkter\u00fdmi z nejvlivn\u011bj\u0161\u00edch jazzov\u00fdch hudebn\u00edk\u016f sv\u00e9 doby, v\u010detn\u011b Duke Ellingtona, Louise Armstronga a Kinga Olivera. Jeho styl hry m\u011bl hlubok\u00fd vliv na nespo\u010det dal\u0161\u00edch hudebn\u00edk\u016f, mezi n\u011b\u017e pat\u0159ili Johnny Hodges, John Coltrane a Wayne Shorter.<\/p>\n\n
Bechetovy improviz\u00e1torsk\u00e9 schopnosti byly legend\u00e1rn\u00ed a jeho v\u00e1\u0161e\u0148 pro hudbu byla patrn\u00e1 v ka\u017ed\u00e9m vystoupen\u00ed. Byl zn\u00e1m\u00fd sv\u00fdm jedine\u010dn\u00fdm fr\u00e1zov\u00e1n\u00edm a schopnost\u00ed vytv\u00e1\u0159et melodie, kter\u00e9 se vzn\u00e1\u0161ely nad doprovodem.<\/p>\n\n
P\u0159es sv\u016fj obrovsk\u00fd talent a vliv Bechet nikdy nedos\u00e1hl stejn\u00e9 \u00farovn\u011b popularity jako n\u011bkte\u0159\u00ed z jeho vrstevn\u00edk\u016f ve Spojen\u00fdch st\u00e1tech. Velkou \u010d\u00e1st sv\u00fdch pozd\u011bj\u0161\u00edch let str\u00e1vil turn\u00e9 po Evrop\u011b a nakonec se usadil ve Francii, kde zem\u0159el v roce 1959.<\/p>\n\n
Av\u0161ak Bechetovo d\u011bdictv\u00ed jako jazzov\u00e9ho inov\u00e1tora z\u016fst\u00e1v\u00e1 siln\u00e9. Jeho pr\u016fkopnick\u00e9 pou\u017eit\u00ed klarinetu a sopr\u00e1nsaxofonu, jeho improviz\u00e1torsk\u00fd g\u00e9nius a jeho p\u0159\u00edsp\u011bvky k v\u00fdvoji jazzov\u00e9 hudby mu zajistily m\u00edsto mezi nejlep\u0161\u00edmi jazzov\u00fdmi hudebn\u00edky v\u0161ech dob.<\/p>\n\n
Bechetovy technick\u00e9 inovace na klarinetu a sopr\u00e1nsaxofonu m\u011bly v\u00fdznamn\u00fd vliv na v\u00fdvoj jazzov\u00e9 hudby. Jeho pou\u017eit\u00ed vibrata, glissanda a multifonie roz\u0161\u00ed\u0159ilo v\u00fdrazov\u00e9 mo\u017enosti t\u011bchto n\u00e1stroj\u016f.<\/p>\n\n
Zvl\u00e1\u0161t\u011b jeho ovl\u00e1dnut\u00ed sopr\u00e1nsaxofonu pomohlo prosadit ho jako legitimn\u00ed s\u00f3lov\u00fd n\u00e1stroj v jazzu. Jeho schopnost hr\u00e1t na n\u00e1stroj slo\u017eit\u00e9 melodie a improvizovat inspirovala nespo\u010det dal\u0161\u00edch hudebn\u00edk\u016f, aby prozkoumali jeho potenci\u00e1l.<\/p>\n\n
Bechetova hudba p\u0159ekro\u010dila n\u00e1rodn\u00ed hranice a m\u011bla hlubok\u00fd vliv na kulturn\u00ed krajinu jazzu. Jeho spolupr\u00e1ce s evropsk\u00fdmi hudebn\u00edky pomohla \u0161\u00ed\u0159it vliv jazzu po cel\u00e9m sv\u011bt\u011b.<\/p>\n\n
Ve Francii se Bechet stal kulturn\u00ed ikonou a byl oslavov\u00e1n za sv\u016fj jedine\u010dn\u00fd zvuk a p\u0159\u00edsp\u011bvky k francouzsk\u00e9mu jazzu. Jeho hudba je dodnes uct\u00edv\u00e1na milovn\u00edky jazzu.<\/p>\n\n
Sidney Bechetovo d\u011bdictv\u00ed jako jazzov\u00e9ho inov\u00e1tora je nesporn\u00e9. Jeho pr\u016fkopnick\u00e9 pou\u017e\u00edv\u00e1n\u00ed klarinetu a sopr\u00e1nsaxofonu, jeho improviz\u00e1torsk\u00fd g\u00e9nius a jeho p\u0159\u00edsp\u011bvky k v\u00fdvoji jazzov\u00e9 hudby mu zajistily trval\u00e9 m\u00edsto v d\u011bjin\u00e1ch jazzu.<\/p>\n\n
Navzdory v\u00fdzv\u00e1m, kter\u00fdm \u010delil ve sv\u00e9 vlastn\u00ed dob\u011b, Bechetova hudba nad\u00e1le inspiruje a ovliv\u0148uje hudebn\u00edky a milovn\u00edky jazzu po cel\u00e9m sv\u011bt\u011b. Jeho jedine\u010dn\u00fd zvuk a jeho v\u00e1\u0161e\u0148 pro hudbu zanechaly trvalou stopu v jazzov\u00e9m \u017e\u00e1nru.<\/p>","protected":false},"excerpt":{"rendered":"
Sidney Bechet: Origin\u00e1l jazzu Ran\u00fd \u017eivot a kari\u00e9ra Sidney Bechet, narozen\u00fd v roce 1897 v New Orleans, byl hudebn\u00ed z\u00e1zrak, kter\u00fd za\u010dal vystupovat profesion\u00e1ln\u011b ve v\u011bku 13 let. Hr\u00e1l kl\u00ed\u010dovou…<\/p>\n","protected":false},"author":2,"featured_media":24015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[327],"tags":[788,22415,3107,22416,714,6118],"class_list":["post-16962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-music","tag-improvisation","tag-jazz","tag-clarinet","tag-new-orleans","tag-saxophone"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/16962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=16962"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/16962\/revisions"}],"predecessor-version":[{"id":16963,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/16962\/revisions\/16963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media\/24015"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=16962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=16962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=16962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}