Metropolitn\u00ed muzeum um\u011bn\u00ed (Met) ned\u00e1vno z\u00edskalo rozs\u00e1hl\u00fd archiv d\u00edla proslul\u00e9ho fotografa Harlemsk\u00e9 renesance Jamese Van Der Zeeho. Tato akvizice, uskute\u010dn\u011bn\u00e1 ve spolupr\u00e1ci se Studio Museum v Harlemu, zahrnuje p\u0159ibli\u017en\u011b 20 000 tisk\u016f a 30 000 negativ\u016f, kter\u00e9 poskytuj\u00ed neoceniteln\u00fd z\u00e1znam \u010derno\u0161sk\u00e9ho \u017eivota v Harlemu ve 20. stolet\u00ed.<\/p>\n\n
James Van Der Zee se narodil v Lenoxu ve st\u00e1t\u011b Massachusetts v roce 1886. Do Harlemu se p\u0159est\u011bhoval na po\u010d\u00e1tku 20. stolet\u00ed, kde v polovin\u011b 10. let 20. stolet\u00ed otev\u0159el sv\u016fj fotografick\u00fd ateli\u00e9r Guarantee Photo Studio. Ateli\u00e9r Van Der Zeeho se stal centrem harlemsk\u00e9 komunity a on se rychle etabloval jako jeden z nej\u00fasp\u011b\u0161n\u011bj\u0161\u00edch fotograf\u016f ve \u010dtvrti.<\/p>\n\n
V n\u00e1sleduj\u00edc\u00edch desetilet\u00edch Van Der Zee zachytil ikonick\u00e9 sn\u00edmky \u017eivouc\u00ed harlemsk\u00e9 kultury a jej\u00edch v\u00fdznamn\u00fdch osobnost\u00ed. Mezi jeho subjekty pat\u0159ili renomovan\u00ed um\u011blci, aktivist\u00e9 a bavi\u010di, jako byli Marcus Garvey, Bill \u201eBojangles\u201c Robinson, Muhammad Ali, Mamie Smith a Countee Cullen.<\/p>\n\n
Krom\u011b portr\u00e9t\u016f ve sv\u00e9m ateli\u00e9ru dokumentoval Van Der Zee tak\u00e9 harlemskou historii prost\u0159ednictv\u00edm sv\u00e9 pouli\u010dn\u00ed fotografie. Zachytil sn\u00edmky ka\u017edodenn\u00edho \u017eivota, od p\u0159ehl\u00eddek a pouli\u010dn\u00edch sc\u00e9n a\u017e po komunitn\u00ed akce a protesty za ob\u010dansk\u00e1 pr\u00e1va. Zejm\u00e9na po\u0159\u00eddil n\u011bkter\u00e9 z m\u00e1la fotografi\u00ed v\u00edt\u011bzn\u00e9 p\u0159ehl\u00eddky 369. p\u011b\u0161\u00edho pluku, zn\u00e1m\u00e9ho jako \u201eHarlem Hellfighters\u201c, po jejich n\u00e1vratu z prvn\u00ed sv\u011btov\u00e9 v\u00e1lky.<\/p>\n\n
Van Der Zee byl zn\u00e1m\u00fd sv\u00fdmi inovativn\u00edmi technikami a um\u011bleckou viz\u00ed. Experimentoval s fotografick\u00fdmi mont\u00e1\u017eemi a p\u0159ekr\u00fdv\u00e1n\u00edm sn\u00edmk\u016f, aby vytvo\u0159il jedine\u010dn\u00e9 kompozice. N\u011bkter\u00e9 ze sv\u00fdch fotografi\u00ed tak\u00e9 ru\u010dn\u011b t\u00f3noval a dod\u00e1val tak sv\u00fdm portr\u00e9t\u016fm \u017eiv\u00fd n\u00e1dech.<\/p>\n\n
\u201eM\u011bl mimo\u0159\u00e1dn\u00e9 znalosti osv\u011btlen\u00ed, tisku, manipulace a kolorov\u00e1n\u00ed,\u201c \u0159ekl Jeff L. Rosenheim, kur\u00e1tor odpov\u011bdn\u00fd za fotografick\u00e9 odd\u011blen\u00ed v Met.<\/p>\n\n
Akvizice Van Der Zeeho archivu spole\u010dnost\u00ed Met zaji\u0161\u0165uje zachov\u00e1n\u00ed jeho neoceniteln\u00e9ho d\u00edla. Muzeum zkonzervuje a naskenuje negativy a z\u00edskalo autorsk\u00e1 pr\u00e1va na reprodukci sn\u00edmk\u016f. Do archivu bude za\u0159azeno tak\u00e9 Van Der Zeeho studiov\u00e9 vybaven\u00ed a efem\u00e9ry.<\/p>\n\n
Studio Museum v Harlemu, kter\u00e9 ji\u017e vlastn\u00ed \u010d\u00e1st Van Der Zeeho archivu, si nad\u00e1le ponech\u00e1 vlastnictv\u00ed t\u011bchto materi\u00e1l\u016f. Muzejn\u00ed fotografick\u00fd program Expanding the Walls pro st\u0159edo\u0161kol\u00e1ky vyu\u017e\u00edv\u00e1 Van Der Zeeho sn\u00edmky jako inspiraci pro vlastn\u00ed pr\u00e1ci.<\/p>\n\n
\u201eJeho zcela zvl\u00e1\u0161tn\u00ed vize m\u00e1 s\u00edlu inspirovat cel\u00e9 generace um\u011blc\u016f, kte\u0159\u00ed spat\u0159ili mo\u017enost toho, co znamen\u00e1 zachytit v \u010dase a m\u00edst\u011b lidi a kulturu,\u201c \u0159ekla Thelma Golden, \u0159editelka a hlavn\u00ed kur\u00e1torka Studio Museum. \u201eJeho pr\u00e1ce je inspiruje k tomu, aby se na sv\u016fj sv\u011bt d\u00edvali precizn\u011b a zaznamen\u00e1vali jej v p\u0159\u00edtomnosti.\u201c<\/p>\n\n
V\u00fdb\u011br fotografi\u00ed z Van Der Zeeho archivu je v sou\u010dasn\u00e9 dob\u011b k vid\u011bn\u00ed v N\u00e1rodn\u00ed galerii um\u011bn\u00ed ve Washingtonu, D.C., do 30. kv\u011btna 2022.<\/p>","protected":false},"excerpt":{"rendered":"
James Van Der Zee: Uchov\u00e1n\u00ed odkazu fotografa Harlemsk\u00e9 renesance Metropolitn\u00ed muzeum z\u00edskalo archiv d\u00edla fotografa Jamese Van Der Zeeho Metropolitn\u00ed muzeum um\u011bn\u00ed (Met) ned\u00e1vno z\u00edskalo rozs\u00e1hl\u00fd archiv d\u00edla proslul\u00e9ho fotografa…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[6,8460,1434,22728,17000],"class_list":["post-17253","post","type-post","status-publish","format-standard","hentry","category-photography","tag-photography","tag-harlem-renaissance","tag-black-history","tag-james-van-der-zee","tag-metropolitan-museum-of-art"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=17253"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17253\/revisions"}],"predecessor-version":[{"id":17254,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17253\/revisions\/17254"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=17253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=17253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=17253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}