{"id":17400,"date":"2024-07-25T23:59:04","date_gmt":"2024-07-25T23:59:04","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=17400"},"modified":"2024-07-25T23:59:04","modified_gmt":"2024-07-25T23:59:04","slug":"virginia-woolf-bloomsbury-fashion-revolution","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/life\/fashion\/virginia-woolf-bloomsbury-fashion-revolution\/","title":{"rendered":"Vliv Virginie Woolfov\u00e9 na m\u00f3du: Sartori\u00e1ln\u00ed revoluce skupiny Bloomsbury"},"content":{"rendered":"

Vliv Virginie Woolfov\u00e9 na m\u00f3du: Sartori\u00e1ln\u00ed revoluce skupiny Bloomsbury<\/h2>\n\n

Skupina Bloomsbury: Poru\u0161en\u00ed m\u00f3dn\u00edch konvenc\u00ed<\/h2>\n\n

Na po\u010d\u00e1tku 20. stolet\u00ed vznikla skupina vlivn\u00fdch britsk\u00fdch spisovatel\u016f, um\u011blc\u016f a filozof\u016f zn\u00e1m\u00e1 jako skupina Bloomsbury, kter\u00e1 zpochyb\u0148ovala spole\u010densk\u00e9 normy a p\u0159ijala boh\u00e9msk\u00fd \u017eivotn\u00ed styl. Mezi jej\u00ed \u010dleny pat\u0159ili Virginia Woolfov\u00e1, E.M. Forster, John Maynard Keynes a Lady Ottoline Morrellov\u00e1.<\/p>\n\n

Jednou z charakteristick\u00fdch vlastnost\u00ed skupiny bylo odm\u00edtnut\u00ed konven\u010dn\u00edch m\u00f3dn\u00edch standard\u016f. Ve sv\u00e9m dopise T.S. Eliotovi Virginia Woolfov\u00e1 zn\u00e1m\u011b pou\u010dila sv\u00e9ho p\u0159\u00edtele, aby si \u201enevzal \u017e\u00e1dn\u00e9 oble\u010den\u00ed\u201c na n\u00e1v\u0161t\u011bvu jej\u00ed chaty ve v\u00fdchodn\u00edm Sussexu. Tato sm\u011brnice odr\u00e1\u017eela v\u00edru skupiny Bloomsbury v jednoduchost a jejich pohrd\u00e1n\u00ed od\u011bvn\u00edmi omezen\u00edmi spole\u010dnosti vy\u0161\u0161\u00ed st\u0159edn\u00ed t\u0159\u00eddy.<\/p>\n\n

Charleston: Centrum stylu Bloomsbury<\/h2>\n\n

Skupina Bloomsbury se \u010dasto sch\u00e1zela v Charlestonu, statku p\u0159em\u011bn\u011bn\u00e9m na muzeum v Sussexu, kter\u00fd kdysi ob\u00fdvala sestra Virginie Woolfov\u00e9, Vanessa Bellov\u00e1, a mal\u00ed\u0159 Duncan Grant. Charleston se stal centrem kreativity a v\u00fdstavn\u00ed s\u00edn\u00ed jedine\u010dn\u00e9ho m\u00f3dn\u00edho stylu skupiny.<\/p>\n\n

\u010clenov\u00e9 skupiny Bloomsbury se obl\u00e9kali zp\u016fsobem, kter\u00fd vzdoroval popul\u00e1rn\u00edm konvenc\u00edm. Up\u0159ednost\u0148ovali voln\u00e9, pohodln\u00e9 oble\u010den\u00ed, kter\u00e9 umo\u017e\u0148ovalo svobodu pohybu a vyjad\u0159ov\u00e1n\u00ed. Vanessa Bellov\u00e1 a Duncan Grant byli zn\u00e1m\u00ed sv\u00fdmi n\u00e1padn\u00fdmi a nekonven\u010dn\u00edmi outfity, kter\u00e9 \u010dasto zahrnovaly jasn\u00e9 barvy a v\u00fdrazn\u00e9 vzory.<\/p>\n\n

Slo\u017eit\u00e9 n\u00e1zory Virginie Woolfov\u00e9 na m\u00f3du<\/h2>\n\n

P\u0159es sv\u00e9 odm\u00edtnut\u00ed spole\u010densk\u00fdch m\u00f3dn\u00edch norem byly n\u00e1zory Virginie Woolfov\u00e9 na oble\u010den\u00ed slo\u017eit\u00e9 a \u010dasto protich\u016fdn\u00e9. Ve sv\u00e9 beletrii prop\u016fj\u010dila oble\u010den\u00ed symbolick\u00fd v\u00fdznam a zkoumala jeho roli v utv\u00e1\u0159en\u00ed identity a spole\u010densk\u00e9ho postaven\u00ed. Ve sv\u00e9m osobn\u00edm \u017eivot\u011b v\u0161ak bojovala s \u00fazkostmi ohledn\u011b sv\u00e9ho \u0161atn\u00edku a \u010dasto kritizovala sv\u00e9 vlastn\u00ed m\u00f3dn\u00ed volby.<\/p>\n\n

Zni\u010den\u00ed \u0161atn\u00edk\u016f skupiny Bloomsbury<\/h2>\n\n

Na rozd\u00edl od sv\u00fdch viktori\u00e1nsk\u00fdch p\u0159edch\u016fdc\u016f nekladla skupina Bloomsbury velk\u00fd d\u016fraz na hmotn\u00e9 statky, v\u010detn\u011b oble\u010den\u00ed. Mnoh\u00e9 z jejich od\u011bv\u016f byly po jejich smrti z\u00e1m\u011brn\u011b zni\u010deny. Tento akt ni\u010den\u00ed odr\u00e1\u017eel jejich odm\u00edtnut\u00ed konven\u010dn\u00edch hodnot a jejich v\u00edru v pom\u00edjivost hmotn\u00fdch statk\u016f.<\/p>\n\n

Trval\u00fd vliv skupiny Bloomsbury<\/h2>\n\n

P\u0159es jejich pohrd\u00e1n\u00ed m\u00f3dou m\u011bla skupina Bloomsbury trval\u00fd vliv na sou\u010dasn\u00fd styl. Sou\u010dasn\u00ed n\u00e1vrh\u00e1\u0159i nad\u00e1le \u010derpaj\u00ed inspiraci z jejich osvobozen\u00e9 sexuality, feminismu, queerness a pacifismu. Kim Jones, um\u011bleck\u00fd \u0159editel Fendi a Dior, vytvo\u0159il kolekce p\u0159\u00edmo inspirovan\u00e9 Virgini\u00ed Woolfovou a Duncanem Grantem.<\/p>\n\n

V\u00fdznam oble\u010den\u00ed ve skupin\u011b Bloomsbury<\/h2>\n\n

Oble\u010den\u00ed hr\u00e1lo v \u017eivot\u011b \u010dlen\u016f skupiny Bloomsbury mnohostrannou roli. Byl to prost\u0159edek k vyj\u00e1d\u0159en\u00ed jejich individuality, zpochybn\u011bn\u00ed spole\u010densk\u00fdch norem a vytvo\u0159en\u00ed pocitu soun\u00e1le\u017eitosti. Oble\u010den\u00ed skupiny Bloomsbury vydl\u00e1\u017edilo cestu k osvobozen\u011bj\u0161\u00edmu a expresivn\u011bj\u0161\u00edmu p\u0159\u00edstupu k m\u00f3d\u011b ve 20. stolet\u00ed i pozd\u011bji.<\/p>\n\n

Odkaz a dopad<\/h2>\n\n

Odkaz skupiny Bloomsbury sah\u00e1 daleko za m\u00f3du. Jejich boh\u00e9msk\u00fd \u017eivotn\u00ed styl, jejich odhodl\u00e1n\u00ed k um\u011bleck\u00e9 svobod\u011b a jejich zpochyb\u0148ov\u00e1n\u00ed spole\u010densk\u00fdch konvenc\u00ed dodnes inspiruj\u00ed um\u011blce, spisovatele a myslitele. V\u00fdstava \u201eNeberte si \u017e\u00e1dn\u00e9 oble\u010den\u00ed: Bloomsbury a m\u00f3da\u201c v Charlestonu nab\u00edz\u00ed strhuj\u00edc\u00ed pohled do od\u011bvn\u00edho sv\u011bta t\u00e9to mimo\u0159\u00e1dn\u00e9 skupiny a jej\u00edho trval\u00e9ho vlivu na britskou kulturu.<\/p>","protected":false},"excerpt":{"rendered":"

Vliv Virginie Woolfov\u00e9 na m\u00f3du: Sartori\u00e1ln\u00ed revoluce skupiny Bloomsbury Skupina Bloomsbury: Poru\u0161en\u00ed m\u00f3dn\u00edch konvenc\u00ed Na po\u010d\u00e1tku 20. stolet\u00ed vznikla skupina vlivn\u00fdch britsk\u00fdch spisovatel\u016f, um\u011blc\u016f a filozof\u016f zn\u00e1m\u00e1 jako skupina Bloomsbury,…<\/p>\n","protected":false},"author":3,"featured_media":23921,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[4252],"tags":[16879,2340,1188,22886,20866,3691,22885,7607],"class_list":["post-17400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-fashion","tag-bloomsbury-group","tag-feminism","tag-fashion-history","tag-literary-influence","tag-modernist-literature","tag-social-history","tag-gender-studies","tag-virginia-woolf"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17400","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=17400"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17400\/revisions"}],"predecessor-version":[{"id":17401,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17400\/revisions\/17401"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media\/23921"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=17400"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=17400"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=17400"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}