Po\u010d\u00e1tkem roku 1886 se Vincent van Gogh vydal na transformativn\u00ed cestu do Pa\u0159\u00ed\u017ee, kde se dva roky pono\u0159il do \u017eiv\u00e9 um\u011bleck\u00e9 sc\u00e9ny. B\u011bhem tohoto kl\u00ed\u010dov\u00e9ho obdob\u00ed vytvo\u0159il dv\u011b dosud nezn\u00e1m\u00e9 kresby, kter\u00e9 nab\u00edzej\u00ed cenn\u00e9 poznatky o jeho um\u011bleck\u00e9m v\u00fdvoji.<\/p>\n\n
Jedna z nov\u011b objeven\u00fdch kreseb, nazvan\u00e1 \u201eMontmartrsk\u00fd kopec s lomem\u201c, zobrazuje panoramatick\u00fd pohled na slavnou pa\u0159\u00ed\u017eskou dominantu. Skica ukazuje van Goghovu bystrou pozorovac\u00ed schopnost a jeho dovednost zachytit podstatu sc\u00e9ny n\u011bkolika m\u00e1lo zru\u010dn\u00fdmi tahy.<\/p>\n\n
V roce 2014 byla kresba z\u00edsk\u00e1na nadac\u00ed Van Vlissingen Art Foundation v Nizozemsku. D\u00edky pe\u010dliv\u00e9mu v\u00fdzkumu a spolupr\u00e1ci s Van Goghov\u00fdm muzeem v Amsterdamu byla potvrzena jej\u00ed pravost. Odborn\u00edci zkoumali n\u00e1m\u011bt d\u00edla, styl, techniku a dokument\u00e1rn\u00ed d\u016fkazy a dosp\u011bli k z\u00e1v\u011bru, \u017ee ji skute\u010dn\u011b vytvo\u0159il van Gogh.<\/p>\n\n
Druh\u00e1 kresba, jednodu\u0161e nazvan\u00e1 \u201eMontmartrsk\u00fd kopec\u201c, byla d\u0159\u00edve zahrnuta v kataloz\u00edch van Goghov\u00fdch d\u011bl, ale pozd\u011bji byla odstran\u011bna kv\u016fli pochybnostem o jej\u00edm p\u016fvodu. P\u0159i porovn\u00e1n\u00ed s kresbou \u201eMontmartrsk\u00fd kopec s lomem\u201c v\u0161ak byli odborn\u00edci nuceni sv\u016fj n\u00e1zor p\u0159ehodnotit. Podobnosti v materi\u00e1lech, pap\u00edru a kresl\u00ed\u0159sk\u00e9 technice byly nepopirateln\u00e9.<\/p>\n\n
Ob\u011b kresby poch\u00e1zej\u00ed z roku 1886, doby, kdy van Gogh p\u0159ech\u00e1zel od sv\u00e9ho ran\u00e9ho, tradi\u010dn\u011bj\u0161\u00edho stylu k odv\u00e1\u017en\u00e9mu a experiment\u00e1ln\u00edmu p\u0159\u00edstupu impresionismu. V Pa\u0159\u00ed\u017ei se setkal s vlivn\u00fdmi um\u011blci, jako byli Henri de Toulouse-Lautrec, Camille Pissarro, Georges Seurat a Paul Gauguin, kte\u0159\u00ed ho inspirovali k tomu, aby se odpoutal od konvenc\u00ed.<\/p>\n\n
Dv\u011b nov\u011b objeven\u00e9 kresby slou\u017e\u00ed jako \u201estylistick\u00fd chyb\u011bj\u00edc\u00ed \u010dl\u00e1nek\u201c mezi van Goghov\u00fdmi ran\u00fdmi pracemi v Belgii a jeho pozd\u011bj\u0161\u00edmi, slavn\u011bj\u0161\u00edmi impresionistick\u00fdmi malbami. Odhaluj\u00ed postupn\u00fd v\u00fdvoj jeho stylu, jak p\u0159ij\u00edmal dynamick\u00e9 tahy \u0161t\u011btcem a \u017eiv\u00e9 barvy, kter\u00e9 jsou charakteristick\u00e9 pro toto hnut\u00ed.<\/p>\n\n
Ob\u011b kresby jsou v sou\u010dasn\u00e9 dob\u011b vystaveny v muzeu Singer Laren v Nizozemsku jako sou\u010d\u00e1st v\u00fdstavy \u201eImpresionismus a d\u00e1le\u201c. Tato v\u00fdstava p\u0159edstavuje z\u00e1sadn\u00ed roli, kterou impresionismus sehr\u00e1l p\u0159i utv\u00e1\u0159en\u00ed um\u011bn\u00ed v pozdn\u00edm 19. stolet\u00ed, a van Goghovy nov\u011b objeven\u00e9 kresby poskytuj\u00ed fascinuj\u00edc\u00ed pohled do tohoto transformativn\u00edho obdob\u00ed jeho vlastn\u00ed um\u011bleck\u00e9 cesty.<\/p>\n\n
Tyto dv\u011b nov\u011b objeven\u00e9 kresby nab\u00edzej\u00ed cenn\u00e9 poznatky o formativn\u00edch letech Vincenta van Gogha v Pa\u0159\u00ed\u017ei. Demonstruj\u00ed jeho bystr\u00e9 oko, jeho vyv\u00edjej\u00edc\u00ed se styl a jeho otev\u0159enost nov\u00fdm um\u011bleck\u00fdm vliv\u016fm. Tato d\u00edla nejen obohacuj\u00ed na\u0161e ch\u00e1p\u00e1n\u00ed van Goghova um\u011bleck\u00e9ho v\u00fdvoje, ale vrhaj\u00ed sv\u011btlo i na \u017eivou um\u011bleckou sc\u00e9nu Pa\u0159\u00ed\u017ee na konci 19. stolet\u00ed.<\/p>","protected":false},"excerpt":{"rendered":"
Nov\u011b objeven\u00e9 kresby Vincenta van Gogha vrhaj\u00ed sv\u011btlo na jeho formativn\u00ed roky Po\u010d\u00e1tkem roku 1886 se Vincent van Gogh vydal na transformativn\u00ed cestu do Pa\u0159\u00ed\u017ee, kde se dva roky pono\u0159il…<\/p>\n","protected":false},"author":4,"featured_media":23732,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[20979],"tags":[104,23274,2253,8100,2252],"class_list":["post-17739","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-movements","tag-art-history","tag-formative-years","tag-impressionism","tag-paris","tag-vincent-van-gogh"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17739","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=17739"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17739\/revisions"}],"predecessor-version":[{"id":17740,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17739\/revisions\/17740"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media\/23732"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=17739"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=17739"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=17739"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}