Chris Stein, hlavn\u00ed kytarista ikonick\u00e9 skupiny Blondie, zve\u0159ejnil poklad sv\u00fdch fotografi\u00ed z hudebn\u00ed sc\u00e9ny New Yorku 70. a po\u010d\u00e1tku 80. let. Tyto sn\u00edmky, kter\u00e9 po\u0159\u00eddil s\u00e1m Stein, nab\u00edzej\u00ed jedine\u010dn\u00fd a intimn\u00ed pohled na tehdy se rozv\u00edjej\u00edc\u00ed punkovou a new wave sc\u00e9nu, kter\u00e1 definovala onu \u00e9ru.<\/p>\n\n
Steinova cesta jako fotografa za\u010dala na konci 60. let, kdy nav\u0161t\u011bvoval um\u011bleckou \u0161kolu v New Yorku. P\u0159itahov\u00e1n pulzuj\u00edc\u00ed hudebn\u00ed sc\u00e9nou centra m\u011bsta potkal svou hudebn\u00ed sp\u0159\u00edzn\u011bnou du\u0161i, Debbie Harry, v kr\u00e1tkodob\u00e9 glam punkov\u00e9 skupin\u011b The Stilettos. Po rozpadu t\u00e9to skupiny zalo\u017eili Stein a Harry v roce 1974 Blondie, kde Harry p\u016fsobila jako charismatick\u00e1 zp\u011bva\u010dka skupiny.<\/p>\n\n
Jak Blondie stoupali ke sl\u00e1v\u011b, Stein vyu\u017e\u00edval svou fotografii k dokumentov\u00e1n\u00ed hudebn\u00edch pr\u016fkopn\u00edk\u016f sv\u00e9 doby. D\u00edky zvl\u00e1\u0161tn\u00edmu p\u0159\u00edstupu ke sv\u00fdm spoluhr\u00e1\u010d\u016fm po\u0159\u00eddil portr\u00e9ty ikonick\u00fdch osobnost\u00ed, jako jsou Joey Ramone, Iggy Pop, Joan Jett a samoz\u0159ejm\u011b Debbie Harry. Mnoho z t\u011bchto subjekt\u016f nebyli jen kolegov\u00e9, ale tak\u00e9 Steinovi bl\u00edzc\u00ed p\u0159\u00e1tel\u00e9.<\/p>\n\n
\u201eV tom \u00fapadku, ve kter\u00e9m jsme v\u0161ichni byli, bylo ur\u010dit\u00e9 kouzlo,\u201c \u0159ekl Stein listu Los Angeles Times. \u201eOhl\u00ed\u017e\u00edte se na ten rozklad a \u00fapadek s jist\u00fdm druhem z\u00e1visti.\u201c<\/p>\n\n
Stein vyvol\u00e1val sv\u00e9 fotografie v provizorn\u00ed temn\u00e9 komo\u0159e v kuchyni, kterou sd\u00edlel s Harry v New Yorku. Tyto sn\u00edmky, nyn\u00ed publikovan\u00e9 v jeho knize \u201eChris Stein\/Negative: Me, Blondie and the Advent of Punk\u201c, poskytuj\u00ed \u017eiv\u00fd a osobn\u00ed popis t\u00e9to \u00e9ry.<\/p>\n\n
Steinovy fotografie zachycuj\u00ed nejen hudebn\u00edky a kapely t\u00e9 doby, ale tak\u00e9 atmosf\u00e9ru a energii hudebn\u00ed sc\u00e9ny v New Yorku. Nab\u00edzej\u00ed pohled do tv\u016fr\u010d\u00edho procesu, kamar\u00e1dstv\u00ed a syrov\u00e9 energie, kter\u00e1 poh\u00e1n\u011bla punkov\u00e1 a new wave hnut\u00ed.<\/p>\n\n
Stein v\u011b\u0159\u00ed, \u017ee jeho z\u00e1jem o fotografii ovlivnil jeho styl psan\u00ed p\u00edsn\u00ed a naopak. \u201eExistuje podobn\u00fd vztah mezi publikem a fotografem\/hudebn\u00edkem,\u201c \u0159\u00edk\u00e1. \u201eZpo\u010d\u00e1tku lid\u00e9 vid\u011bli obr\u00e1zky Debbie d\u0159\u00edve, ne\u017e sly\u0161eli hudbu.\u201c<\/p>\n\n
Navzdory sv\u00e9mu \u00fasp\u011bchu jako rockov\u00e9 hv\u011bzdy se Stein nikdy nevzdal sv\u00e9 v\u00e1\u0161n\u011b pro fotografii. Inspiruj\u00ed ho fotografov\u00e9 jako Diane Arbus a Weegee, kte\u0159\u00ed byli schopni vnutit sv\u00e9 osobn\u00ed perspektivy sv\u00fdm subjekt\u016fm a div\u00e1k\u016fm.<\/p>\n\n
Kdyby Stein z\u016fstal na opu\u0161t\u011bn\u00e9m ostrov\u011b pouze s funk\u010dn\u00edm gramofonem, vybral by t\u0159i alba, kter\u00e1 zt\u011bles\u0148uj\u00ed vrstven\u00e9 a ambientn\u00ed zvukov\u00e9 krajiny, kter\u00e9 miluje: Moondog, Metal Machine Music a nejv\u011bt\u0161\u00ed hity Richarda Wagnera.<\/p>\n\n
Fotografie Chrise Steina nejsou jen historick\u00fdmi dokumenty, ale tak\u00e9 um\u011bleck\u00fdmi d\u00edly, kter\u00e9 zachycuj\u00ed ducha a podstatu transformativn\u00ed \u00e9ry v hudb\u011b. Nab\u00edzej\u00ed jedine\u010dn\u00fd a osobn\u00ed pohled na newyorskou hudebn\u00ed sc\u00e9nu 70. a po\u010d\u00e1tku 80. let a p\u0159edstavuj\u00ed kreativitu, energii a trval\u00fd odkaz punku a new wave.<\/p>","protected":false},"excerpt":{"rendered":"
Tajn\u00e9 fotografie newyorsk\u00e9 hudebn\u00ed sc\u00e9ny 70. a 80. let od Chrise Steina Ojedin\u011bl\u00fd pohled kytaristy skupiny Blondie na legend\u00e1rn\u00ed \u00e9ru Chris Stein, hlavn\u00ed kytarista ikonick\u00e9 skupiny Blondie, zve\u0159ejnil poklad sv\u00fdch…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[23470],"tags":[23466,23467,6,378,23468,886,23469],"class_list":["post-17890","post","type-post","status-publish","format-standard","hentry","category-music-photography","tag-blondie","tag-chris-stein","tag-photography","tag-music-history","tag-new-wave","tag-new-york-city","tag-punk-rock"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=17890"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17890\/revisions"}],"predecessor-version":[{"id":17891,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/17890\/revisions\/17891"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=17890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=17890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=17890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}