{"id":2303,"date":"2023-07-23T08:30:32","date_gmt":"2023-07-23T08:30:32","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=2303"},"modified":"2023-07-23T08:30:32","modified_gmt":"2023-07-23T08:30:32","slug":"blind-photographers-exploring-world-light-imagination","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/art\/photography\/blind-photographers-exploring-world-light-imagination\/","title":{"rendered":"Slep\u00ed fotografov\u00e9: Prozkoum\u00e1v\u00e1n\u00ed sv\u011bta sv\u011btlem a p\u0159edstavivost\u00ed"},"content":{"rendered":"

Slep\u00ed fotografov\u00e9: Prozkoum\u00e1v\u00e1n\u00ed sv\u011bta sv\u011btlem a p\u0159edstavivost\u00ed<\/h2>\n\n

Sonia Soberats: Cesta prom\u011bny<\/h2>\n\n

tv\u00e1\u0159\u00ed v tv\u00e1\u0159 protivenstv\u00edm na\u0161la Sonia Soberats \u00fat\u011bchu a vyj\u00e1d\u0159en\u00ed ve fotografii. Pot\u00e9, co ztratila zrak kv\u016fli glaukomu, vydala se na pozoruhodnou cestu a za\u010dala pou\u017e\u00edvat sv\u011btlo a p\u0159edstavivost k vytv\u00e1\u0159en\u00ed \u00fa\u017easn\u00fdch sn\u00edmk\u016f.<\/p>\n\n

Sn\u00edmky Soberats nejsou pouh\u00fdmi zobrazen\u00edmi sv\u011bta, jak ho vid\u00ed ona; jsou \u017eiv\u00fdmi v\u00fdrazy jej\u00edch vzpom\u00ednek, emoc\u00ed a z\u00e1\u017eitk\u016f. Zachycuje okam\u017eiky z proch\u00e1zek v parku nebo setk\u00e1n\u00ed na ulici a znovu je vytv\u00e1\u0159\u00ed ve sv\u00e9m ateli\u00e9ru s pomoc\u00ed asistent\u016f a model\u016f.<\/p>\n\n

Tv\u016fr\u010d\u00ed proces: Malov\u00e1n\u00ed sv\u011btlem<\/h2>\n\n

Tv\u016fr\u010d\u00ed proces Soberats je d\u016fkazem jej\u00ed odolnosti a d\u016fvtipu. Spolu se sv\u00fdmi asistenty, kte\u0159\u00ed p\u0159ipravuj\u00ed sc\u00e9nu, pou\u017e\u00edv\u00e1 r\u016fzn\u00e9 sv\u011bteln\u00e9 zdroje, v\u010detn\u011b baterky a v\u00e1no\u010dn\u00edch sv\u011bt\u00e9lek, k osv\u011btlen\u00ed detail\u016f v z\u00e1b\u011bru. Z\u00e1v\u011brka z\u016fst\u00e1v\u00e1 otev\u0159en\u00e1 po del\u0161\u00ed dobu, co\u017e j\u00ed umo\u017e\u0148uje pohybovat se v z\u00e1b\u011bru jako tane\u010dnice a malovat obraz sv\u011btlem.<\/p>\n\n

“Vstoup\u00edte do obrazu a zapomenete na to, co je kolem v\u00e1s, a \u017ee jste slep\u00ed,” \u0159\u00edk\u00e1 Soberats. “Na\u0161e mysl je obrovsk\u00e1. M\u016f\u017eete se znovu a znovu vracet ke v\u0161emu a z\u00edskat v\u0161echny pot\u0159ebn\u00e9 informace.”<\/p>\n\n

Seeing With Photography Collective: Komunita vizion\u00e1\u0159\u016f<\/h2>\n\n

Soberats nen\u00ed ve sv\u00e9 snaze o um\u011bleck\u00fd v\u00fdraz prost\u0159ednictv\u00edm fotografie sama. Je \u010dlenkou Seeing With Photography Collective, skupiny, kter\u00e1 zahrnuje jak vidouc\u00ed, tak zrakov\u011b posti\u017een\u00e9 fotografy. Tato komunita poskytuje podporu, inspiraci a platformu pro nevidom\u00e9 fotografy, aby mohli sd\u00edlet svou pr\u00e1ci.<\/p>\n\n

Sight Unseen: Zpochybn\u011bn\u00ed vn\u00edm\u00e1n\u00ed<\/h2>\n\n

V roce 2009 p\u0159edstavilo Kalifornsk\u00e9 muzeum fotografie talent nevidom\u00fdch fotograf\u016f na v\u00fdstav\u011b s n\u00e1zvem “Sight Unseen”. Kur\u00e1tor Douglas McCulloh, s\u00e1m fotograf, vysv\u011btluje v\u00fdznam t\u00e9to pr\u00e1ce:<\/p>\n\n

“Cel\u00fd sm\u011br modern\u00edho um\u011bn\u00ed v posledn\u00edch 100 letech sm\u011b\u0159oval k konceptu ment\u00e1ln\u00ed konstrukce a fotografie nevidom\u00fdch p\u0159ich\u00e1z\u00ed pr\u00e1v\u011b odtud,” \u0159\u00edk\u00e1 McCulloh. “Nejprve vytvo\u0159\u00ed obraz ve sv\u00e9 hlav\u011b \u2013 skute\u010dn\u011b propracovan\u00e9, pln\u011b realizovan\u00e9 vize \u2013 a pak p\u0159enesou n\u011bjakou verzi t\u00e9to vize do sv\u011bta, abychom ji my ostatn\u00ed mohli vid\u011bt.”<\/p>\n\n

Role zvuku a \u010dichu ve fotografii nevidom\u00fdch<\/h2>\n\n

Sv\u011bt je pro nevidom\u00e9 fotografy za\u017e\u00edv\u00e1n prost\u0159ednictv\u00edm bohat\u00e9 mozaiky zvuk\u016f, v\u016fn\u00ed a textur. Soberats spol\u00e9h\u00e1 na tyto smyslov\u00e9 podn\u011bty, aby ve sv\u00fdch fotografi\u00edch znovu vytvo\u0159ila sv\u00e9 vzpom\u00ednky a dojmy.<\/p>\n\n

“Vzpom\u00edn\u00e1m si na zvuk \u0161ust\u011bn\u00ed list\u016f ve v\u011btru, v\u016fni kv\u011btin v parku,” \u0159\u00edk\u00e1. “To jsou v\u011bci, kter\u00e9 se sna\u017e\u00edm zachytit na sv\u00fdch fotografi\u00edch.”<\/p>\n\n

Vliv slepoty na um\u011bleck\u00fd v\u00fdraz<\/h2>\n\n

Slepota p\u0159edstavuje pro fotografy jedine\u010dn\u00e9 v\u00fdzvy, ale nab\u00edz\u00ed tak\u00e9 p\u0159\u00edle\u017eitosti pro tv\u016fr\u010d\u00ed pr\u016fzkum. Spol\u00e9h\u00e1n\u00edm na svou p\u0159edstavivost a smyslov\u00e9 vn\u00edm\u00e1n\u00ed vytv\u00e1\u0159ej\u00ed nevidom\u00ed fotografov\u00e9 sn\u00edmky, kter\u00e9 zpochyb\u0148uj\u00ed na\u0161e p\u0159edpoklady o zraku a povaze um\u011bn\u00ed.<\/p>\n\n

Jejich pr\u00e1ce roz\u0161i\u0159uje hranice fotografie a ukazuje, \u017ee um\u011bleck\u00fd v\u00fdraz nen\u00ed omezen fyzick\u00fdmi p\u0159ek\u00e1\u017ekami. M\u00edsto toho je to d\u016fkaz o s\u00edle lidsk\u00e9ho ducha p\u0159ekon\u00e1vat protivenstv\u00ed a nach\u00e1zet kr\u00e1su na ne\u010dekan\u00fdch m\u00edstech.<\/p>\n\n

P\u0159\u00edklady fotografie nevidom\u00fdch<\/h2>\n\n

Sn\u00edmky Soberats jsou d\u016fkazem kr\u00e1sy a s\u00edly fotografie nevidom\u00fdch. Jej\u00ed sn\u00edmky zachycuj\u00ed podstatu jej\u00edch z\u00e1\u017eitk\u016f a zvou div\u00e1ky, aby vid\u011bli sv\u011bt z jin\u00e9 perspektivy.<\/p>\n\n

Mezi dal\u0161\u00ed pozoruhodn\u00e9 nevidom\u00e9 fotografy pat\u0159\u00ed:<\/p>\n\n