{"id":2708,"date":"2024-11-04T07:51:43","date_gmt":"2024-11-04T07:51:43","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=2708"},"modified":"2024-11-04T07:51:43","modified_gmt":"2024-11-04T07:51:43","slug":"the-art-of-erosion-mountains-of-knowledge","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/art\/conceptual-art\/the-art-of-erosion-mountains-of-knowledge\/","title":{"rendered":"Um\u011bn\u00ed eroze: Krajiny pozn\u00e1n\u00ed"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Um\u011bn\u00ed eroze: Hory pozn\u00e1n\u00ed<\/h2>\n\n<h2 class=\"wp-block-heading\">Interdisciplin\u00e1rn\u00ed um\u011blec transformuje encyklopedie do krajin<\/h2>\n\n<p>Guy Laram\u00e9e, interdisciplin\u00e1rn\u00ed um\u011blec, zpochyb\u0148uje vn\u00edm\u00e1n\u00ed znalost\u00ed a jejich fyzick\u00e9ho zt\u011blesn\u011bn\u00ed prost\u0159ednictv\u00edm sv\u00fdch hyperrealistick\u00fdch krajin vytvo\u0159en\u00fdch z vy\u0159azen\u00fdch encyklopedi\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">Eroze jako metafora<\/h2>\n\n<p>Laram\u00e9eho slo\u017eit\u00e9 krajiny, v\u00fdsti\u017en\u011b nazvan\u00e9 \u201eAdieu\u201c a \u201ePou\u0161\u0165 nev\u011bdomosti\u201c, zkoumaj\u00ed erozi znalost\u00ed v digit\u00e1ln\u00edm v\u011bku. Vy\u0159ez\u00e1v\u00e1n\u00edm \u00fadol\u00ed a vrchol\u016f do t\u011bchto knih symbolizuje sl\u00e1bnouc\u00ed v\u00fdznam ti\u0161t\u011bn\u00fdch materi\u00e1l\u016f, proto\u017ee internet dominuje na\u0161emu p\u0159\u00edstupu k informac\u00edm.<\/p>\n\n<h2 class=\"wp-block-heading\">Kulturn\u00ed eroze<\/h2>\n\n<p>Laram\u00e9eho um\u011bn\u00ed vyvol\u00e1v\u00e1 ot\u00e1zky o potenci\u00e1ln\u00ed erozi kultury a znalost\u00ed, proto\u017ee se st\u00e1le v\u00edce spol\u00e9h\u00e1me na digit\u00e1ln\u00ed zdroje. Jeho d\u00edla zpochyb\u0148uj\u00ed, zda se fyzick\u00e1 p\u0159\u00edtomnost knih, kdysi z\u00e1kladn\u00edho kamene na\u0161eho porozum\u011bn\u00ed, nestala zastaralou.<\/p>\n\n<h2 class=\"wp-block-heading\">Cesta pozn\u00e1n\u00ed<\/h2>\n\n<p>Ve sv\u00e9m um\u011bleck\u00e9m prohl\u00e1\u0161en\u00ed Laram\u00e9e uva\u017euje o transformativn\u00ed povaze pozn\u00e1n\u00ed: \u201eHory nevyu\u017eit\u00fdch znalost\u00ed se vracej\u00ed k tomu, \u010d\u00edm skute\u010dn\u011b jsou: horami. Trochu v\u00edce eroduj\u00ed a stanou se kopci. Pak se zplo\u0161t\u00ed a stanou se poli, kde se zd\u00e1nliv\u011b nic ned\u011bje.\u201c Toto tvrzen\u00ed shrnuje cyklickou cestu pozn\u00e1n\u00ed, od jeho po\u010d\u00e1tku a\u017e po jeho p\u0159\u00edpadn\u00e9 zastar\u00e1n\u00ed.<\/p>\n\n<h2 class=\"wp-block-heading\">Antropologick\u00e9 vlivy<\/h2>\n\n<p>Laram\u00e9eho cesty do odlehl\u00fdch oblast\u00ed, jako je Togo a Peru, hluboce ovlivnily jeho um\u011bleckou praxi. Jeho krajiny jsou \u010dasto inspirov\u00e1ny geografick\u00fdmi \u00fatvary, se kter\u00fdmi se setk\u00e1v\u00e1, jako jsou brazilsk\u00e9 Aparados da Serra, ekv\u00e1dorsk\u00e9 Andy a etiopsk\u00e9 vyso\u010diny.<\/p>\n\n<h2 class=\"wp-block-heading\">Um\u011bleck\u00fd proces<\/h2>\n\n<p>Laram\u00e9e vyu\u017e\u00edv\u00e1 \u0159adu technik, aby dos\u00e1hl sv\u00fdch hyperrealistick\u00fdch efekt\u016f. Od jemn\u00fdch ru\u010dn\u00edch n\u00e1stroj\u016f po v\u00fdkonn\u00e9 motorov\u00e9 pily pe\u010dliv\u011b vy\u0159ez\u00e1v\u00e1 knihy a vytv\u00e1\u0159\u00ed slo\u017eit\u00e9 textury a tvary. Tento proces vyb\u00edz\u00ed div\u00e1ky, aby zpochybnili hranice um\u011bn\u00ed a rozmazali hranice mezi socha\u0159stv\u00edm a mal\u00ed\u0159stv\u00edm.<\/p>\n\n<h2 class=\"wp-block-heading\">Spolupr\u00e1ce a uzn\u00e1n\u00ed<\/h2>\n\n<p>Laram\u00e9eho d\u00edlo z\u00edskalo v\u00fdznamn\u00e9 uzn\u00e1n\u00ed v um\u011bleck\u00e9m sv\u011bt\u011b. Colossal, renomovan\u00e1 online um\u011bleck\u00e1 publikace, p\u0159edstavila jeho ambici\u00f3zn\u00ed projekt \u201eAdieu\u201c, kter\u00fd zahrnoval vy\u0159ez\u00e1n\u00ed cel\u00e9 sady Encyklopedie Britannica. Spolupracoval tak\u00e9 s Beautiful\/Decay, dal\u0161\u00edm vlivn\u00fdm um\u011bleck\u00fdm \u010dasopisem, na p\u0159edstaven\u00ed sv\u00fdch podn\u011btn\u00fdch v\u00fdtvor\u016f.<\/p>\n\n<h2 class=\"wp-block-heading\">Dopad na div\u00e1ky<\/h2>\n\n<p>Laram\u00e9eho krajiny zvou div\u00e1ky, aby p\u0159em\u00fd\u0161leli o povaze znalost\u00ed, jejich p\u0159\u00edstupnosti a jejich potenci\u00e1ln\u00ed erozi. Jeho um\u011bn\u00ed n\u00e1s vyb\u00edz\u00ed k zamy\u0161len\u00ed nad rol\u00ed ti\u0161t\u011bn\u00fdch materi\u00e1l\u016f v digit\u00e1ln\u00edm v\u011bku a trvalou moc\u00ed um\u011bn\u00ed zpochyb\u0148ovat zaveden\u00e9 p\u0159edstavy.<\/p>\n\n<h2 class=\"wp-block-heading\">Odkaz a inspirace<\/h2>\n\n<p>Jedine\u010dn\u00e9 a p\u016fsobiv\u00e9 sochy Guye Laram\u00e9eho slou\u017e\u00ed jako d\u016fkaz transforma\u010dn\u00ed s\u00edly um\u011bn\u00ed. P\u0159em\u011bnou vy\u0159azen\u00fdch encyklopedi\u00ed na krajiny vytv\u00e1\u0159\u00ed pov\u011bdom\u00ed o d\u016fle\u017eitosti zachov\u00e1n\u00ed znalost\u00ed a kultury ve v\u0161ech jejich form\u00e1ch, fyzick\u00fdch i digit\u00e1ln\u00edch. Jeho d\u00edlo nad\u00e1le inspiruje a provokuje a vyb\u00edz\u00ed n\u00e1s, abychom zpochybnili povahu na\u0161eho vztahu k informac\u00edm a trval\u00fd v\u00fdznam ti\u0161t\u011bn\u00e9ho slova.<\/p>","protected":false},"excerpt":{"rendered":"<p>Um\u011bn\u00ed eroze: Hory pozn\u00e1n\u00ed Interdisciplin\u00e1rn\u00ed um\u011blec transformuje encyklopedie do krajin Guy Laram\u00e9e, interdisciplin\u00e1rn\u00ed um\u011blec, zpochyb\u0148uje vn\u00edm\u00e1n\u00ed znalost\u00ed a jejich fyzick\u00e9ho zt\u011blesn\u011bn\u00ed prost\u0159ednictv\u00edm sv\u00fdch hyperrealistick\u00fdch krajin vytvo\u0159en\u00fdch z vy\u0159azen\u00fdch encyklopedi\u00ed. Eroze&hellip;<\/p>\n","protected":false},"author":2,"featured_media":24806,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2932],"tags":[132,1888,746,5407,5408,5410,5409,1374],"class_list":["post-2708","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conceptual-art","tag-anthropology","tag-environmental-art","tag-erosion","tag-guy-laramee","tag-hyper-realism","tag-interdisciplinary-art","tag-knowledge","tag-sculpture"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/2708","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=2708"}],"version-history":[{"count":2,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/2708\/revisions"}],"predecessor-version":[{"id":24807,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/2708\/revisions\/24807"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media\/24806"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=2708"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=2708"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=2708"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}