Arthur Ganson, uzn\u00e1van\u00fd socha\u0159 z MIT, zasv\u011btil svou kari\u00e9ru vytv\u00e1\u0159en\u00ed slo\u017eit\u00fdch kinetick\u00fdch stroj\u016f, kter\u00e9 p\u0159ekra\u010duj\u00ed hranice um\u011bn\u00ed a in\u017een\u00fdrstv\u00ed. Stroje Ganson, inspirovan\u00e9 d\u00edly \u0161v\u00fdcarsk\u00e9ho kinetick\u00e9ho socha\u0159e Jeana Tingleyho a mal\u00ed\u0159e Bauhausu Paula Klee, maj\u00ed jedine\u010dnou schopnost p\u0159ekonat svou mechanickou povahu a vyvolat pocit rozmarnosti a \u00fa\u017easu.<\/p>\n\n
Gansonovy kinetick\u00e9 sochy jsou d\u016fkazem jeho mistrovstv\u00ed v mechanice a bystr\u00e9ho oka pro detail. Jeho stroje jsou pe\u010dliv\u011b vyrobeny z r\u016fzn\u00fdch materi\u00e1l\u016f, v\u010detn\u011b kovu, d\u0159eva a nalezen\u00fdch p\u0159edm\u011bt\u016f. Hu\u010d\u00ed, cvakaj\u00ed a pohybuj\u00ed se nep\u0159edv\u00eddateln\u00fdmi zp\u016fsoby a zd\u00e1 se, \u017ee o\u017e\u00edvaj\u00ed.<\/p>\n\n
Jedno z Gansonov\u00fdch nejslavn\u011bj\u0161\u00edch d\u011bl, \u201eStroj se \u017eidl\u00ed\u201c, je masivn\u00ed 800librov\u00e9 monstrum, kter\u00e9 se val\u00ed po trati. Kdy\u017e se pohybuje, vytrhne ze sv\u00e9 cesty \u017eidli z oh\u00fdban\u00e9ho d\u0159eva, zvedne ji, oto\u010d\u00ed s n\u00ed s gr\u00e1ci\u00ed a bezpe\u010dn\u011b ji polo\u017e\u00ed za sebe. Tato zd\u00e1nliv\u011b jednoduch\u00e1 akce je provedena s ladnost\u00ed a p\u0159esnost\u00ed, kter\u00e1 pop\u00edr\u00e1 pr\u016fmyslov\u00fd vzhled stroje.<\/p>\n\n
Gansonovy stroje nejsou navr\u017eeny tak, aby plnily n\u011bjak\u00e9 praktick\u00e9 \u00fakoly. M\u00edsto toho existuj\u00ed \u010dist\u011b pro um\u011bn\u00ed. Ned\u011blaj\u00ed nic jin\u00e9ho, ne\u017e \u017ee funguj\u00ed mimo\u0159\u00e1dn\u011b dob\u0159e, zvl\u00e1\u0161t\u011b kdy\u017e rozesm\u011bj\u00ed lidi. Jak poznamenal jeden bystr\u00fd pozorovatel: \u201eStroj, kter\u00fd m\u00e1v\u00e1, dok\u00e1\u017ee postavit ka\u017ed\u00fd. Arthur v\u00ed, jak postavit stroj, kter\u00fd zam\u00e1v\u00e1 na rozlou\u010denou.\u201c<\/p>\n\n
Krom\u011b sv\u00fdch velkorozm\u011brov\u00fdch kinetick\u00fdch soch vytvo\u0159il Ganson tak\u00e9 \u0159adu hra\u010dek zvan\u00fdch Toobers and Zots. Tyto barevn\u00e9 p\u011bnov\u00e9 trubice a r\u016fzn\u011b tvarovan\u00e9 kousky umo\u017e\u0148uj\u00ed d\u011btem popustit uzdu sv\u00e9 fantazii a vytv\u00e1\u0159et nadpozemsk\u00e9 bytosti a struktury.<\/p>\n\n
Ganson\u016fv jedine\u010dn\u00fd a inovativn\u00ed p\u0159\u00edstup k um\u011bn\u00ed mu vynesl \u0161irok\u00e9 uzn\u00e1n\u00ed a ohlas. Jeho d\u00edla byla vystavena v muze\u00edch a galeri\u00edch po cel\u00e9m sv\u011bt\u011b a za sv\u00e9 p\u0159\u00ednosy v oblasti kinetick\u00e9 sochy z\u00edskal \u0159adu ocen\u011bn\u00ed.<\/p>\n\n
Gansonovy stroje nad\u00e1le okouzluj\u00ed publikum svou schopnost\u00ed rozmaz\u00e1vat hranice mezi um\u011bn\u00edm a in\u017een\u00fdrstv\u00edm. Jsou sv\u011bdectv\u00edm jeho neomezen\u00e9 kreativity a neochv\u011bjn\u00e9ho odhodl\u00e1n\u00ed posouvat hranice um\u011bleck\u00e9ho vyj\u00e1d\u0159en\u00ed.<\/p>\n\n
Ganson nen\u00ed ten typ \u010dlov\u011bka, kter\u00fd r\u00e1d mluv\u00ed o um\u011bleck\u00e9 teorii a historii. Jeho d\u00edla v\u0161ak jasn\u011b odr\u00e1\u017eej\u00ed vliv konstruktivismu, dadaismu a surrealismu. Tato um\u011bleck\u00e1 hnut\u00ed zd\u016fraz\u0148ovala pou\u017e\u00edv\u00e1n\u00ed ka\u017edodenn\u00edch p\u0159edm\u011bt\u016f, odm\u00edt\u00e1n\u00ed tradi\u010dn\u00edch forem a zkoum\u00e1n\u00ed podv\u011bdom\u00ed.<\/p>\n\n
Ganson \u010dasto nach\u00e1z\u00ed inspiraci pro sv\u00e9 stroje v ka\u017edodenn\u00edch p\u0159edm\u011btech, kter\u00e9 ho obklopuj\u00ed. Vid\u00ed kr\u00e1su ve v\u0161ednosti a prom\u011b\u0148uje oby\u010dejn\u00e9 materi\u00e1ly v mimo\u0159\u00e1dn\u00e1 um\u011bleck\u00e1 d\u00edla. Nap\u0159\u00edklad jeho \u201eStroj s 22 kousky pap\u00edru\u201c sest\u00e1v\u00e1 z jednoduch\u00e9ho d\u0159ev\u011bn\u00e9ho r\u00e1mu a sb\u00edrky vy\u0159azen\u00fdch pap\u00edrov\u00fdch \u00fatr\u017ek\u016f. Jak se stroj pohybuje, \u00fatr\u017eky pap\u00edru poletuj\u00ed a tan\u010d\u00ed a vytv\u00e1\u0159ej\u00ed fascinuj\u00edc\u00ed pod\u00edvanou sv\u011btel a st\u00edn\u016f.<\/p>\n\n
Ganson se neboj\u00ed spolupracovat s jin\u00fdmi um\u011blci a experimentovat s nov\u00fdmi materi\u00e1ly a technikami. Spolupracoval s in\u017een\u00fdry, hudebn\u00edky a dokonce loutk\u00e1\u0159i, aby sv\u00e9 stroje p\u0159ivedl k \u017eivotu. Tato otev\u0159enost spolupr\u00e1ci a experimentov\u00e1n\u00ed mu umo\u017enila vytvo\u0159it rozmanitou a neust\u00e1le se vyv\u00edjej\u00edc\u00ed s\u00e9rii prac\u00ed.<\/p>\n\n
Gansonovy stroje nad\u00e1le fascinuj\u00ed publikum v\u0161ech v\u011bkov\u00fdch kategori\u00ed. Jsou sv\u011bdectv\u00edm jeho neomezen\u00e9 kreativity a jeho schopnosti vyvolat pocit \u00fa\u017easu a p\u0159edstavivosti. A\u0165 u\u017e jde o hrav\u00e9 kousky \u201eStroje se \u017eidl\u00ed\u201c nebo nadpozemsk\u00e9 v\u00fdtvory Toobers and Zots, Gansonovy stroje n\u00e1m p\u0159ipom\u00ednaj\u00ed, \u017ee um\u011bn\u00ed m\u016f\u017ee b\u00fdt jak kr\u00e1sn\u00e9, tak podn\u011btn\u00e9.<\/p>","protected":false},"excerpt":{"rendered":"
Arthur Ganson: Mistr kinetick\u00e9 sochy Ran\u00fd \u017eivot a vlivy Arthur Ganson, uzn\u00e1van\u00fd socha\u0159 z MIT, zasv\u011btil svou kari\u00e9ru vytv\u00e1\u0159en\u00ed slo\u017eit\u00fdch kinetick\u00fdch stroj\u016f, kter\u00e9 p\u0159ekra\u010duj\u00ed hranice um\u011bn\u00ed a in\u017een\u00fdrstv\u00ed. Stroje Ganson,…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2379],"tags":[2008,5861,5864,5863,5862],"class_list":["post-2997","post","type-post","status-publish","format-standard","hentry","category-sculpture","tag-interactive-art","tag-kinetic-sculpture","tag-mechanical-art","tag-whimsical-art","tag-art-in-motion"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/2997","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=2997"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/2997\/revisions"}],"predecessor-version":[{"id":2998,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/2997\/revisions\/2998"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=2997"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=2997"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=2997"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}