B\u011bhem ned\u00e1vn\u00fdch renovac\u00ed v St. George’s Guildhall v King’s Lynn v Anglii narazili d\u011bln\u00edci na pozoruhodn\u00fd n\u00e1lez: d\u0159ev\u011bn\u00e9 podlahov\u00e9 fo\u0161ny, o nich\u017e se p\u0159edpokl\u00e1d\u00e1, \u017ee jsou jedin\u00fdm dochovan\u00fdm jevi\u0161t\u011bm, na kter\u00e9m kdysi vystupoval William Shakespeare. Pod vrstvami podlahy byly tyto velk\u00e9 dubov\u00e9 fo\u0161ny, \u0161irok\u00e9 t\u00e9m\u011b\u0159 12 palc\u016f a tlust\u00e9 6 palc\u016f, spojeny d\u0159ev\u011bn\u00fdmi kol\u00edky nam\u00edsto h\u0159eb\u00edk\u016f.<\/p>\n\n
Objev t\u011bchto podlahov\u00fdch fo\u0161en vzbudil velk\u00e9 nad\u0161en\u00ed v historick\u00e9 komunit\u011b. St. George’s Guildhall, nejstar\u0161\u00ed funguj\u00edc\u00ed divadlo ve Spojen\u00e9m kr\u00e1lovstv\u00ed, je ji\u017e dlouho spojov\u00e1no s Shakespearovou \u00e9rou. Dokumenty z konce 16. stolet\u00ed odhaluj\u00ed, \u017ee Shakespearova hereck\u00e1 spole\u010dnost v tomto m\u00edst\u011b vystupovala v letech 1592-93.<\/p>\n\n
Archeolog Jonathan Clark, expert na st\u0159edov\u011bk\u00e9 budovy, pe\u010dliv\u011b zkoumal podlahov\u00e9 fo\u0161ny po dobu dvou m\u011bs\u00edc\u016f. Studiem konstruk\u010dn\u00edch metod a letokruh\u016f v dochovan\u00e9m d\u0159ev\u011b ur\u010dil, \u017ee poch\u00e1zej\u00ed z po\u010d\u00e1tku 15. stolet\u00ed, pravd\u011bpodobn\u011b z let 1417 a\u017e 1430. To \u0159ad\u00ed podlahov\u00e9 fo\u0161ny je\u0161t\u011b p\u0159ed Shakespearovu dobu.<\/p>\n\n
P\u0159esto\u017ee podlahov\u00e9 fo\u0161ny vznikly d\u0159\u00edve, Tim FitzHigham, kreativn\u00ed \u0159editel guildhallu, v\u011b\u0159\u00ed, \u017ee na nich Shakespeare musel vystupovat. Poukazuje na d\u016fkazy, \u017ee Shakespearova spole\u010dnost byla v tomto m\u00edst\u011b p\u0159\u00edtomna na konci 16. stolet\u00ed. “Je pravd\u011bpodobn\u00e9, \u017ee pr\u00e1v\u011b po tomto povrchu Shakespeare chodil,” \u0159\u00edk\u00e1 Clark. “P\u0159edstaven\u00ed se konala na tomto konci haly.”<\/p>\n\n
Tento objev vyvolal \u017eivou debatu mezi historiky a shakespearovsk\u00fdmi u\u010denci. Tiffany Stern z anglick\u00e9 University of Birmingham pova\u017euje d\u016fkazy o Shakespearov\u011b p\u0159\u00edtomnosti v St. George’s Guildhall za “docela siln\u00e9”. Jin\u00ed v\u0161ak z\u016fst\u00e1vaj\u00ed skepti\u010dt\u00ed. Siobhan Keenan z anglick\u00e9 De Montfort University poznamen\u00e1v\u00e1, \u017ee Shakespearovo pobytov\u00e9 m\u00edsto v tomto obdob\u00ed je nejist\u00e9.<\/p>\n\n
Zat\u00edmco n\u011bkte\u0159\u00ed v\u011bdci tvrd\u00ed, \u017ee tento objev je v\u00fdznamn\u00fd, jin\u00ed ho odm\u00edtaj\u00ed jako pouhou spekulaci. Michael Dobson, \u0159editel Shakespearova institutu ve Stratfordu nad Avonou, se domn\u00edv\u00e1, \u017ee podlahov\u00e9 fo\u0161ny nejsou nijak zvl\u00e1\u0161\u0165 d\u016fle\u017eit\u00e9, pokud \u010dlov\u011bk nen\u00ed p\u0159\u00edli\u0161 fascinov\u00e1n t\u00edm, \u017ee vlastn\u00ed kousek d\u0159eva, kter\u00e9ho se snad dotkl Shakespeare. Dod\u00e1v\u00e1, \u017ee existuj\u00ed jin\u00e9 artefakty spojen\u00e9 se Shakespearem, kter\u00e9 jsou z historick\u00e9ho hlediska mnohem cenn\u011bj\u0161\u00ed.<\/p>\n\n
Objev t\u011bchto podlahov\u00fdch fo\u0161en otev\u0159el nov\u00e9 mo\u017enosti v\u00fdzkumu a zkoum\u00e1n\u00ed Shakespearova \u017eivota a kari\u00e9ry. V\u011bdci jsou dychtiv\u00ed pono\u0159it se hloub\u011bji do d\u016fkaz\u016f a odhalit v\u00edce o Shakespearov\u00fdch p\u0159edstaven\u00edch a kulturn\u00edm kontextu jeho doby. Jak bude vy\u0161et\u0159ov\u00e1n\u00ed pokra\u010dovat, podlahov\u00e9 fo\u0161ny v St. George’s Guildhall budou nepochybn\u011b i nad\u00e1le fascinovat historiky, Shakespearovy nad\u0161ence a ka\u017ed\u00e9ho, kdo se zaj\u00edm\u00e1 o bohatou tapis\u00e9rii britsk\u00e9ho kulturn\u00edho d\u011bdictv\u00ed.<\/p>","protected":false},"excerpt":{"rendered":"
Shakespearova sc\u00e9na: Nov\u011b objeven\u00e9 podlahov\u00e9 fo\u0161ny vyjevuj\u00ed historii Vykop\u00e1vky a objev B\u011bhem ned\u00e1vn\u00fdch renovac\u00ed v St. George’s Guildhall v King’s Lynn v Anglii narazili d\u011bln\u00edci na pozoruhodn\u00fd n\u00e1lez: d\u0159ev\u011bn\u00e9 podlahov\u00e9…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[90],"tags":[88,86,27,89,87,85],"class_list":["post-30","post","type-post","status-publish","format-standard","hentry","category-performing-arts","tag-archaeology","tag-theater","tag-history","tag-cultural-heritage","tag-performance","tag-shakespeare"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/30","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=30"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/30\/revisions"}],"predecessor-version":[{"id":31,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/30\/revisions\/31"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=30"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=30"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=30"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}