Cy Twombly, vlivn\u00fd um\u011blec zn\u00e1m\u00fd sv\u00fdmi abstraktn\u00edmi obrazy, zanechal nesmazatelnou stopu ve sv\u011bt\u011b um\u011bn\u00ed. \u010casto \u0159azen mezi abstraktn\u00ed expresionisty druh\u00e9 vlny po boku Roberta Rauschenberga a Jaspera Johnse, Twomblyho d\u00edlo se vyh\u00fdb\u00e1 snadn\u00e9 klasifikaci.<\/p>\n\n
Na sv\u00e9 ned\u00e1vn\u00e9 v\u00fdstav\u011b v galerii Gagosian p\u0159edstavil Twombly svou fascinaci pivo\u0148kami, kv\u011btinou zn\u00e1mou svou kr\u00e1sou, odolnost\u00ed a z\u00e1hadnou povahou. Obrazy zobrazuj\u00ed \u017eiv\u00e9 konstelace kv\u011bt\u016f pivon\u011bk vzn\u00e1\u0161ej\u00edc\u00edch se uprost\u0159ed mo\u0159e \u010dm\u00e1ranic, otisk\u016f rukou a haiku.<\/p>\n\n
Podobn\u011b jako zahradn\u00edk pe\u010dliv\u011b vyb\u00edr\u00e1 dokonal\u00e9 m\u00edsto pro sv\u00e9 pivo\u0148ky, sehr\u00e1la Twomblyho volba um\u00edst\u011bn\u00ed z\u00e1sadn\u00ed roli v jeho um\u011bleck\u00e9m v\u00fdvoji. Opustil ru\u0161nou newyorskou um\u011bleckou sc\u00e9nu pro sluncem zalitou poklidnost \u0158\u00edma, kde na\u0161el inspiraci ve starov\u011bk\u00fdch ruin\u00e1ch m\u011bsta a jeho \u017eiv\u00e9 kultu\u0159e.<\/p>\n\n
Rozlehl\u00fd prostor galerie Gagosian na 21. ulici poskytl ide\u00e1ln\u00ed kulisu pro Twomblyho rozs\u00e1hl\u00e9 obrazy pivon\u011bk. Vysok\u00e9 stropy a bezchybn\u00e1 povrchov\u00e1 \u00faprava dopl\u0148ovaly velkoform\u00e1tov\u00e1 d\u00edla um\u011blce, kter\u00e1 m\u011b\u0159\u00ed a\u017e osmn\u00e1ct stop na \u0161\u00ed\u0159ku.<\/p>\n\n
P\u0159i vstupu do galerie n\u00e1v\u0161t\u011bvn\u00edky p\u0159iv\u00edt\u00e1 \u00fachvatn\u00e1 expozice \u0161esti horizont\u00e1ln\u00edch obraz\u016f. Ka\u017ed\u00fd panel je zdoben \u017eiv\u00fdmi kv\u011bty pivon\u011bk, kter\u00e9 jako by tan\u010dily a propl\u00e9taly se poli \u010dm\u00e1ranic a haiku. Um\u011blcovo mistrovstv\u00ed v ovl\u00e1d\u00e1n\u00ed tu\u017eky, voskov\u00fdch k\u0159\u00edd a akrylov\u00fdch barev vytv\u00e1\u0159\u00ed dynamickou kompozici, kter\u00e1 div\u00e1ka naprosto pohlt\u00ed.<\/p>\n\n
Twomblyho paleta barev v t\u00e9to v\u00fdstav\u011b je pozoruhodn\u011b rozmanit\u00e1 a sah\u00e1 od planouc\u00edch \u010derven\u00fdch po m\u00e1tov\u011b zelen\u00e9 celadonov\u00e9 odst\u00edny. Protiklad oran\u017eov\u00fdch a r\u016f\u017eov\u00fdch kv\u011bt\u016f na celadonov\u00e9m pozad\u00ed vyvol\u00e1v\u00e1 pocit hrav\u00e9ho kontrastu, zat\u00edmco jasn\u011b \u017elut\u00e1 pozad\u00ed jin\u00fdch obraz\u016f dod\u00e1vaj\u00ed prostoru energii.<\/p>\n\n
Japonsk\u00e1 haiku vepsan\u00e1 na n\u011bkter\u00e9 z obraz\u016f dod\u00e1vaj\u00ed Twomblyho d\u00edlu vrstvu tajemn\u00e9ho symbolismu. Um\u011blcova jedine\u010dn\u00e1 zna\u010dka \u201ekoketa ikonografie\u201c zve div\u00e1ky, aby rozlu\u0161tili jejich v\u00fdznam, a z\u00e1rove\u0148 se br\u00e1n\u00ed jejich definitivn\u00ed interpretaci. Samotn\u00e1 slova, pe\u010dliv\u011b vybran\u00e1 pro sv\u016fj smyslov\u00fd dopad, rezonuj\u00ed v uchu a ulp\u00edvaj\u00ed v mysli.<\/p>\n\n
Zat\u00edmco pivo\u0148ky jsou \u010dasto spojov\u00e1ny s Japonskem, Twomblyho fascinace touto kv\u011btinou sah\u00e1 a\u017e do \u010c\u00edny, kde m\u00e1 bohatou historii jako symbol nesmrtelnosti. \u010c\u00ednsk\u00e9 slovo pro pivo\u0148ku, mutan, obsahuje slovo pro cinabarit, l\u00e9k, o kter\u00e9m se v\u011b\u0159\u00ed, \u017ee prop\u016fj\u010duje v\u011b\u010dn\u00fd \u017eivot. Podobn\u011b jako Twomblyho obrazy jsou pivo\u0148ky skute\u010dn\u00fdmi origin\u00e1ly, na kter\u00e9 nelze zapomenout.<\/p>\n\n
Jedine\u010dn\u00fd p\u0159\u00edstup Cy Twomblyho k abstrakci, jeho mistrovsk\u00e9 zach\u00e1zen\u00ed s barvou a ikonografi\u00ed a jeho trval\u00e1 fascinace pivo\u0148kami zanechaly trval\u00e9 d\u011bdictv\u00ed ve sv\u011bt\u011b um\u011bn\u00ed. Jeho obrazy nad\u00e1le fascinuj\u00ed a inspiruj\u00ed div\u00e1ky a zanech\u00e1vaj\u00ed nezapomenutelnou stopu v mysli t\u011bch, kte\u0159\u00ed se s nimi setkaj\u00ed.<\/p>","protected":false},"excerpt":{"rendered":"
Cy Twombly: Mistr nezapomenuteln\u00e9ho Abstraktn\u00ed expresionismus s jedine\u010dn\u00fdm n\u00e1dechem Cy Twombly, vlivn\u00fd um\u011blec zn\u00e1m\u00fd sv\u00fdmi abstraktn\u00edmi obrazy, zanechal nesmazatelnou stopu ve sv\u011bt\u011b um\u011bn\u00ed. \u010casto \u0159azen mezi abstraktn\u00ed expresionisty druh\u00e9 vlny…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6582],"tags":[1923,6579,6580,1373,6581],"class_list":["post-3443","post","type-post","status-publish","format-standard","hentry","category-abstract-art","tag-abstract-expressionism","tag-cy-twombly","tag-floral-art","tag-painting","tag-peonies"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3443","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=3443"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3443\/revisions"}],"predecessor-version":[{"id":3444,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3443\/revisions\/3444"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=3443"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=3443"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=3443"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}