{"id":3459,"date":"2021-06-29T03:28:17","date_gmt":"2021-06-29T03:28:17","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=3459"},"modified":"2021-06-29T03:28:17","modified_gmt":"2021-06-29T03:28:17","slug":"objects-usa-2020-reimagining-the-american-studio-craft-movement","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/cs\/art\/craft\/objects-usa-2020-reimagining-the-american-studio-craft-movement\/","title":{"rendered":"Objects: USA 2020: A Contemporary Reimagining of American Studio Craft"},"content":{"rendered":"

Objects: USA 2020: Nov\u00e9 pojet\u00ed americk\u00e9ho studiov\u00e9ho hnut\u00ed<\/strong><\/h2>\n\n

Odkaz v\u00fdstavy “Objects: USA” (1969)<\/h3>\n\n

V roce 1969 p\u0159edstavilo Smithsonian American Art Museum v\u00fdstavu “Objects: USA”, pr\u016fkopnickou expozici, kter\u00e1 p\u0159edstavila r\u016fznorod\u00e9 a \u017eiv\u00e9 americk\u00e9 studiov\u00e9 hnut\u00ed. V\u00fdstava, na n\u00ed\u017e bylo k vid\u011bn\u00ed p\u0159es 500 d\u011bl zaveden\u00fdch i za\u010d\u00ednaj\u00edc\u00edch um\u011blc\u016f, m\u011bla hlubok\u00fd dopad na sv\u011bt um\u011bn\u00ed i mimo n\u011bj. Sezn\u00e1mila novou generaci nad\u0161enc\u016f s t\u00edmto hnut\u00edm, poskytla americk\u00fdm um\u011blc\u016fm platformu pro prezentaci jejich d\u00edla na sv\u011btov\u00e9 sc\u00e9n\u011b a p\u0159isp\u011bla k diverzifikaci um\u011bleck\u00e9 sc\u00e9ny, kter\u00e1 byla p\u0159ev\u00e1\u017en\u011b b\u00edl\u00e1 a mu\u017esk\u00e1.<\/p>\n\n

O\u017eiven\u00ed \u0159emesel ve 21. stolet\u00ed<\/h3>\n\n

Dnes jsme sv\u011bdky obnoven\u00e9ho z\u00e1jmu o \u0159emeslo jako formu um\u011bn\u00ed. Kdysi jasn\u00e9 rozli\u0161en\u00ed mezi um\u011bn\u00edm a \u0159emeslem se st\u00edr\u00e1 a keramika, textiln\u00ed um\u011bn\u00ed a dal\u0161\u00ed ru\u010dn\u011b vyr\u00e1b\u011bn\u00e9 p\u0159edm\u011bty si nach\u00e1zej\u00ed cestu do v\u00fdznamn\u00fdch um\u011bleck\u00fdch galeri\u00ed a instituc\u00ed. Tato renesance je z\u010d\u00e1sti zp\u016fsobena rostouc\u00edm ocen\u011bn\u00edm dovednost\u00ed a kreativity spojen\u00fdch s \u0159emeslem, jako\u017e i touhou po autenticit\u011b a propojen\u00ed ve st\u00e1le digit\u00e1ln\u011bj\u0161\u00edm sv\u011bt\u011b.<\/p>\n\n

“Objects: USA 2020” ve spole\u010dnosti R & Company<\/h3>\n\n

V souladu s duchem p\u016fvodn\u00ed v\u00fdstavy p\u0159edstavuje spole\u010dnost R & Company “Objects: USA 2020”, sou\u010dasnou reinterpretaci pr\u016fkopnick\u00e9 show. V\u00fdstava, kter\u00e1 bude k vid\u011bn\u00ed od nyn\u011bj\u0161ka do \u010dervence 2021, p\u0159edstavuje 100 d\u011bl od 100 um\u011blc\u016f, kte\u0159\u00ed reprezentuj\u00ed jak zaveden\u00e9 pr\u016fkopn\u00edky z p\u016fvodn\u00ed “Objects: USA”, tak novou generaci sou\u010dasn\u00fdch socha\u0159\u016f, truhl\u00e1\u0159\u016f, skl\u00e1\u0159\u016f a keramik\u016f.<\/p>\n\n

Prolomen\u00ed forem: rozmanitost a inkluze v sou\u010dasn\u00e9m \u0159emesle<\/h3>\n\n

“Objects: USA 2020” je jedine\u010dn\u00e1 sv\u00fdm z\u00e1vazkem k rozmanitosti a inkluzi. V\u00fdstava p\u0159edstavuje \u0161irokou \u0161k\u00e1lu perspektiv, styl\u016f a m\u00e9di\u00ed a zpochyb\u0148uje tradi\u010dn\u00ed hierarchii um\u011bleck\u00fdch forem. Prezentac\u00ed za\u010d\u00ednaj\u00edc\u00edch um\u011blc\u016f po boku zaveden\u00fdch jmen poskytuje v\u00fdstava platformu pro sly\u0161en\u00ed nov\u00fdch hlas\u016f a podporuje inkluzivn\u011bj\u0161\u00ed a spravedliv\u011bj\u0161\u00ed sv\u011bt um\u011bn\u00ed.<\/p>\n\n

Ebitenyefa Baralaye: vych\u00e1zej\u00edc\u00ed hv\u011bzda sou\u010dasn\u00e9 keramiky<\/h3>\n\n

Mezi sou\u010dasn\u00fdmi um\u011blci vystavovan\u00fdmi v “Objects: USA 2020” je Ebitenyefa Baralaye, nigerijsk\u00fd keramik, socha\u0159 a design\u00e9r narozen\u00fd v Detroitu. Baralaye se inspiruje pr\u016fkopnick\u00fdmi um\u011blci p\u016fvodn\u00ed “Objects: USA”, zejm\u00e9na Toshiko Takaezu, a vytv\u00e1\u0159\u00ed elegantn\u00ed a sugestivn\u00ed d\u00edla, kter\u00e1 zkoumaj\u00ed t\u00e9mata identity, d\u011bdictv\u00ed a lidsk\u00e9 p\u0159irozenosti. Jeho dva expon\u00e1ty na v\u00fdstav\u011b, “Meiping” a “Serpent I”, ukazuj\u00ed jeho mistrovstv\u00ed formy a glazury a jeho schopnost vn\u00e9st do sv\u00e9 pr\u00e1ce pocit tepla a soun\u00e1le\u017eitosti.<\/p>\n\n

Trval\u00fd dopad “Objects: USA”<\/h3>\n\n

V\u00edce ne\u017e 50 let po sv\u00e9m debutu “Objects: USA” nad\u00e1le ovliv\u0148uje a inspiruje um\u011blce i kur\u00e1tory. Katalog v\u00fdstavy, kter\u00fd obsahuje \u017eivotopisy p\u0159edstavovan\u00fdch um\u011blc\u016f a jejich d\u00edla, z\u016fst\u00e1v\u00e1 z\u00e1sadn\u00ed referenc\u00ed pro badatele i nad\u0161ence. Gloria Kenyonov\u00e1, hlavn\u00ed koordin\u00e1torka ve\u0159ejn\u00fdch program\u016f ve Smithsonian American Art Museum, p\u0159ipisuje “Objects: USA” z\u00e1sluhu za to, \u017ee zp\u0159\u00edstupnila \u0159emeslo ve\u0159ejnosti nov\u00fdm zp\u016fsobem a otev\u0159ela dve\u0159e r\u016fznorod\u011bj\u0161\u00edm hlas\u016fm ve sv\u011bt\u011b um\u011bn\u00ed.<\/p>\n\n

S\u00edla \u0159emesel v modern\u00edm sv\u011bt\u011b um\u011bn\u00ed<\/h3>\n\n

V ned\u00e1vn\u00e9m eseji Glenn Adamson, jeden z kur\u00e1tor\u016f “Objects: USA 2020”, tvrd\u00ed, \u017ee \u0159emeslo je z\u00e1sadn\u00ed pro budoucnost sv\u011bta um\u011bn\u00ed. Zd\u016fraz\u0148uje jeho potenci\u00e1l pro podporu rozmanitosti, zpochyb\u0148ov\u00e1n\u00ed tradi\u010dn\u00edch hierarchi\u00ed a poskytov\u00e1n\u00ed tolik pot\u0159ebn\u00e9ho spojen\u00ed s ru\u010dn\u00ed prac\u00ed ve st\u00e1le digit\u00e1ln\u011bj\u0161\u00edm v\u011bku. P\u0159ijet\u00edm \u0159emesla se sv\u011bt um\u011bn\u00ed m\u016f\u017ee obohatit a st\u00e1t se inkluzivn\u011bj\u0161\u00edm a smyslupln\u011bj\u0161\u00edm.<\/p>\n\n

V\u00fdzva k podpo\u0159e ru\u010dn\u011b vyr\u00e1b\u011bn\u00fdch p\u0159edm\u011bt\u016f<\/h3>\n\n

Evan Snyderman, spoluzakladatel spole\u010dnosti R & Company, v\u011b\u0159\u00ed, \u017ee sou\u010dasn\u00fd pohyb sm\u011brem k ru\u010dn\u011b vyr\u00e1b\u011bn\u00fdm p\u0159edm\u011bt\u016fm je pozitivn\u00edm znamen\u00edm pro budoucnost um\u011bn\u00ed. Povzbuzuje sb\u011bratele a nad\u0161ence, aby podporovali pr\u00e1ci sou\u010dasn\u00fdch \u0159emesln\u00edk\u016f a oce\u0148ovali dovednosti a kreativitu, kter\u00e9 jsou do jejich v\u00fdtvor\u016f vlo\u017eeny. T\u00edmto zp\u016fsobem m\u016f\u017eeme p\u0159isp\u011bt k udr\u017een\u00ed vitality a dal\u0161\u00edho v\u00fdvoje americk\u00e9ho studiov\u00e9ho hnut\u00ed.<\/p>","protected":false},"excerpt":{"rendered":"

Objects: USA 2020: Nov\u00e9 pojet\u00ed americk\u00e9ho studiov\u00e9ho hnut\u00ed Odkaz v\u00fdstavy “Objects: USA” (1969) V roce 1969 p\u0159edstavilo Smithsonian American Art Museum v\u00fdstavu “Objects: USA”, pr\u016fkopnickou expozici, kter\u00e1 p\u0159edstavila r\u016fznorod\u00e9 a…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6619],"tags":[6611,6612,6613,6618,6617,6614,6615,6616],"class_list":["post-3459","post","type-post","status-publish","format-standard","hentry","category-craft","tag-american-studio-craft","tag-art-and-craft","tag-contemporary-craft","tag-studio-craft-movement","tag-objects-usa","tag-craft-renaissance","tag-diversity-in-art","tag-handmade-objects"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=3459"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3459\/revisions"}],"predecessor-version":[{"id":3460,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3459\/revisions\/3460"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=3459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=3459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=3459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}