David Goldblatt, narozen\u00fd roku 1930 v hornick\u00e9m m\u011bst\u011b pobl\u00ed\u017e Johannesburgu, dosp\u011bl v dob\u011b n\u00e1stupu N\u00e1rodn\u00ed strany. Apartheidn\u00ed politika strany systematicky marginalizovala neb\u011blo\u0161sk\u00e9 Jihoafri\u010dany.<\/p>\n\n
Na tomto pozad\u00ed se u Goldblatta rozvinul z\u00e1jem o fotografii, inspirovan\u00fd \u010dasopisy jako Life a Picture Post. Zpo\u010d\u00e1tku tou\u017eil st\u00e1t se magaz\u00ednov\u00fdm fotografem, ale pozd\u011bji se zam\u011b\u0159il na dokumentov\u00e1n\u00ed boje proti apartheidu.<\/p>\n\n
Goldblattovy fotografie zachycovaly ka\u017edodenn\u00ed realitu \u017eivota za apartheidu. Vyh\u00fdbal se n\u00e1siln\u00fdm ud\u00e1lostem a m\u00edsto toho se soust\u0159edil na nen\u00e1padn\u00e9, ale v\u0161udyp\u0159\u00edtomn\u00e9 zp\u016fsoby, jak\u00fdmi diskriminace utv\u00e1\u0159ela \u017eivoty lid\u00ed.<\/p>\n\n
Jeden z jeho nejikoni\u010dt\u011bj\u0161\u00edch sn\u00edmk\u016f, po\u0159\u00edzen\u00fd v roce 1965, zobrazuje b\u00edl\u00e9ho chlapce stoj\u00edc\u00edho vedle sv\u00e9 \u010dern\u00e9 ch\u016fvy Heimweeberg. Ostnat\u00fd dr\u00e1t v pozad\u00ed symbolizuje rozd\u011blen\u00ed, kter\u00e1 apartheid zp\u016fsobil.<\/p>\n\n
Goldblattova kniha z roku 1989 s n\u00e1zvem “The Transported of KwaNdebele” dokumentuje dlouh\u00e9 a nam\u00e1hav\u00e9 doj\u00ed\u017ed\u011bn\u00ed, kter\u00e9 museli \u010dern\u00ed Jihoafri\u010dan\u00e9 sn\u00e1\u0161et, aby se z odd\u011blen\u00fdch oblast\u00ed, v nich\u017e byli nuceni \u017e\u00edt, dostali do center m\u011bst.<\/p>\n\n
Goldblattova tvorba z\u00edskala mezin\u00e1rodn\u00ed uzn\u00e1n\u00ed. V roce 1998 se stal prvn\u00edm jihoafrick\u00fdm um\u011blcem, kter\u00fd m\u011bl samostatnou v\u00fdstavu v Muzeu modern\u00edho um\u011bn\u00ed (MOMA) v New Yorku. Jeho fotografie byly vystaveny v muze\u00edch po cel\u00e9m sv\u011bt\u011b.<\/p>\n\n
P\u0159ed svou smrt\u00ed odk\u00e1zal Goldblatt sv\u016fj archiv negativ\u016f Yaleov\u011b univerzit\u011b. Toto rozhodnut\u00ed bylo kontroverzn\u00ed, proto\u017ee sb\u00edrku d\u0159\u00edve sl\u00edbil univerzit\u011b v Kapsk\u00e9m M\u011bst\u011b. Svou sb\u00edrku st\u00e1hl pot\u00e9, co studenti protestuj\u00edc\u00ed proti apartheidu sp\u00e1lili um\u011bleck\u00e1 d\u00edla na univerzitn\u00edm kampusu, kter\u00e1 byla pova\u017eov\u00e1na za “koloni\u00e1ln\u00ed symboly”.<\/p>\n\n
Goldblattova tvorba i nad\u00e1le inspiruje a podn\u011bcuje div\u00e1ky k zamy\u0161len\u00ed. Jeho odhodl\u00e1n\u00ed dokumentovat nespravedlnosti apartheidu a jeho v\u00edra v s\u00edlu dialogu a demokracie z\u016fst\u00e1vaj\u00ed i dnes aktu\u00e1ln\u00ed.<\/p>\n\n
Goldblatt pracoval p\u0159edev\u0161\u00edm \u010dernob\u00edle, proto\u017ee v\u011b\u0159il, \u017ee barva je p\u0159\u00edli\u0161 “sladk\u00e1” na to, aby vyj\u00e1d\u0159ila drsn\u00e9 reality apartheidu. V 90. letech za\u010dal experimentovat s barvou, ale jeho posl\u00e1n\u00ed zachytit Ji\u017en\u00ed Afriku optikou integrity a mor\u00e1lky z\u016fstalo nezm\u011bn\u011bno.<\/p>\n\n
Goldblatt s\u00e1m sebe popisoval jako “d\u0159\u00ed\u010de”, kter\u00fd po cel\u00e1 desetilet\u00ed vytrvale sledoval svou fotografickou vizi. Jeho tvorba odr\u00e1\u017e\u00ed hlubok\u00e9 pochopen\u00ed spole\u010densk\u00e9 a politick\u00e9 dynamiky jeho zem\u011b.<\/p>\n\n
Goldblattovy fotografie hr\u00e1ly v\u00fdznamnou roli p\u0159i formov\u00e1n\u00ed sv\u011btov\u00e9ho ch\u00e1p\u00e1n\u00ed apartheidu. Jeho sn\u00edmky odhalily brutalitu a absurditu syst\u00e9mu a p\u0159isp\u011bly k mezin\u00e1rodn\u00edmu tlaku, kter\u00fd nakonec vedl k jeho p\u00e1du.<\/p>\n\n
Goldblattova tvorba nach\u00e1z\u00ed odezvu u Jihoafri\u010dan\u016f dodnes. Slou\u017e\u00ed jako p\u0159ipom\u00ednka minulosti zem\u011b a jako katalyz\u00e1tor prob\u00edhaj\u00edc\u00edch rozhovor\u016f o rase, nerovnosti a d\u016fle\u017eitosti usm\u00ed\u0159en\u00ed.<\/p>","protected":false},"excerpt":{"rendered":"
David Goldblatt: Jihoafrick\u00fd fotograf, kter\u00fd zachytil \u017eivot za apartheidu Ml\u00e1d\u00ed a vlivy David Goldblatt, narozen\u00fd roku 1930 v hornick\u00e9m m\u011bst\u011b pobl\u00ed\u017e Johannesburgu, dosp\u011bl v dob\u011b n\u00e1stupu N\u00e1rodn\u00ed strany. Apartheidn\u00ed politika…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[7043,7,3063,4080,527],"class_list":["post-3759","post","type-post","status-publish","format-standard","hentry","category-photography","tag-apartheid","tag-documentary-photography","tag-south-africa","tag-racial-injustice","tag-social-justice"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3759","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=3759"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3759\/revisions"}],"predecessor-version":[{"id":3760,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3759\/revisions\/3760"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=3759"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=3759"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=3759"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}