V\u00fdmsk\u00e1 republika, zalo\u017een\u00e1 v N\u011bmecku po prvn\u00ed sv\u011btov\u00e9 v\u00e1lce, je \u010dasto p\u0159ipom\u00edn\u00e1na kv\u016fli sv\u00e9mu bou\u0159liv\u00e9mu konci a vzestupu nacistick\u00e9 strany. Nov\u00e1 v\u00fdstava v N\u011bmeck\u00e9m historick\u00e9m muzeu v Berl\u00edn\u011b v\u0161ak vrh\u00e1 sv\u011btlo na pokrokov\u00e9 platformy a demokratick\u00e9 ide\u00e1ly republiky.<\/p>\n\n
V\u00fdstava s n\u00e1zvem \u201eV\u00fdmar: Podstata a hodnota demokracie\u201c p\u0159edstavuje artefakty z let 1919 a\u017e 1933, kter\u00e9 odhaluj\u00ed z\u00e1vazek republiky k volebn\u00edmu pr\u00e1vu \u017een, otev\u0159en\u00fdm diskus\u00edm o sexualit\u011b a vytvo\u0159en\u00ed soci\u00e1ln\u00edho st\u00e1tu, kter\u00fd p\u0159etrv\u00e1v\u00e1 dodnes. Expozice tak\u00e9 zd\u016fraz\u0148uje vliv hnut\u00ed Bauhaus, kter\u00e9 oslavovalo funk\u010dn\u00ed formy a um\u011bleck\u00fd v\u00fdraz.<\/p>\n\n
Kur\u00e1torka Simone Erpel zd\u016fraz\u0148uje, \u017ee v\u00fdstava se zam\u011b\u0159uje na experiment\u00e1ln\u00ed vl\u00e1du V\u00fdmsk\u00e9 republiky a na jej\u00ed d\u016fraz na kompromis jako z\u00e1kladn\u00ed pil\u00ed\u0159 demokracie. Vysv\u011btluje, \u017ee c\u00edlem v\u00fdstavy je uk\u00e1zat, jak ob\u010dan\u00e9 \u201e\u0159e\u0161ili kontroverzn\u00ed t\u00e9ma, \u010d\u00edm demokracie je a m\u011bla by b\u00fdt, a jak se vyv\u00edjely rozhoduj\u00edc\u00ed principy demokracie\u201c.<\/p>\n\n
V\u00fdstava p\u0159edstavuje p\u0159estav\u011bnou kuchyni ve Frankfurtu, symbol vlivu hnut\u00ed Bauhaus na funk\u010dn\u00ed design. Reklamy na pl\u00e1nov\u00e1n\u00ed rodiny a klipy z film\u016f, kter\u00e9 zobrazuj\u00ed homosexu\u00e1ln\u00ed l\u00e1sku, dokazuj\u00ed otev\u0159enost V\u00fdmsk\u00e9ho N\u011bmecka v\u016f\u010di sexualit\u011b.<\/p>\n\n
P\u0159es d\u016fraz na \u00fasp\u011bchy V\u00fdmsk\u00e9ho N\u011bmecka v\u00fdstava neignoruje vzestup fa\u0161ismu. Obsahuje artefakty, jako jsou vlajky a vojensk\u00e9 st\u0159eln\u00e9 zbran\u011b, kter\u00e9 p\u0159edznamen\u00e1vaj\u00ed n\u00e1siln\u00e9 politick\u00e9 atent\u00e1ty a hyperinflaci, kter\u00e9 su\u017eovaly pozd\u011bj\u0161\u00ed roky republiky.<\/p>\n\n
V\u00fdstava rovn\u011b\u017e zkoum\u00e1 protiv\u00e1le\u010dn\u00e9 hnut\u00ed ve V\u00fdmsk\u00e9 republice, zejm\u00e9na kontroverze kolem filmu \u201eNa z\u00e1padn\u00ed front\u011b klid\u201c. Poctiv\u00e9 zobrazen\u00ed v\u00e1lky ve filmu z n\u011bj ud\u011blalo ter\u010d nacist\u016f, kte\u0159\u00ed naru\u0161ovali prom\u00edt\u00e1n\u00ed a hanili ho jako \u201e\u017eidovskou propagandu\u201c.<\/p>\n\n
C\u00edlem v\u00fdstavy je vyvolat rozhovory o demokracii, kter\u00e9 z\u016fst\u00e1vaj\u00ed relevantn\u00ed i dnes. Paraleln\u00ed v\u00fdstava \u201eDemokratick\u00e1 laborato\u0159\u201c povzbuzuje n\u00e1v\u0161t\u011bvn\u00edky, aby se sezn\u00e1mili s p\u0159edm\u011bty, jako je v\u00fdchodon\u011bmeck\u00fd hlasovac\u00ed l\u00edstek, dres, kter\u00fd nosil fotbalov\u00e1 hv\u011bzda Mesut \u00d6zil (kter\u00fd \u010delil kritice kv\u016fli sv\u00e9mu spojen\u00ed s tureck\u00fdm prezidentem Recepem Tayyipem Erdo\u011fanem), a kravaty, kter\u00e9 nosil prvn\u00ed p\u00e1r stejn\u00e9ho pohlav\u00ed, kter\u00fd se v N\u011bmecku vzal.<\/p>\n\n
Provizioirn\u00ed design staveni\u0161t\u011b v\u00fdstavy symbolizuje prob\u00edhaj\u00edc\u00ed boj za demokracii a zd\u016fraz\u0148uje, \u017ee demokracie nen\u00ed statick\u00fd pojem, ale neust\u00e1l\u00fd proces kompromisu a dialogu.<\/p>\n\n
D\u011bdictv\u00ed V\u00fdmsk\u00e9 republiky je slo\u017eit\u00e9. Je to p\u0159ipom\u00ednka k\u0159ehkosti demokracie a nebezpe\u010d\u00ed autoritarismu. Z\u00e1rove\u0148 v\u0161ak zd\u016fraz\u0148uje v\u00fdznam progresivn\u00edch reforem, kompromis\u016f a neust\u00e1l\u00e9ho boje za demokratick\u00e9 ide\u00e1ly. V\u00fdstava N\u011bmeck\u00e9ho historick\u00e9ho muzea poskytuje cenn\u00e9 poznatky o tomto bou\u0159liv\u00e9m obdob\u00ed a jeho v\u00fdznamu pro modern\u00ed demokracie.<\/p>","protected":false},"excerpt":{"rendered":"
V\u00fd \u062c\u0645\u0647 Weimar: Ponau\u010den\u00ed pro modern\u00ed demokracii Progresivn\u00ed reformy a demokratick\u00e9 ide\u00e1ly V\u00fdmsk\u00e1 republika, zalo\u017een\u00e1 v N\u011bmecku po prvn\u00ed sv\u011btov\u00e9 v\u00e1lce, je \u010dasto p\u0159ipom\u00edn\u00e1na kv\u016fli sv\u00e9mu bou\u0159liv\u00e9mu konci a vzestupu…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[7380,7381,515,7378,1536,7379,7377],"class_list":["post-3965","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-bauhaus","tag-compromise","tag-democracy","tag-nazism","tag-germany","tag-progressive-reforms","tag-weimar-republic"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3965","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/comments?post=3965"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3965\/revisions"}],"predecessor-version":[{"id":3966,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/posts\/3965\/revisions\/3966"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/media?parent=3965"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/categories?post=3965"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/cs\/wp-json\/wp\/v2\/tags?post=3965"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}