\u039f \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 Stephen Wilkes \u03ad\u03c7\u03b5\u03b9 \u03ba\u03b1\u03c4\u03b1\u03ba\u03c4\u03ae\u03c3\u03b5\u03b9 \u03c4\u03b7\u03bd \u03c4\u03ad\u03c7\u03bd\u03b7 \u03c4\u03b7\u03c2 \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03af\u03b1\u03c2 \u03c0\u03b1\u03bd\u03bf\u03c1\u03b1\u03bc\u03b9\u03ba\u03ce\u03bd \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ce\u03bd \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03b1\u03ba\u03bf\u03bb\u03bf\u03c5\u03b8\u03af\u03b1\u03c2, \u03c0\u03bf\u03c5 \u03c3\u03c5\u03bb\u03bb\u03b1\u03bc\u03b2\u03ac\u03bd\u03bf\u03c5\u03bd \u03c4\u03b7\u03bd \u03bf\u03c5\u03c3\u03af\u03b1 \u03bc\u03b9\u03b1\u03c2 \u03bf\u03bb\u03cc\u03ba\u03bb\u03b7\u03c1\u03b7\u03c2 \u03bc\u03ad\u03c1\u03b1\u03c2 \u03c3\u03b5 \u03bc\u03af\u03b1 \u03b5\u03b9\u03ba\u03cc\u03bd\u03b1. \u03a7\u03c1\u03b7\u03c3\u03b9\u03bc\u03bf\u03c0\u03bf\u03b9\u03ce\u03bd\u03c4\u03b1\u03c2 \u03c0\u03c1\u03bf\u03b7\u03b3\u03bc\u03ad\u03bd\u03b5\u03c2 \u03c4\u03b5\u03c7\u03bd\u03b9\u03ba\u03ad\u03c2 \u03c8\u03b7\u03c6\u03b9\u03b1\u03ba\u03ae\u03c2 \u03b1\u03c0\u03b5\u03b9\u03ba\u03cc\u03bd\u03b9\u03c3\u03b7\u03c2, binlerce ayr\u0131 kareyi sorunsuz bir \u015fekilde bir araya getirerek, gizli ayr\u0131nt\u0131lar\u0131 ortaya \u00e7\u0131karan ve zaman\u0131n ge\u00e7i\u015fini uyand\u0131ran hayranl\u0131k uyand\u0131ran sahneler yarat\u0131yor.<\/p>\n\n
Wilkes’ \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03b9\u03ba\u03ae \u03b4\u03b9\u03b1\u03b4\u03b9\u03ba\u03b1\u03c3\u03af\u03b1, bir g\u00fcn boyunca sabit bir konumdan binden fazla tek g\u00f6r\u00fcnt\u00fc yakalamakla ba\u015fl\u0131yor. Son panorama i\u00e7in bir araya getirilecek anlar\u0131 \u00f6zenle se\u00e7iyor, anlat\u0131 yay\u0131na ve kare i\u00e7indeki \u00f6\u011felerin dengesine dikkat ediyor.<\/p>\n\n
Adobe Photoshop’u kullanan Wilkes, farkl\u0131 anlar\u0131n d\u00fczenlenece\u011fi zaman vekt\u00f6r\u00fcn\u00fc tan\u0131mlayan bir “ana levha” olu\u015fturur. Bu, her bir kareden en iyi \u00f6\u011feleri birle\u015ftirerek tutarl\u0131 bir g\u00f6r\u00fcnt\u00fc olu\u015fturmas\u0131na olanak tan\u0131rken, ayn\u0131 zamanda \u00f6n plan ve orta plan \u00f6\u011feleriyle sorunsuz bir \u015fekilde harmanlanabilecek bir arka plan levhas\u0131 olu\u015fturmas\u0131na da olanak tan\u0131r.<\/p>\n\n
Wilkes’\u0131n y\u00fcksek \u00e7\u00f6z\u00fcn\u00fcrl\u00fckl\u00fc \u00e7ekimleri, geleneksel foto\u011fraf\u00e7\u0131l\u0131kta genellikle fark edilmeyen beklenmedik ayr\u0131nt\u0131lar\u0131 ortaya \u00e7\u0131kar\u0131r. G\u00f6r\u00fcnt\u00fclerin \u00e7oklu\u011fu, d\u00fczenleme s\u00fcreci boyunca kendi foto\u011fraflar\u0131n\u0131 yeniden ke\u015ffetmesine, gizli hikayeleri ve \u015fa\u015f\u0131rt\u0131c\u0131 anlar\u0131 ortaya \u00e7\u0131karmas\u0131na olanak tan\u0131r.<\/p>\n\n
B\u00f6yle bir an, Wilkes’\u0131n New York \u015eehrindeki Macy’s \u015e\u00fckran G\u00fcn\u00fc Ge\u00e7it T\u00f6renini foto\u011fraflad\u0131\u011f\u0131 s\u0131rada meydana geldi. Belirli bir kareyi yak\u0131nla\u015ft\u0131rarak, ge\u00e7it t\u00f6renine bakan bir apartman penceresinde \u015e\u00fckran G\u00fcn\u00fc yeme\u011fi yiyen bir aile ke\u015ffetti. Bu tesad\u00fcfi ke\u015fif, Wilkes’\u0131n aksi takdirde kaybolacak ge\u00e7ici anlar\u0131 yakalamas\u0131n\u0131 sa\u011flayan tekni\u011finin b\u00fcy\u00fcs\u00fcn\u00fc vurgulamaktad\u0131r.<\/p>\n\n
Titiz planlama ve geli\u015fmi\u015f teknolojiye ra\u011fmen, Wilkes’\u0131n \u00e7al\u0131\u015fmas\u0131 zorluklar olmadan de\u011fildir. En b\u00fcy\u00fck engellerden biri, konular\u0131na benzersiz bir bak\u0131\u015f a\u00e7\u0131s\u0131 kazanmak i\u00e7in 150 fitlik bir vin\u00e7 kurma izni almakt\u0131r. Wilkes genellikle daha \u00f6nce hi\u00e7 g\u00f6r\u00fclmemi\u015f manzaralar arar ve al\u0131\u015f\u0131lmad\u0131k bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131 ke\u015ffetmesini gerektirir.<\/p>\n\n
Bir di\u011fer zorluk da hava durumunun \u00f6ng\u00f6r\u00fclemez olmas\u0131d\u0131r. Kuvvetli r\u00fczgarlar, a\u015f\u0131r\u0131 titre\u015fim nedeniyle Wilkes’\u0131n gece foto\u011fraflar\u0131 \u00e7ekmesini engelleyebilir ve konular\u0131n\u0131n hareketi de sorunlara neden olabilir. Bu engellerin \u00fcstesinden gelmek ve m\u00fckemmel \u00e7ekimi yakalamak i\u00e7in sab\u0131r ve sebat \u00e7ok \u00f6nemlidir.<\/p>\n\n
Wilkes, \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03b1\u03ba\u03bf\u03bb\u03bf\u03c5th\u03af\u03b1\u03c2 foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131na yakla\u015f\u0131m\u0131n\u0131 “uzay-zaman s\u00fcreklili\u011fini g\u00f6rselle\u015ftirmek” olarak tan\u0131ml\u0131yor. Zaman\u0131n dokusunu iki boyutlu bir d\u00fczleme yans\u0131tarak uzay\u0131 manip\u00fcle ediyor ve b\u00f6ylece zaman ve \u0131\u015f\u0131k aras\u0131ndaki ili\u015fkiyi ke\u015ffediyor.<\/p>\n\n
Bu teknik, foto\u011fraflar\u0131nda geleneksel foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131n yakalayamad\u0131\u011f\u0131 \u00fc\u00e7 boyutlu bir kalite ve derinlik alg\u0131s\u0131 yarat\u0131yor. I\u015f\u0131\u011f\u0131n d\u00f6n\u00fc\u015f\u00fc ve zaman i\u00e7indeki kademeli renk de\u011fi\u015fikli\u011fi, izleyicinin g\u00f6z\u00fcn\u00fc g\u00f6r\u00fcnt\u00fc \u00fczerinde ileri geri \u00e7eken dinamik bir etki yarat\u0131yor.<\/p>\n\n
Son y\u0131llarda Wilkes, nesli t\u00fckenmekte olan t\u00fcrleri ve iklim de\u011fi\u015fikli\u011finin etkilerini belgelemek i\u00e7in benzersiz bak\u0131\u015f a\u00e7\u0131s\u0131n\u0131 kullanarak \u00e7evresel konulara y\u00f6neldi.<\/p>\n\n
Serengeti Ulusal Park\u0131’ndaki \u00e7al\u0131\u015fmalar\u0131, bir su birikintisini payla\u015fan farkl\u0131 hayvan t\u00fcrlerinin bar\u0131\u015f\u00e7\u0131l bir \u015fekilde bir arada ya\u015famas\u0131n\u0131 ortaya \u00e7\u0131kard\u0131 ve do\u011fal d\u00fcnyadaki ileti\u015fimin ve i\u015f birli\u011finin \u00f6nemini vurgulad\u0131.<\/p>\n\n
Wilkes’\u0131n Gr\u00f6nland’daki eriyen buz da\u011flar\u0131n\u0131n foto\u011fraflar\u0131, iklim krizinin muazzam \u00f6l\u00e7e\u011fini yakal\u0131yor ve eylem i\u00e7in acil ihtiyac\u0131n g\u00fc\u00e7l\u00fc bir hat\u0131rlat\u0131c\u0131s\u0131n\u0131 sunuyor. Buz da\u011flar\u0131n\u0131n buzullamas\u0131 sesleri ve y\u00fczlerce kambur balinan\u0131n nefes delikleri, t\u00fcm canl\u0131lar\u0131n birbirine ba\u011fl\u0131l\u0131\u011f\u0131n\u0131 vurgulayan bir do\u011fa senfonisi yarat\u0131yor.<\/p>\n\n
Stephen Wilkes’\u0131n \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u03b1\u03ba\u03bf\u03bb\u03bf\u03c5\u03b8\u03af\u03b1\u03c2 panoramalar\u0131, zaman\u0131n ge\u00e7i\u015fine ve d\u00fcnyam\u0131z\u0131n karma\u015f\u0131k g\u00fczelli\u011fine b\u00fcy\u00fcleyici bir bak\u0131\u015f sunuyor. Yenilik\u00e7i teknikleri ve gizli anlar\u0131 yakalama konusundaki sars\u0131lmaz tutkusu, izleyicilerde derin bir duygusal d\u00fczeyde yank\u0131 uyand\u0131ran ve onlar\u0131 d\u00fcnyay\u0131 yeni bir \u0131\u015f\u0131kla g\u00f6rmeye te\u015fvik eden g\u00f6r\u00fcnt\u00fcler yarat\u0131yor.<\/p>","protected":false},"excerpt":{"rendered":"
Stephen Wilkes: \u0391\u03c0\u03bf\u03c4\u03cd\u03c0\u03c9\u03c3\u03b7 \u03c4\u03bf\u03c5 \u03a7\u03c1\u03cc\u03bd\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03c4\u03bf\u03c5 \u03a7\u03ce\u03c1\u03bf\u03c5 \u03c3\u03b5 \u039c\u03af\u03b1 \u0395\u03b9\u03ba\u03cc\u03bd\u03b1 \u03a6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03a7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2 \u0391\u03ba\u03bf\u03bb\u03bf\u03c5\u03b8\u03af\u03b1\u03c2 \u03bc\u03b5 \u039c\u03b9\u03b1 \u0399\u03b4\u03b9\u03b1\u03b9\u03c4\u03b5\u03c1\u03cc\u03c4\u03b7\u03c4\u03b1 \u039f \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03ac\u03c6\u03bf\u03c2 Stephen Wilkes \u03ad\u03c7\u03b5\u03b9 \u03ba\u03b1\u03c4\u03b1\u03ba\u03c4\u03ae\u03c3\u03b5\u03b9 \u03c4\u03b7\u03bd \u03c4\u03ad\u03c7\u03bd\u03b7 \u03c4\u03b7\u03c2 \u03b4\u03b7\u03bc\u03b9\u03bf\u03c5\u03c1\u03b3\u03af\u03b1\u03c2 \u03c0\u03b1\u03bd\u03bf\u03c1\u03b1\u03bc\u03b9\u03ba\u03ce\u03bd \u03c6\u03c9\u03c4\u03bf\u03b3\u03c1\u03b1\u03c6\u03b9\u03ce\u03bd \u03c7\u03c1\u03bf\u03bd\u03b9\u03ba\u03ae\u03c2…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[6532,267,19263,924],"class_list":["post-14342","post","type-post","status-publish","format-standard","hentry","category-photography","tag-time-lapse-photography","tag-environmentalism","tag-stephen-wilkes","tag-nature-photography"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/posts\/14342","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/comments?post=14342"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/posts\/14342\/revisions"}],"predecessor-version":[{"id":14343,"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/posts\/14342\/revisions\/14343"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/media?parent=14342"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/categories?post=14342"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/el\/wp-json\/wp\/v2\/tags?post=14342"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}