Annak ellen\u00e9re, hogy csak korl\u00e1tozott form\u00e1lis m\u0171v\u00e9szeti k\u00e9pz\u00e9ssel \u00e9s p\u00e9nz\u00fcgyi eszk\u00f6z\u00f6kkel rendelkezett, Paul Guillaume 1914-ben egy ambici\u00f3zus v\u00e1llalkoz\u00e1sba kezdett azzal, hogy egy m\u0171v\u00e9szeti gal\u00e9ri\u00e1t nyitott P\u00e1rizsban. Tapasztalatlans\u00e1ga ellen\u00e9re Guillaume rendelkezett rend\u00edthetetlen meggy\u0151z\u0151d\u00e9ssel, kifog\u00e1stalan \u00edzl\u00e9ssel \u00e9s tehets\u00e9ghez val\u00f3 p\u00e1ratlan \u00e9rz\u00e9kkel.<\/p>\n\n
M\u0171keresked\u0151k\u00e9nt Guillaume a modern m\u0171v\u00e9szet elk\u00f6telezett sz\u00f3sz\u00f3l\u00f3j\u00e1v\u00e1 v\u00e1lt. Hitte az avantg\u00e1rd alkot\u00e1sok \u00e1talak\u00edt\u00f3 erej\u00e9ben, \u00e9s f\u00e1radhatatlanul n\u00e9pszer\u0171s\u00edtette a felt\u00f6rekv\u0151 m\u0171v\u00e9szeket. Gal\u00e9ri\u00e1ja hamarosan a progressz\u00edv fest\u0151k k\u00f6zpontj\u00e1v\u00e1 v\u00e1lt, mint amilyen Renoir, C\u00e9zanne, Matisse \u00e9s Picasso.<\/p>\n\n
Guillaume szenved\u00e9lye a modern m\u0171v\u00e9szet ir\u00e1nt t\u00falmutatott a gal\u00e9ri\u00e1j\u00e1n. 145 m\u0171b\u0151l \u00e1ll\u00f3 impoz\u00e1ns mag\u00e1ngy\u0171jtem\u00e9nyt halmozott fel, amely kiv\u00e9teles \u00edt\u00e9l\u0151k\u00e9pess\u00e9g\u00e9t \u00e9s el\u0151rel\u00e1t\u00e1s\u00e1t bizony\u00edtja. \u00c9les szeme lehet\u0151v\u00e9 tette sz\u00e1m\u00e1ra, hogy olyan neves m\u0171v\u00e9szek remekm\u0171veit szerezze meg, mint C\u00e9zanne, Soutine \u00e9s Modigliani.<\/p>\n\n
Guillaume korai hal\u00e1la ut\u00e1n mag\u00e1ngy\u0171jtem\u00e9ny\u00e9nek nagy r\u00e9sze a p\u00e1rizsi Mus\u00e9e de l’Orangerie-ben tal\u00e1lt \u00e1lland\u00f3 otthonra. A Tuileri\u00e1k kertj\u00e9ben tal\u00e1lhat\u00f3 b\u00e1jos m\u00fazeum gondosan meg\u0151rizte Guillaume gy\u0171jtem\u00e9ny\u00e9nek s\u00e9rtetlens\u00e9g\u00e9t, betekint\u00e9st ny\u00fajtva l\u00e1togat\u00f3inak figyelemre m\u00e9lt\u00f3 \u00edzl\u00e9s\u00e9be \u00e9s \u00f6r\u00f6ks\u00e9g\u00e9be.<\/p>\n\n
T\u00f6rt\u00e9nelmi l\u00e9p\u00e9sk\u00e9nt a Mus\u00e9e de l’Orangerie 81 m\u0171ve vil\u00e1gk\u00f6r\u00fcli turn\u00e9ra indult. A “Renoir-t\u00f3l Picass\u00f3ig: A Mus\u00e9e de l’Orangerie remekm\u0171vei” c\u00edm\u0171 ki\u00e1ll\u00edt\u00e1s bemutatta Guillaume gy\u0171jtem\u00e9ny\u00e9nek sz\u00e9less\u00e9g\u00e9t \u00e9s m\u00e9lys\u00e9g\u00e9t. A 19. sz\u00e1zad v\u00e9ge \u00e9s a 20. sz\u00e1zad eleje n\u00e9h\u00e1ny legbefoly\u00e1sosabb m\u0171v\u00e9sz\u00e9nek ikonikus festm\u00e9nyeit mutatta be.<\/p>\n\n
A ki\u00e1ll\u00edt\u00e1s nemcsak remekm\u0171vek k\u00e1pr\u00e1zatos sorozat\u00e1t t\u00e1rta a l\u00e1togat\u00f3k el\u00e9, hanem Guillaume kiv\u00e9teles el\u0151rel\u00e1t\u00e1s\u00e1t \u00e9s \u00e9rz\u00e9k\u00e9t is kiemelte. K\u00fcl\u00f6nleges k\u00e9pess\u00e9ggel rendelkezett ahhoz, hogy azonos\u00edtsa \u00e9s megszerezze a felt\u00f6rekv\u0151 m\u0171v\u00e9szek alkot\u00e1sait, akik k\u00e9s\u0151bb a modern m\u0171v\u00e9szet \u00f3ri\u00e1sai lettek. Gy\u0171jtem\u00e9nye \u00e9lesl\u00e1t\u00e1s\u00e1nak \u00e9s az avantg\u00e1rd m\u0171v\u00e9szet erej\u00e9be vetett rend\u00edthetetlen hit\u00e9nek tan\u00fabizonys\u00e1ga.<\/p>\n\n
Paul Guillaume \u00f6r\u00f6ks\u00e9ge, mint vizion\u00e1rius gy\u0171jt\u0151, tov\u00e1bbra is inspir\u00e1lja \u00e9s leny\u0171g\u00f6zi a m\u0171v\u00e9szet szerelmeseit vil\u00e1gszerte. A modern m\u0171v\u00e9szet ir\u00e1nti t\u00f6retlen szenved\u00e9lye \u00e9s val\u00f3sidej\u0171 figyelemre m\u00e9lt\u00f3 gy\u0171jtem\u00e9ny \u00f6ssze\u00e1ll\u00edt\u00e1s\u00e1nak k\u00e9pess\u00e9ge megszil\u00e1rd\u00edtotta hely\u00e9t a m\u0171v\u00e9szeti vil\u00e1g egyik legbefoly\u00e1sosabb alakjak\u00e9nt.<\/p>\n\n
A Montreali Sz\u00e9pm\u0171v\u00e9szeti M\u00fazeumnak volt az a megtiszteltet\u00e9s, hogy otthont adjon a “Renoir-t\u00f3l Picass\u00f3ig” ki\u00e1ll\u00edt\u00e1s els\u0151 \u00e1llom\u00e1s\u00e1nak, amely rekordot d\u00f6nt\u0151 t\u00f6megeket vonzott. A vil\u00e1g minden t\u00e1j\u00e1r\u00f3l \u00e9rkez\u0151 l\u00e1togat\u00f3k leny\u0171g\u00f6zve voltak Guillaume gy\u0171jtem\u00e9ny\u00e9nek kiv\u00e9teles min\u0151s\u00e9g\u00e9t\u0151l \u00e9s sokf\u00e9les\u00e9g\u00e9t\u0151l.<\/p>\n\n
A ki\u00e1ll\u00edt\u00e1s a texasi Fort Worth-i Kimbell M\u0171v\u00e9szeti M\u00fazeumban z\u00e1rja vil\u00e1gk\u00f6r\u00fcli \u00fatj\u00e1t. 2001. november 12. \u00e9s 2002. febru\u00e1r 25. k\u00f6z\u00f6tt a m\u0171v\u00e9szet szerelmeseinek lehet\u0151s\u00e9g\u00fck lesz megtapasztalni Guillaume gy\u0171jtem\u00e9ny\u00e9nek \u00e1talak\u00edt\u00f3 erej\u00e9t, \u00e9s \u00e9rt\u00e9kelni ennek a rendk\u00edv\u00fcli avantg\u00e1rd m\u0171keresked\u0151nek az \u00f6r\u00f6ks\u00e9g\u00e9t.<\/p>","protected":false},"excerpt":{"rendered":"
Paul Guillaume: Az avantg\u00e1rd m\u0171keresked\u0151 Korai \u00e9lete \u00e9s karrierje Annak ellen\u00e9re, hogy csak korl\u00e1tozott form\u00e1lis m\u0171v\u00e9szeti k\u00e9pz\u00e9ssel \u00e9s p\u00e9nz\u00fcgyi eszk\u00f6z\u00f6kkel rendelkezett, Paul Guillaume 1914-ben egy ambici\u00f3zus v\u00e1llalkoz\u00e1sba kezdett azzal, hogy…<\/p>\n","protected":false},"author":2,"featured_media":24719,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[710],"tags":[7003,19708,19711,2943,15358,104,19709,2550,19710],"class_list":["post-14699","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-history","tag-art-collecting","tag-avant-garde-art","tag-cezanne","tag-modern-art","tag-musee-de-lorangerie","tag-art-history","tag-paul-guillaume","tag-picasso","tag-renoir"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/posts\/14699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/comments?post=14699"}],"version-history":[{"count":2,"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/posts\/14699\/revisions"}],"predecessor-version":[{"id":24720,"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/posts\/14699\/revisions\/24720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/media\/24719"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/media?parent=14699"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/categories?post=14699"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/hu\/wp-json\/wp\/v2\/tags?post=14699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}