{"id":16321,"date":"2025-09-27T23:09:51","date_gmt":"2025-09-27T23:09:51","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=16321"},"modified":"2025-09-27T23:09:51","modified_gmt":"2025-09-27T23:09:51","slug":"freer-gallery-of-art-perfection-in-asian-art","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/ro\/art\/asian-art\/freer-gallery-of-art-perfection-in-asian-art\/","title":{"rendered":"Galeria Freer: O C\u0103l\u0103torie spre Perfec\u021biunea Artei Asiatice"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Perfec\u021biunea \u00een Art\u0103: Galeria de Art\u0103 Freer<\/h2>\n\n<h2 class=\"wp-block-heading\">Urm\u0103rirea perfec\u021biunii de c\u0103tre Freer<\/h2>\n\n<p>Charles Lang Freer, un cunosc\u0103tor de art\u0103 american, a fost condus neobosit de c\u0103utarea perfec\u021biunii \u00een art\u0103. Aceast\u0103 obsesie a ghidat asamblarea sa meticuloas\u0103 a unei remarcabile colec\u021bii de art\u0103 asiatic\u0103 \u0219i american\u0103. Freer credea c\u0103 un spirit estetic transcende timpul \u0219i geografia, conect\u00e2nd obiecte diverse \u00eentr-un \u00eentreg armonios.<\/p>\n\n<h2 class=\"wp-block-heading\">Galeria de Art\u0103 Freer<\/h2>\n\n<p>\u00cen 1904, Freer \u0219i-a oferit colec\u021bia Institutului Smithsonian. Ini\u021bial ezitant, Smithsonian a acceptat \u00een cele din urm\u0103 darul lui Freer, \u00eenfiin\u021b\u00e2nd primul s\u0103u muzeu de art\u0103 \u00een 1906. Freer \u0219i-a petrecut restul vie\u021bii \u00eembun\u0103t\u0103\u021bind colec\u021bia, c\u0103ut\u00e2nd un cadru fizic care s\u0103 completeze frumuse\u021bea \u0219i armonia obiectelor.<\/p>\n\n<h2 class=\"wp-block-heading\">Arhitectura Rena\u0219terii italiene \u0219i Galeria Freer<\/h2>\n\n<p>Freer l-a \u00eens\u0103rcinat pe arhitectul Charles Platt s\u0103 proiecteze o cl\u0103dire \u00een stil renascentist italian pentru a ad\u0103posti colec\u021bia sa. Structura de granit rezultat\u0103, adiacent\u0103 Castelului Smithsonian, s-a deschis ca Galeria de Art\u0103 Freer \u00een 1923. O renovare major\u0103 \u00een anii 1990 i-a p\u0103strat frumuse\u021bea original\u0103.<\/p>\n\n<h2 class=\"wp-block-heading\">Restric\u021biile lui Freer \u0219i evolu\u021bia lor<\/h2>\n\n<p>Freer a impus ini\u021bial restric\u021bii stricte asupra cadoului s\u0103u, interzic\u00e2nd cre\u0219terea, \u00eemprumuturile sau afi\u0219area obiectelor externe. Cu toate acestea, mai t\u00e2rziu a permis ad\u0103ugiri la partea asiatic\u0103 a colec\u021biei. Freer a r\u0103mas ferm \u00een rezisten\u021ba sa fa\u021b\u0103 de estetica modernist\u0103, pe care o considera incompatibil\u0103 cu idealul s\u0103u de perfec\u021biune.<\/p>\n\n<h2 class=\"wp-block-heading\">Galeria Arthur M. Sackler<\/h2>\n\n<p>\u00cen 1987, Smithsonian a deschis Galeria Arthur M. Sackler, un al doilea muzeu de art\u0103 asiatic\u0103 legat de Freer. Spre deosebire de Freer, Sackler nu avea restric\u021bii cu privire la \u00eemprumutarea sau expunerea obiectelor. Cele dou\u0103 muzee s-au completat reciproc, fiecare cu punctele sale forte.<\/p>\n\n<h2 class=\"wp-block-heading\">Julian Raby \u0219i viitorul artei asiatice<\/h2>\n\n<p>\u00cen mai, Julian Raby a devenit noul director al Galeriilor Freer \u0219i Sackler. Cu experien\u021ba sa divers\u0103 ca cercet\u0103tor, curator \u0219i editor, Raby urm\u0103re\u0219te s\u0103 extind\u0103 audien\u021ba pentru arta asiatic\u0103. El subliniaz\u0103 importan\u021ba cercet\u0103rii, expozi\u021biilor \u0219i accesibilit\u0103\u021bii pentru publicul american.<\/p>\n\n<h2 class=\"wp-block-heading\">Muzeul Na\u021bional de Art\u0103 Asiatic\u0103<\/h2>\n\n<p>\u00cempreun\u0103, Galeriile Freer \u0219i Sackler formeaz\u0103 Muzeul Na\u021bional de Art\u0103 Asiatic\u0103. \u00cen ciuda politicii de \u00eemprumut mai flexibile a Sackler, o parte semnificativ\u0103 a colec\u021biei Freer r\u0103m\u00e2ne permanent ad\u0103postit\u0103 \u00een mediul s\u0103u ideal.<\/p>\n\n<h2 class=\"wp-block-heading\">Arta asiatic\u0103 \u00een Galeria Freer<\/h2>\n\n<p>Colec\u021biile asiatice ale Galeriei Freer au crescut substan\u021bial de la moartea lui Freer. Curatorii \u0219i savan\u021bii au cercetat \u0219i achizi\u021bionat meticulos noi obiecte, asigur\u00e2nd integrarea lor perfect\u0103 cu colec\u021bia original\u0103. Colec\u021bia divers\u0103 a galeriei include bronzuri, jades, paravane, suluri, ceramic\u0103, picturi \u0219i lucr\u0103ri din metal.<\/p>\n\n<h2 class=\"wp-block-heading\">Mo\u0219tenirea lui Freer<\/h2>\n\n<p>Credin\u021ba neclintit\u0103 a lui Freer \u00een perfec\u021biune a l\u0103sat o amprent\u0103 de durat\u0103 \u00een lumea artei asiatice. Colec\u021bia sa \u0219i Galeria de Art\u0103 Freer continu\u0103 s\u0103 inspire \u0219i s\u0103 educe vizitatorii, prezent\u00e2nd frumuse\u021bea, armonia \u0219i conexiunile culturale care transcende timpul \u0219i geografia.<\/p>","protected":false},"excerpt":{"rendered":"<p>Perfec\u021biunea \u00een Art\u0103: Galeria de Art\u0103 Freer Urm\u0103rirea perfec\u021biunii de c\u0103tre Freer Charles Lang Freer, un cunosc\u0103tor de art\u0103 american, a fost condus neobosit de c\u0103utarea perfec\u021biunii \u00een art\u0103. Aceast\u0103&hellip;<\/p>\n","protected":false},"author":2,"featured_media":24990,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16743],"tags":[3726,21645,63,21647,27,2524,21646],"class_list":["post-16321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-asian-art","tag-american-art","tag-asian-art","tag-culture","tag-freer-gallery-of-art","tag-history","tag-museum","tag-perfection"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/posts\/16321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/comments?post=16321"}],"version-history":[{"count":2,"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/posts\/16321\/revisions"}],"predecessor-version":[{"id":24991,"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/posts\/16321\/revisions\/24991"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/media\/24990"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/media?parent=16321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/categories?post=16321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/ro\/wp-json\/wp\/v2\/tags?post=16321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}