Ursula von Rydingsvard, 1942’de Almanya’da do\u011fdu ve erken \u00e7ocuklu\u011funu m\u00fclteci kamplar\u0131nda ge\u00e7irdi. 1950’de ailesi Amerika Birle\u015fik Devletleri’ne g\u00f6\u00e7 etti. Columbia \u00dcniversitesi’nde Ronald Bladen, George Sugarman ve Jean Linder ile heykel e\u011fitimi ald\u0131.<\/p>\n\n
Ah\u015fap, \u00e7o\u011fu zaman otobiyografik ve atadan kalma temalar\u0131 inceleyen von Rydingsvard’\u0131n heykelleri i\u00e7in temel malzeme haline geldi. Eserleri, ah\u0131rlar, barakalar, k\u0131\u015flalar, s\u0131ralar ve sunaklar gibi g\u00fcndelik nesnelerin ve mimari bi\u00e7imlerin an\u0131lar\u0131n\u0131 uyand\u0131r\u0131yor. Bu bi\u00e7imler arac\u0131l\u0131\u011f\u0131yla, kay\u0131p, yerinden edilme ve dayan\u0131kl\u0131l\u0131k konusundaki insani deneyimi ara\u015ft\u0131r\u0131yor.<\/p>\n\n
\u00c7o\u011fu zaman kasvetli ve d\u00fc\u015f\u00fcnceli nitelikleri olmas\u0131na ra\u011fmen, von Rydingsvard’\u0131n heykelleri evcil ve rahatlat\u0131c\u0131 bir y\u00f6n ta\u015f\u0131r. Geni\u015f ve g\u00f6rkemlidirler, ancak ayn\u0131 zamanda bir a\u015final\u0131k ve samimiyet duygusu uyand\u0131r\u0131rlar. Ah\u015fab\u0131, do\u011fal s\u0131cakl\u0131\u011f\u0131 ve dokusuyla kullanmas\u0131 bu rahatl\u0131k duygusuna katk\u0131da bulunur.<\/p>\n\n
Von Rydingsvard’\u0131n heykelleri genellikle insani \u00e7aba ve ihtiya\u00e7 i\u00e7in metaforlar olarak i\u015flev g\u00f6r\u00fcr. Kemikleri, kiri\u015fleri ve \u00e7at\u0131 makaslar\u0131n\u0131 kullanmas\u0131, insanlar\u0131n katland\u0131klar\u0131 fiziksel ve duygusal m\u00fccadeleleri g\u00f6stermektedir. \u00c7al\u0131\u015fmalar\u0131 arac\u0131l\u0131\u011f\u0131yla, dayanma g\u00fcc\u00fcm\u00fcz\u00fc ve birbirimizi in\u015fa edip destekledi\u011fimiz yollar\u0131 ara\u015ft\u0131r\u0131yor.<\/p>\n\n
Von Rydingsvard’\u0131n heykeli yakla\u015f\u0131k on y\u0131l \u00f6nce tan\u0131nmaya ba\u015flad\u0131. Eserleri, Metropolitan Sanat M\u00fczesi, Whitney Amerikan Sanat\u0131 M\u00fczesi ve Walker Sanat Merkezi gibi \u00f6nemli m\u00fczeler taraf\u0131ndan sat\u0131n al\u0131nd\u0131. Microsoft da dahil olmak \u00fczere \u00f6zel koleksiyoncular ve \u015firketler, a\u00e7\u0131k hava eserleri sipari\u015f ettiler.<\/p>\n\n
Walker Sanat Merkezi’nin fahri m\u00fcd\u00fcr\u00fc Martin Friedman, von Rydingsvard’\u0131 heykele el sanatlar\u0131 ruhunu kazand\u0131rd\u0131\u011f\u0131 i\u00e7in \u00f6vd\u00fc. Detaylara g\u00f6sterdi\u011fi \u00f6zenli dikkat ve geleneksel a\u011fa\u00e7 i\u015fleme tekniklerini kullanmas\u0131, zanaatkarl\u0131\u011fa ve ortam\u0131n\u0131n fizikselli\u011fine olan ba\u011fl\u0131l\u0131\u011f\u0131n\u0131 g\u00f6stermektedir.<\/p>\n\n
Madison Sanat Merkezi taraf\u0131ndan d\u00fczenlenen von Rydingsvard’\u0131n i\u00e7 mekan heykelinin bir sergisi \u015fu anda d\u00f6rt \u015fehirlik bir turda. A\u00e7\u0131k hava heykelinin bir g\u00f6sterisi 9 May\u0131s’ta Kansas City’deki Nelson-Atkins Sanat M\u00fczesi’nde a\u00e7\u0131lacak. Bu sergiler, \u00e7al\u0131\u015fmalar\u0131n\u0131n g\u00fcc\u00fcn\u00fc ve yank\u0131s\u0131n\u0131 ilk elden deneyimleme f\u0131rsat\u0131 sunuyor.<\/p>\n\n
Ursula von Rydingsvard, haf\u0131za, kimlik ve insanl\u0131k durumu temalar\u0131n\u0131 ara\u015ft\u0131ran eserleriyle tan\u0131nan bir heykelt\u0131ra\u015ft\u0131r. Ah\u015fab\u0131 \u00e7a\u011fr\u0131\u015ft\u0131ran kullan\u0131m\u0131 ve ustal\u0131kla i\u015f\u00e7ili\u011fiyle, hem \u00fcrk\u00fct\u00fcc\u00fc hem de rahatlat\u0131c\u0131 heykeller yarat\u0131r ve bizi kendi deneyimlerimizi ve insan ruhunun dayan\u0131kl\u0131l\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnmeye davet eder.<\/p>","protected":false},"excerpt":{"rendered":"
Ursula von Rydingsvard: Ah\u015fapta Metaforlar Yontmak Erken Ya\u015fam ve Etkiler Ursula von Rydingsvard, 1942’de Almanya’da do\u011fdu ve erken \u00e7ocuklu\u011funu m\u00fclteci kamplar\u0131nda ge\u00e7irdi. 1950’de ailesi Amerika Birle\u015fik Devletleri’ne g\u00f6\u00e7 etti. Columbia…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2379],"tags":[2609,539,1374,107,540,2610,2608],"class_list":["post-1141","post","type-post","status-publish","format-standard","hentry","category-sculpture","tag-wood","tag-memory","tag-sculpture","tag-human-condition","tag-identity","tag-metaphor","tag-ursula-von-rydingsvard"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/1141","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=1141"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/1141\/revisions"}],"predecessor-version":[{"id":1142,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/1141\/revisions\/1142"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=1141"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=1141"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=1141"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}