Eski Brezilya Devlet Ba\u015fkan\u0131 Jair Bolsonaro’nun destek\u00e7ileri, 8 Ocak’ta Bras\u00edlia’daki h\u00fck\u00fcmet binalar\u0131na sald\u0131rarak Devlet Ba\u015fkanl\u0131\u011f\u0131 Saray\u0131, Ulusal Kongre ve Y\u00fcksek Mahkeme’deki sanat eserlerine \u00f6nemli \u00f6l\u00e7\u00fcde zarar verdi. Uzmanlardan olu\u015fan bir ekip hasar\u0131n boyutunu h\u00e2l\u00e2 de\u011ferlendirmekte ancak baz\u0131 par\u00e7alar\u0131n onar\u0131lamayacak \u015fekilde imha oldu\u011fu do\u011fruland\u0131.<\/p>\n\n
\u00dcnl\u00fc modernist mimar Oscar Niemeyer taraf\u0131ndan tasarlanan bu binalar, UNESCO D\u00fcnya Miras\u0131 listesinde yer almakta ve Brezilya’n\u0131n k\u00fclt\u00fcrel miras\u0131n\u0131 temsil eden \u00e7ok say\u0131da sanat eserine ev sahipli\u011fi yapmaktad\u0131r. Ba\u015fkanl\u0131k Bas\u0131n B\u00fcrosu’na g\u00f6re, hasar g\u00f6ren sanat eserlerinin de\u011feri tarihsel \u00f6nem ta\u015f\u0131d\u0131klar\u0131 i\u00e7in hesaplanamaz.<\/p>\n\n
Hasar g\u00f6ren en \u00f6nemli sanat eserleri aras\u0131nda, Portekiz Kral\u0131 VI. Jo\u00e3o’ya hediye edilen ve Balthazar Martinot taraf\u0131ndan in\u015fa edilen 17. y\u00fczy\u0131l saati bulunmaktad\u0131r. Saat tamamen imha edildi ve sadece Fransa’daki Versay Saray\u0131’nda bulunan benzeri sa\u011flam kald\u0131.<\/p>\n\n
Emiliano Di Cavalcanti’nin bir di\u011fer ikonik eseri olan “As Mulatas”, yedi yerinden delinmi\u015f. Bu modernist \u015faheser 1,5 milyon dolardan fazla bir de\u011fere sahip ve Matisse ile Picasso’dan ilham alan sanat\u00e7\u0131n\u0131n e\u015fsiz Brezilya tarz\u0131n\u0131 yans\u0131t\u0131yor.<\/p>\n\n
Jorge Eduardo’nun boyanm\u0131\u015f heykeli “Bandeira do Brasil”, g\u00f6stericilerin itfaiye musluklar\u0131n\u0131 a\u00e7arak salonu sular alt\u0131nda b\u0131rakmas\u0131n\u0131n ard\u0131ndan suda y\u00fcz\u00fcyor halde bulundu. Bruno Giorgi’nin bronz heykeli “O Flautista” ve Frans Krajcberg’in ah\u015fap duvar heykeli de k\u0131r\u0131ld\u0131 ve par\u00e7alar\u0131 koridorlara da\u011f\u0131ld\u0131.<\/p>\n\n
Salg\u0131n\u0131n nedeni, komplo teorileri ve son ba\u015fkanl\u0131k se\u00e7imlerinin sonu\u00e7lar\u0131n\u0131 kabul etmeyi reddetmekti. Eski Devlet Ba\u015fkan\u0131 Bolsonaro olaylar\u0131n sorumlulu\u011funu reddetti ancak sald\u0131r\u0131larla ba\u011flant\u0131l\u0131 olarak 1.000’den fazla ki\u015fi g\u00f6zalt\u0131na al\u0131nd\u0131.<\/p>\n\n
Uluslararas\u0131 toplum, Brezilya’n\u0131n k\u00fclt\u00fcrel miras\u0131na verilen zarar\u0131 k\u0131nayarak 6 Ocak’ta ABD Kongre Binas\u0131’na yap\u0131lan sald\u0131r\u0131larla paralellikler kurdu. Politik \u015fiddet ortam\u0131nda ulusal k\u00fclt\u00fcrel miras\u0131n korunmas\u0131 acil bir endi\u015fe kayna\u011f\u0131d\u0131r ve Brezilya h\u00fck\u00fcmeti hasarl\u0131 sanat eserlerini restore etme ve sanatsal miras\u0131n\u0131 koruma konusunda bir zorlukla kar\u015f\u0131 kar\u015f\u0131yad\u0131r.<\/p>\n\n
Restorasyon \u00e7al\u0131\u015fmalar\u0131 devam etmektedir ancak hasar\u0131n boyutu ve baz\u0131 par\u00e7alar\u0131n onar\u0131l\u0131p onar\u0131lamayaca\u011f\u0131 belirsizli\u011fini korumaktad\u0131r. Bu sanat eserlerinin kayb\u0131 Brezilya k\u00fclt\u00fcr\u00fc ve tarihi i\u00e7in b\u00fcy\u00fck bir kay\u0131pt\u0131r.<\/p>\n\n
Olaylar, Brezilya’n\u0131n uluslararas\u0131 imaj\u0131n\u0131 ve itibar\u0131n\u0131 da zedeledi, \u00fclkenin demokratik kurumlar\u0131 ve k\u00fclt\u00fcrel miras\u0131n\u0131 koruma konusundaki kararl\u0131l\u0131\u011f\u0131na g\u00f6lge d\u00fc\u015f\u00fcrd\u00fc. Hasar g\u00f6ren sanat eserlerinin restore edilmesi ve sald\u0131r\u0131lardan sorumlu ki\u015filerin cezaland\u0131r\u0131lmas\u0131, g\u00fcveni yeniden tesis etmek ve Brezilya’n\u0131n dayan\u0131kl\u0131l\u0131\u011f\u0131n\u0131 g\u00f6stermek i\u00e7in \u00e7ok \u00f6nemli ad\u0131mlar olacakt\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"
Bolsonaro Destek\u00e7ileri Brezilya H\u00fck\u00fcmet Binalar\u0131ndaki Sanat Eserlerine Zarar Verdi Hasar De\u011ferlendirmesi ve Tarihsel \u00d6nem Eski Brezilya Devlet Ba\u015fkan\u0131 Jair Bolsonaro’nun destek\u00e7ileri, 8 Ocak’ta Bras\u00edlia’daki h\u00fck\u00fcmet binalar\u0131na sald\u0131rarak Devlet Ba\u015fkanl\u0131\u011f\u0131 Saray\u0131,…<\/p>\n","protected":false},"author":2,"featured_media":24185,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[710],"tags":[15953,6799,89,6355,15952],"class_list":["post-11799","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-history","tag-art-damage","tag-brazil","tag-cultural-heritage","tag-political-violence","tag-riots"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/11799","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=11799"}],"version-history":[{"count":2,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/11799\/revisions"}],"predecessor-version":[{"id":24186,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/11799\/revisions\/24186"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media\/24185"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=11799"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=11799"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=11799"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}