{"id":12046,"date":"2019-08-16T16:06:08","date_gmt":"2019-08-16T16:06:08","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=12046"},"modified":"2019-08-16T16:06:08","modified_gmt":"2019-08-16T16:06:08","slug":"9af3c733e341e4fc0b02319985d24289","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/art\/painting\/9af3c733e341e4fc0b02319985d24289\/","title":{"rendered":"9af3c733e341e4fc0b02319985d24289"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Leonardo da Vinci&#8217;nin Yarat\u0131c\u0131 \u00c7abalar\u0131: &#8220;Kayalar Bakiresi&#8221;nin Alt \u00c7izimleri<\/h2>\n\n<h2 class=\"wp-block-heading\">Leonardo&#8217;nun Gizli Eskizleri Ortaya \u00c7\u0131k\u0131yor<\/h2>\n\n<p>Leonardo da Vinci&#8217;nin ikonik ba\u015fyap\u0131t\u0131 &#8220;Kayalar Bakiresi&#8221;nin y\u00fczeyinin alt\u0131nda, sanat\u00e7\u0131n\u0131n yarat\u0131c\u0131 s\u00fcrecini ortaya \u00e7\u0131karan gizli eskizler yatmaktad\u0131r. K\u0131z\u0131l\u00f6tesi teknoloji, makro X-\u0131\u015f\u0131n\u0131 floresans\u0131 ve hiper spektral g\u00f6r\u00fcnt\u00fcleme gibi geli\u015fmi\u015f g\u00f6r\u00fcnt\u00fcleme teknikleri, Leonardo&#8217;nun kompozisyon m\u00fccadelelerine dair i\u00e7g\u00f6r\u00fcler sa\u011flayan iki alt \u00e7izim ortaya \u00e7\u0131karm\u0131\u015ft\u0131r.<\/p>\n\n<h2 class=\"wp-block-heading\">Birinci Alt \u00c7izim<\/h2>\n\n<p>\u0130lk alt \u00e7izim, fig\u00fcrlerin \u00f6nemli \u00f6l\u00e7\u00fcde farkl\u0131 bir d\u00fczenlemesini tasvir ediyor. \u0130sa Mesih ve melek \u00e7er\u00e7evede \u00e7ok daha y\u00fckse\u011fe yerle\u015ftirilmi\u015f ve melek Mesih&#8217;e &#8220;daha s\u0131k\u0131 bir kucakla\u015fma&#8221; ile sar\u0131l\u0131yor. Bu kompozisyon, Leonardo&#8217;nun ba\u015flang\u0131\u00e7ta iki fig\u00fcr aras\u0131nda daha samimi ve dinamik bir ili\u015fki \u00f6ng\u00f6rd\u00fc\u011f\u00fcn\u00fc d\u00fc\u015f\u00fcnd\u00fcrmektedir.<\/p>\n\n<h2 class=\"wp-block-heading\">\u0130kinci Alt \u00c7izim<\/h2>\n\n<p>\u0130kinci alt \u00e7izim bitmi\u015f resme daha \u00e7ok benziyor, ancak yine de baz\u0131 \u00f6nemli farkl\u0131l\u0131klar var. Mesih&#8217;in ba\u015f pozisyonu de\u011fi\u015ftirilmi\u015f ve mele\u011fin sa\u00e7\u0131ndan baz\u0131 bukleler kesilmi\u015f. Bu de\u011fi\u015fiklikler, Leonardo&#8217;nun resim \u00fczerinde \u00e7al\u0131\u015f\u0131rken kompozisyonu geli\u015ftirmeye ve m\u00fckemmelle\u015ftirmeye devam etti\u011fini g\u00f6steriyor.<\/p>\n\n<h2 class=\"wp-block-heading\">El \u0130zleri ve \u0130pu\u00e7lar\u0131<\/h2>\n\n<p>Alt \u00e7izimler ayr\u0131ca ah\u015fap paneli kaplamak i\u00e7in kullan\u0131lan astar \u00fczerinde el izleri ortaya koymaktad\u0131r. Bu el izleri b\u00fcy\u00fck ihtimalle Leonardo&#8217;nun asistanlar\u0131ndan birine ait olup, onun tuvali haz\u0131rlamada yard\u0131m arad\u0131\u011f\u0131n\u0131 g\u00f6stermektedir.<\/p>\n\n<h2 class=\"wp-block-heading\">\u0130ki Versiyonun Gizemi<\/h2>\n\n<p>National Gallery&#8217;deki resim, Leonardo&#8217;nun \u00e7eyrek as\u0131rdan fazla bir s\u00fcre boyunca yaratt\u0131\u011f\u0131 &#8220;Kayalar Bakiresi&#8221;nin iki versiyonundan biridir. 1483&#8217;te ba\u015flam\u0131\u015f oldu\u011funa inan\u0131lan ilk versiyon, Paris&#8217;teki Louvre&#8217;da as\u0131l\u0131d\u0131r. Bilim insanlar\u0131, ilk versiyonun geleneksel ikonografinin eksikli\u011fi nedeniyle sipari\u015f veren kurum taraf\u0131ndan reddedildi\u011fini ve bu nedenle fig\u00fcrleri tan\u0131mlamay\u0131 zorla\u015ft\u0131rd\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcn\u00fcyorlar.<\/p>\n\n<p>Leonardo daha sonra bu versiyonu Milano D\u00fck\u00fc&#8217;ne satm\u0131\u015f ve sipari\u015fini yerine getirmek i\u00e7in ikinci resmi yapm\u0131\u015ft\u0131r. \u015eimdi National Gallery&#8217;de bulunan ikinci versiyon, daha parlak renkler, daha b\u00fcy\u00fck fig\u00fcrler ve halelerin ve Vaftizci Yahya&#8217;n\u0131n kam\u0131\u015f asas\u0131n\u0131n eklenmesini sergilemektedir.<\/p>\n\n<h2 class=\"wp-block-heading\">Leonardo&#8217;nun Ustal\u0131\u011f\u0131<\/h2>\n\n<p>Ba\u015flang\u0131\u00e7ta, ikinci versiyonun b\u00fcy\u00fck \u00f6l\u00e7\u00fcde Leonardo&#8217;nun asistanlar\u0131 taraf\u0131ndan boyand\u0131\u011f\u0131na inan\u0131l\u0131yordu. Ancak 2010 y\u0131l\u0131nda yap\u0131lan kapsaml\u0131 bir temizlik ve restorasyondan sonra, sanat tarih\u00e7ileri eserin b\u00fcy\u00fck \u00e7o\u011funlu\u011funun Leonardo taraf\u0131ndan boyand\u0131\u011f\u0131 sonucuna vard\u0131lar. Bu ke\u015fif, Leonardo&#8217;nun ustal\u0131\u011f\u0131n\u0131 ve ayr\u0131nt\u0131lara g\u00f6sterdi\u011fi \u00f6zeni vurgulamaktad\u0131r.<\/p>\n\n<h2 class=\"wp-block-heading\">Leonardo&#8217;nun Tekniklerinin \u0130ncelenmesi<\/h2>\n\n<p>Alt \u00e7izimler ve &#8220;Kayalar Bakiresi&#8221;nin iki versiyonu aras\u0131ndaki farkl\u0131l\u0131klar, Leonardo&#8217;nun yarat\u0131c\u0131 s\u00fcrecine dair de\u011ferli bilgiler sa\u011flamaktad\u0131r. Kompozisyonla yapt\u0131\u011f\u0131 deneyleri, ayr\u0131nt\u0131lara g\u00f6sterdi\u011fi \u00f6zeni ve \u0131\u015f\u0131k ve g\u00f6lge ustal\u0131\u011f\u0131n\u0131 ortaya koymaktad\u0131rlar.<\/p>\n\n<h2 class=\"wp-block-heading\">Leonardo&#8217;nun Miras\u0131<\/h2>\n\n<p>&#8220;Kayalar Bakiresi&#8221;, Leonardo da Vinci&#8217;nin dehas\u0131n\u0131n bir kan\u0131t\u0131 olarak durmaktad\u0131r. Alt \u00e7izimler ve resmin birden fazla versiyonu, t\u00fcm zamanlar\u0131n en b\u00fcy\u00fck sanat\u00e7\u0131lar\u0131ndan birinin zihnine nadir bir bak\u0131\u015f sunmaktad\u0131r. Bizi her ba\u015fyap\u0131t\u0131n ard\u0131ndaki yarat\u0131c\u0131 m\u00fccadelelerin, deneylerin ve azmin hat\u0131rlatmaktad\u0131rlar.<\/p>","protected":false},"excerpt":{"rendered":"<p>Leonardo da Vinci&#8217;nin Yarat\u0131c\u0131 \u00c7abalar\u0131: &#8220;Kayalar Bakiresi&#8221;nin Alt \u00c7izimleri Leonardo&#8217;nun Gizli Eskizleri Ortaya \u00c7\u0131k\u0131yor Leonardo da Vinci&#8217;nin ikonik ba\u015fyap\u0131t\u0131 &#8220;Kayalar Bakiresi&#8221;nin y\u00fczeyinin alt\u0131nda, sanat\u00e7\u0131n\u0131n yarat\u0131c\u0131 s\u00fcrecini ortaya \u00e7\u0131karan gizli eskizler&hellip;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2947],"tags":[16282,7687,16283,16281,6319,2072,104],"class_list":["post-12046","post","type-post","status-publish","format-standard","hentry","category-painting","tag-underdrawings","tag-creative-process","tag-imaging-techniques","tag-the-virgin-of-the-rocks","tag-leonardo-da-vinci","tag-renaissance-art","tag-art-history"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/12046","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=12046"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/12046\/revisions"}],"predecessor-version":[{"id":12047,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/12046\/revisions\/12047"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=12046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=12046"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=12046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}