{"id":12217,"date":"2022-11-10T00:34:39","date_gmt":"2022-11-10T00:34:39","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=12217"},"modified":"2022-11-10T00:34:39","modified_gmt":"2022-11-10T00:34:39","slug":"museum-of-art-fakes-vienna-unveiling-the-world-of-forgery","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/art\/art-history\/museum-of-art-fakes-vienna-unveiling-the-world-of-forgery\/","title":{"rendered":"Sahte Sanat\u0131n B\u00fcy\u00fcleyici D\u00fcnyas\u0131: Viyana Sahte Sanat Eserleri M\u00fczesi"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Viyana&#8217;daki Sahte Sanat Eserleri M\u00fczesi&#8217;nin B\u00fcy\u00fcleyici D\u00fcnyas\u0131<\/h2>\n\n<h2 class=\"wp-block-heading\">Sahtekarl\u0131\u011f\u0131n Ustas\u0131: Edgar Mrugalla<\/h2>\n\n<p>\u00dcretken bir Alman sanat\u00e7\u0131 olan Edgar Mrugalla, Rembrandt, Picasso ve Renoir gibi \u00fcnl\u00fc ustalar\u0131n eserlerini ustal\u0131kla taklit eden uzman bir sanat sahtekar\u0131yd\u0131. Kendi kendine \u00f6\u011fretti\u011fi beceri ona hem hayranl\u0131k hem de hapis cezas\u0131 kazand\u0131rd\u0131. Ancak, onun dikkat \u00e7ekici taklitleri daha sonra Viyana&#8217;daki Sahte Sanat Eserleri M\u00fczesi&#8217;ne ilham kayna\u011f\u0131 oldu.<\/p>\n\n<h2 class=\"wp-block-heading\">Sahte Sanat Eserleri M\u00fczesi: Bir Aldatmacan\u0131n Sergisi<\/h2>\n\n<p>2005 y\u0131l\u0131nda kurulan Sahte Sanat Eserleri M\u00fczesi, sahtekarl\u0131k sanat\u0131na ve b\u00fcy\u00fcleyici tarihine sayg\u0131 duru\u015funda bulunarak benzersiz bir sahte sanat eseri koleksiyonuna ev sahipli\u011fi yap\u0131yor. M\u00fczenin sergileri, Edgar Mrugalla, Tom Keating, Eric Hebborn ve Han van Meegeren gibi k\u00f6t\u00fc \u015f\u00f6hretli sahtekarlar\u0131n eserlerini sergiliyor. Her sahtekar\u0131n kendine \u00f6zg\u00fc bir tarz\u0131 ve motivasyonu vard\u0131 ve \u00e7al\u0131nan yarat\u0131c\u0131l\u0131k ve fikri m\u00fclkiyetin b\u00fcy\u00fcleyici bir anlat\u0131s\u0131n\u0131 yaratt\u0131.<\/p>\n\n<h2 class=\"wp-block-heading\">Sahtekarlar\u0131n Tekniklerinin Ortaya \u00c7\u0131kar\u0131lmas\u0131<\/h2>\n\n<p>M\u00fczede yer alan sahtekarlar, aldat\u0131c\u0131 ba\u015fyap\u0131tlar\u0131n\u0131 yaratmak i\u00e7in \u00e7e\u015fitli y\u00f6ntemler kulland\u0131lar. Baz\u0131lar\u0131 resmi e\u011fitim al\u0131rken, di\u011ferleri sanata olan tutkular\u0131yla y\u00f6nlendirilen kendi kendine \u00f6\u011frendiler. Ge\u00e7mi\u015fleri ne olursa olsun, hepsi ortak bir hedefi payla\u015f\u0131yorlard\u0131: sanat d\u00fcnyas\u0131n\u0131 aldatmak ve taklitlerinden kazan\u00e7 elde etmek.<\/p>\n\n<h2 class=\"wp-block-heading\">Aldatma Sanat\u0131: Sahte Taklitleri Tan\u0131mlamak<\/h2>\n\n<p>M\u00fcze k\u00fcrat\u00f6rleri, her bir sanat eserini, bir taklit olarak stat\u00fcs\u00fcn\u00fc do\u011fru bir \u015fekilde aktarmak i\u00e7in titizlikle etiketliyor. \u00dc\u00e7 ana kategori vard\u0131r:<\/p>\n\n<ul class=\"wp-block-list\">\n<li><strong>Kopyalar:<\/strong> Mevcut sanat eserlerinin me\u015fru reprod\u00fcksiyonlar\u0131, a\u00e7\u0131k\u00e7a orijinal sanat\u00e7\u0131 taraf\u0131ndan yarat\u0131lmad\u0131klar\u0131 belirtilmi\u015ftir.<\/li>\n<li><strong>Standart Sahtecilikler:<\/strong> Belirli bir sanat\u00e7\u0131n\u0131n tarz\u0131nda yarat\u0131lm\u0131\u015f ve ona yanl\u0131\u015f bir \u015fekilde atfedilmi\u015f eserler.<\/li>\n<li><strong>Ayn\u0131s\u0131 Sahtecilikler:<\/strong> Mevcut sanat eserlerinin tam kopyalar\u0131, yanl\u0131\u015f bir \u015fekilde orijinal sanat\u00e7\u0131n\u0131n ad\u0131yla etiketlenmi\u015ftir.<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Dikkat \u00c7eken Sahtecilikler: Beceri ve Aldatmacan\u0131n Ortaya \u00c7\u0131kar\u0131lmas\u0131<\/h2>\n\n<p>M\u00fczenin \u00f6ne \u00e7\u0131kanlar\u0131 aras\u0131nda Tom Keating&#8217;in sahte Jean Puy tablosu yer al\u0131yor. Keating, eseri i\u00e7ine, yaln\u0131zca r\u00f6ntgen \u0131\u015f\u0131nlar\u0131yla g\u00f6r\u00fclebilen al\u0131\u015f\u0131lmad\u0131k malzemeler, kas\u0131tl\u0131 kusurlar ve gizli yaz\u0131lar gibi &#8220;zaman bombalar\u0131&#8221; ustaca gizledi.<\/p>\n\n<p>Bir di\u011fer dikkat \u00e7ekici sahtecilik ise ba\u015flang\u0131\u00e7ta Johannes Vermeer&#8217;e atfedilen Han van Meegeren&#8217;in &#8220;Emmaus&#8221; adl\u0131 tablosudur. Van Meegeren&#8217;in sahtecili\u011fi o kadar inand\u0131r\u0131c\u0131yd\u0131 ki, modern kar\u015f\u0131l\u0131\u011f\u0131 6 milyon dolar olan bir sanat m\u00fczesine sat\u0131ld\u0131.<\/p>\n\n<h2 class=\"wp-block-heading\">Yasal Labirent: Sanat Hukuku ve Sahtecilikler<\/h2>\n\n<p>M\u00fcze ayr\u0131ca sanat sahtecili\u011finin yasal sonu\u00e7lar\u0131n\u0131 da ayd\u0131nlat\u0131yor. Sahte bir eser yaratmak kendi ba\u015f\u0131na yasa d\u0131\u015f\u0131 olmasa da, onu orijinal olarak satmak yasay\u0131 ihlal ediyor ve taklit ile aldatmaca aras\u0131ndaki ince \u00e7izgiyi vurguluyor.<\/p>\n\n<h2 class=\"wp-block-heading\">M\u00fczenin Misyonu: E\u011fitim ve \u00d6nleme<\/h2>\n\n<p>Sahte sanat eserlerini sergilemenin \u00f6tesinde, Sahte Sanat Eserleri M\u00fczesi, halk\u0131 sanat hukuku ve sahtecili\u011fin sonu\u00e7lar\u0131 konusunda e\u011fitmeyi ama\u00e7l\u0131yor. Sahtekarlar\u0131n taktiklerini ve motivasyonlar\u0131n\u0131 ortaya \u00e7\u0131kararak m\u00fcze, sanat piyasas\u0131nda daha fazla doland\u0131r\u0131c\u0131l\u0131\u011f\u0131n \u00f6nlenmesini ve sanat d\u00fcnyas\u0131n\u0131n b\u00fct\u00fcnl\u00fc\u011f\u00fcn\u00fcn korunmas\u0131n\u0131 umuyor.<\/p>\n\n<h2 class=\"wp-block-heading\">Geli\u015fen Bir Koleksiyon: M\u00fczenin Evrimle\u015fen Anlat\u0131s\u0131<\/h2>\n\n<p>M\u00fczenin koleksiyonu, her biri sanat sahtecili\u011finin devam eden hikayesine yeni bir b\u00f6l\u00fcm ekleyen yeni edinimlerle b\u00fcy\u00fcmeye devam ediyor. Ziyaret\u00e7iler, m\u00fczenin s\u00fcrekli geni\u015fleyen sergilerini ke\u015ffedebilir ve aldatma ve ustal\u0131\u011f\u0131n b\u00fcy\u00fcleyici d\u00fcnyas\u0131na dalabilirler.<\/p>","protected":false},"excerpt":{"rendered":"<p>Viyana&#8217;daki Sahte Sanat Eserleri M\u00fczesi&#8217;nin B\u00fcy\u00fcleyici D\u00fcnyas\u0131 Sahtekarl\u0131\u011f\u0131n Ustas\u0131: Edgar Mrugalla \u00dcretken bir Alman sanat\u00e7\u0131 olan Edgar Mrugalla, Rembrandt, Picasso ve Renoir gibi \u00fcnl\u00fc ustalar\u0131n eserlerini ustal\u0131kla taklit eden uzman&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[710],"tags":[4623,16501,3249,104,16503,16502],"class_list":["post-12217","post","type-post","status-publish","format-standard","hentry","category-art-history","tag-intellectual-property","tag-museum-of-art-fakes","tag-art-forgery","tag-art-history","tag-deception-in-art","tag-vienna"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/12217","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=12217"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/12217\/revisions"}],"predecessor-version":[{"id":12218,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/12217\/revisions\/12218"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=12217"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=12217"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=12217"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}