{"id":14492,"date":"2024-07-07T05:21:06","date_gmt":"2024-07-07T05:21:06","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=14492"},"modified":"2024-07-07T05:21:06","modified_gmt":"2024-07-07T05:21:06","slug":"lost-manuscript-clockwork-condition-anthony-burgess","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/uncategorized\/lost-manuscript-clockwork-condition-anthony-burgess\/","title":{"rendered":"Anthony Burgess’s Lost Manuscript: ‘The Clockwork Condition’ Explores Philosophical Depths of ‘A Clockwork Orange’"},"content":{"rendered":"

Anthony Burgess’in Kay\u0131p El Yazmas\u0131: “Otomatik Portakal: Ko\u015ful”<\/h2>\n\n

Edebi Bir Hazinenin Ke\u015ffi<\/h2>\n\n

\u00dcnl\u00fc yazar Anthony Burgess’in ar\u015fivlerinde \u00e7\u0131\u011f\u0131r a\u00e7an bir ke\u015fif yap\u0131ld\u0131. Edebiyat profes\u00f6r\u00fc Andrew Biswell, “Otomatik Portakal: Ko\u015ful” ba\u015fl\u0131kl\u0131, daha \u00f6nce bilinmeyen, Burgess’in en \u00fcnl\u00fc roman\u0131 “Otomatik Portakal”\u0131n felsefi temalar\u0131n\u0131 inceleyen 200 sayfal\u0131k bir el yazmas\u0131 ortaya \u00e7\u0131kard\u0131.<\/p>\n\n

Bir Devam Roman\u0131 De\u011fil, Felsefi Bir \u0130nceleme<\/h2>\n\n

S\u00f6ylentilerin aksine, “Otomatik Portakal: Ko\u015ful”, “Otomatik Portakal”\u0131n do\u011frudan bir devam\u0131 de\u011fildir. Bunun yerine, Dante’nin “Inferno”sunun yap\u0131s\u0131na benzer \u015fekilde yap\u0131land\u0131r\u0131lm\u0131\u015f, “modern insan\u0131n ko\u015fulu” \u00fczerine felsefi bir meditasyondur. Burgess, eserini \u00f6nceki roman\u0131nda merkezi olan su\u00e7, ceza ve g\u00f6rsel k\u00fclt\u00fcr\u00fcn karma\u015f\u0131k meselelerini ara\u015ft\u0131rmak i\u00e7in kullanmay\u0131 ama\u00e7l\u0131yordu.<\/p>\n\n

Ticari Bir Kazan\u00e7 F\u0131rsat\u0131 ve Bir Farkl\u0131l\u0131k<\/h2>\n\n

“Otomatik Portakal: Ko\u015ful”un ortaya \u00e7\u0131k\u0131\u015f\u0131, Stanley Kubrick’in 1971 yap\u0131m\u0131 “Otomatik Portakal” filminin ba\u015far\u0131s\u0131ndan yararlanmak isteyen bir yay\u0131nc\u0131n\u0131n talebiyle ba\u015flad\u0131. Burgess, “saat” terimini i\u00e7eren ba\u015fl\u0131kta k\u0131sa bir devam yazmay\u0131 kabul etti. Ancak projeye dald\u0131k\u00e7a, el yazmas\u0131 \u00f6ng\u00f6r\u00fclen kapsam\u0131n\u0131n \u00e7ok \u00f6tesine ge\u00e7ti.<\/p>\n\n

Otobiyografik \u0130\u00e7g\u00f6r\u00fcler ve Bir Ba\u015fl\u0131\u011f\u0131n K\u00f6keni<\/h2>\n\n

“Otomatik Portakal: Ko\u015ful”, Burgess’in ya\u015fam\u0131 ve \u00e7al\u0131\u015fmalar\u0131 hakk\u0131nda de\u011ferli otobiyografik i\u00e7g\u00f6r\u00fcler sunar. Ordudaki zaman\u0131nda ya\u015fl\u0131 bir Cockney adam\u0131ndan duydu\u011fu ikonik “Otomatik Portakal” ba\u015fl\u0131\u011f\u0131n\u0131n k\u00f6kenini ortaya koyuyor. El yazmas\u0131 ayr\u0131ca Burgess’in “Otomatik Portakal”\u0131 \u00e7evreleyen tart\u0131\u015fma ve taklit su\u00e7lar \u00fczerindeki iddia edilen etkisi hakk\u0131ndaki \u00e7eli\u015fkili duygular\u0131na da \u0131\u015f\u0131k tutuyor.<\/p>\n\n

Vazge\u00e7i\u015f ve Yay\u0131n Yolculu\u011fu<\/h2>\n\n

\u0130lk heyecan\u0131na ra\u011fmen, Burgess sonunda “Otomatik Portakal: Ko\u015ful” \u00fczerinde \u00e7al\u0131\u015fmay\u0131 b\u0131rakt\u0131. G\u00fc\u00e7l\u00fc y\u00f6nlerinin felsefeden ziyade kurgu alan\u0131nda yatt\u0131\u011f\u0131n\u0131 fark etti. Ancak daha sonra, “Otomatik Portakal: Ko\u015ful”da ele ald\u0131\u011f\u0131 baz\u0131 temalar\u0131 inceleyen “Otomatik Ahit” ba\u015fl\u0131kl\u0131 k\u0131sa bir roman yay\u0131nlad\u0131.<\/p>\n\n

Yay\u0131n Planlar\u0131 ve Di\u011fer Edebi Hazine<\/h2>\n\n

“Otomatik Portakal: Ko\u015ful”un tamamlanm\u0131\u015f bir versiyonunu yay\u0131nlama planlar\u0131 a\u00e7\u0131klanmam\u0131\u015f olsa da, Biswell, onu uygulanabilir bir proje haline getirmek i\u00e7in bitmi\u015f durumda yeterli materyal oldu\u011funa inan\u0131yor. Bu el yazmas\u0131n\u0131n ke\u015ffi, aralar\u0131nda bitmemi\u015f bir argo s\u00f6zl\u00fc\u011f\u00fc de bulunan Burgess’in ba\u015fka yay\u0131nlanmam\u0131\u015f eserlerinin ortaya \u00e7\u0131kar\u0131lmas\u0131na da yol a\u00e7t\u0131.<\/p>\n\n

Miras\u0131n \u00d6nemi ve Edebiyat\u0131n G\u00fcc\u00fc<\/h2>\n\n

“Otomatik Portakal: Ko\u015ful”un ke\u015ffi, Anthony Burgess’in kal\u0131c\u0131 miras\u0131n\u0131n ve edebiyat\u0131n insanl\u0131k durumunu t\u00fcm karma\u015f\u0131kl\u0131\u011f\u0131yla ara\u015ft\u0131rma g\u00fcc\u00fcn\u00fcn bir kan\u0131t\u0131d\u0131r. Bir usta yazar\u0131n yarat\u0131c\u0131 s\u00fcrecine b\u00fcy\u00fcleyici bir bak\u0131\u015f sunar ve en \u00fcnl\u00fc eserlerini \u015fekillendiren temalar hakk\u0131nda yeni bilgiler sa\u011flar.<\/p>","protected":false},"excerpt":{"rendered":"

Anthony Burgess’in Kay\u0131p El Yazmas\u0131: “Otomatik Portakal: Ko\u015ful” Edebi Bir Hazinenin Ke\u015ffi \u00dcnl\u00fc yazar Anthony Burgess’in ar\u015fivlerinde \u00e7\u0131\u011f\u0131r a\u00e7an bir ke\u015fif yap\u0131ld\u0131. Edebiyat profes\u00f6r\u00fc Andrew Biswell, “Otomatik Portakal: Ko\u015ful” ba\u015fl\u0131kl\u0131,…<\/p>\n","protected":false},"author":1,"featured_media":23824,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[19451,98,19453,19452,19454,1515],"class_list":["post-14492","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized","tag-anthony-burgess","tag-philosophy","tag-lost-manuscripts","tag-clockwork-orange","tag-punishment","tag-crime"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/14492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=14492"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/14492\/revisions"}],"predecessor-version":[{"id":14493,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/14492\/revisions\/14493"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media\/23824"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=14492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=14492"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=14492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}