Bu hafta g\u00fczel sanatlar d\u00fcnyas\u0131, bir Gauguin tablosunun yakla\u015f\u0131k 300 milyon dolara sat\u0131lmas\u0131yla bir rekor k\u0131rd\u0131 ve \u00f6nceki rekoru %25 a\u015ft\u0131. Bu sat\u0131n alma, sanat koleksiyonu pazar\u0131ndaki artan fiyatlar\u0131 ve yo\u011fun rekabeti vurgulamaktad\u0131r.<\/p>\n\n
S\u00f6z konusu sanat eseri, karma\u015f\u0131k bir ge\u00e7mi\u015fe sahip bir portre olan Gauguin’in “Nafea Faa Ipoipo (Kiminle Evleneceksin?)” adl\u0131 eseridir. Bir zamanlar Sotheby’s’in eski y\u00f6neticisi Rudolf Staechelin’in \u00fcnl\u00fc koleksiyonunun bir par\u00e7as\u0131yd\u0131. Staechelin, tabloyu neredeyse be\u015f on y\u0131l boyunca Kunstmuseum Basel’e c\u00f6mert\u00e7e \u00f6d\u00fcn\u00e7 vermi\u015fti.<\/p>\n\n
Ancak Staechelin ile m\u00fczenin y\u00f6netimi aras\u0131nda \u00f6d\u00fcn\u00e7 verme ko\u015fullar\u0131 konusunda \u00e7\u0131kan bir anla\u015fmazl\u0131k, onu t\u00fcm koleksiyonunu geri \u00e7ekmeye y\u00f6neltti.<\/p>\n\n
Gauguin i\u00e7in astronomik bir fiyat \u00f6deyen al\u0131c\u0131n\u0131n kimli\u011fi do\u011frulanmad\u0131. S\u00f6ylentiler, pahal\u0131 sanat eserlerini agresif bir \u015fekilde sat\u0131n alan Katar’daki bir m\u00fcze oldu\u011funu \u00f6ne s\u00fcr\u00fcyor. Ne sat\u0131c\u0131 ne de m\u00fcze, tablonun gidece\u011fi yeri resmi olarak a\u00e7\u0131klamad\u0131.<\/p>\n\n
“Nafea Faa Ipoipo”nun sat\u0131\u015f\u0131, yar\u0131m y\u00fczy\u0131ld\u0131r sergilendi\u011fi Basel’de bir bo\u015fluk b\u0131rakt\u0131. \u015eehrin sakinleri, b\u00f6ylesine de\u011ferli bir par\u00e7ay\u0131 kaybettikleri i\u00e7in derinden \u00fcz\u00fcld\u00fcler. Olay, kal\u0131c\u0131 \u00f6d\u00fcn\u00e7lerin bile nihayetinde ge\u00e7ici oldu\u011funa dair ac\u0131mas\u0131z bir hat\u0131rlat\u0131c\u0131 g\u00f6revi g\u00f6r\u00fcyor.<\/p>\n\n
Gauguin’in ba\u015fyap\u0131t\u0131n\u0131n sat\u0131\u015f\u0131, sanat piyasas\u0131ndaki y\u00fckselen fiyatlar\u0131 yans\u0131t\u0131yor. Koleksiyoncular, de\u011ferli eserler edinmeye hevesli ve finansal olarak neyin m\u00fcmk\u00fcn oldu\u011fu konusundaki s\u0131n\u0131rlar\u0131 zorluyorlar.<\/p>\n\n
Sanat piyasas\u0131 patlama ya\u015farken, m\u00fczeler yeni zorluklarla kar\u015f\u0131 kar\u015f\u0131ya kal\u0131yor. \u00d6z\u00e7ekim \u00e7ubuklar\u0131n\u0131n yayg\u0131nla\u015fmas\u0131, paha bi\u00e7ilmez koleksiyonlar\u0131n korunmas\u0131 konusunda endi\u015felere yol a\u00e7t\u0131. Bir\u00e7ok m\u00fcze, eserlerini olas\u0131 hasarlardan korumak i\u00e7in yasaklar getirdi.<\/p>\n\n
Gauguin’in “Nafea Faa Ipoipo”su, Empresyonizm ve Post-Empresyonizm’in kal\u0131c\u0131 g\u00fcc\u00fcn\u00fcn bir kan\u0131t\u0131d\u0131r. Bu sanat ak\u0131mlar\u0131, sanat\u00e7\u0131lar\u0131n \u0131\u015f\u0131k ve rengi tasvir etme bi\u00e7iminde devrim yaratarak sanat d\u00fcnyas\u0131nda kal\u0131c\u0131 bir miras b\u0131rakt\u0131.<\/p>\n\n
\u00d6zel koleksiyonlar, sanat\u0131n korunmas\u0131 ve takdir edilmesinde hayati bir rol oynar. Genelde halka a\u00e7\u0131k olmayan ba\u015fyap\u0131tlar\u0131 bar\u0131nd\u0131r\u0131rlar. Ancak “Nafea Faa Ipoipo”nun sat\u0131\u015f\u0131, \u00f6zel koleksiyonlar\u0131n ge\u00e7ici do\u011fas\u0131n\u0131 da g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\n\n
Gauguin’in “Nafea Faa Ipoipo”sunun sat\u0131\u015f\u0131, sanat d\u00fcnyas\u0131nda bir d\u00f6n\u00fcm noktas\u0131d\u0131r. Ba\u015fyap\u0131tlara olan doyumsuz talebi, m\u00fczelerin kar\u015f\u0131la\u015ft\u0131\u011f\u0131 zorluklar\u0131 ve etkili sanat ak\u0131mlar\u0131n\u0131n kal\u0131c\u0131 miras\u0131n\u0131 vurgulamaktad\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"
Gauguin’in “Nafea Faa Ipoipo”su: Sat\u0131lm\u0131\u015f En Pahal\u0131 Tablo Arka Plan Bu hafta g\u00fczel sanatlar d\u00fcnyas\u0131, bir Gauguin tablosunun yakla\u015f\u0131k 300 milyon dolara sat\u0131lmas\u0131yla bir rekor k\u0131rd\u0131 ve \u00f6nceki rekoru %25…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[710],"tags":[2253,7922,1337,19762,19760,2254,19761,104,8629,19763],"class_list":["post-14746","post","type-post","status-publish","format-standard","hentry","category-art-history","tag-impressionism","tag-fine-art","tag-museum-collections","tag-private-collections","tag-gauguin","tag-post-impressionism","tag-art-market","tag-art-history","tag-art-preservation","tag-selfie-sticks"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/14746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=14746"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/14746\/revisions"}],"predecessor-version":[{"id":14747,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/14746\/revisions\/14747"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=14746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=14746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=14746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}