Amerikal\u0131 bir sanat uzman\u0131 olan Charles Lang Freer, sanatta m\u00fckemmellik aray\u0131\u015f\u0131na amans\u0131zca ba\u011fl\u0131yd\u0131. Bu tak\u0131nt\u0131, Asya ve Amerikan sanat\u0131n\u0131n dikkate de\u011fer bir koleksiyonunun titizlikle bir araya getirilmesine rehberlik etti. Freer, estetik bir ruhun zaman ve co\u011frafyay\u0131 a\u015farak, \u00e7e\u015fitli nesneleri uyumlu bir b\u00fct\u00fcn halinde birle\u015ftirdi\u011fine inan\u0131yordu.<\/p>\n\n
1904’te Freer, koleksiyonunu Smithsonian Enstit\u00fcs\u00fc’ne sundu. Ba\u015flang\u0131\u00e7ta teredd\u00fct eden Smithsonian, sonunda Freer’in ba\u011f\u0131\u015f\u0131n\u0131 kabul etti ve 1906’da ilk sanat m\u00fczesini kurdu. Freer, hayat\u0131n\u0131n geri kalan\u0131n\u0131 koleksiyonu geli\u015ftirerek, nesnelerin g\u00fczelli\u011fini ve uyumunu tamamlayacak fiziksel bir ortam arayarak ge\u00e7irdi.<\/p>\n\n
Freer, koleksiyonunu bar\u0131nd\u0131rmak i\u00e7in \u0130talyan R\u00f6nesans tarz\u0131nda bir bina tasarlamas\u0131 i\u00e7in mimar Charles Platt’\u0131 g\u00f6revlendirdi. Smithsonian Kalesi’ne biti\u015fik olan, ortaya \u00e7\u0131kan granit yap\u0131, 1923’te Freer Sanat Galerisi olarak a\u00e7\u0131ld\u0131. 1990’lardaki b\u00fcy\u00fck bir restorasyon, orijinal g\u00fczelli\u011fini korudu.<\/p>\n\n
Freer ba\u015flang\u0131\u00e7ta ba\u011f\u0131\u015f\u0131na, b\u00fcy\u00fcmeyi, \u00f6d\u00fcn\u00e7 vermeyi veya d\u0131\u015f nesnelerin sergilenmesini yasaklayan kat\u0131 k\u0131s\u0131tlamalar getirdi. Ancak daha sonra koleksiyonun Asya b\u00f6l\u00fcm\u00fcne eklemeler yap\u0131lmas\u0131na izin verdi. Freer, m\u00fckemmellik idealine uymad\u0131\u011f\u0131n\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc modernist esteti\u011fe direnmekte kararl\u0131 kald\u0131.<\/p>\n\n
1987’de Smithsonian, Freer ile ba\u011flant\u0131l\u0131 ikinci bir Asya sanat\u0131 m\u00fczesi olan Arthur M. Sackler Galerisi’ni a\u00e7t\u0131. Freer’in aksine, Sackler’in \u00f6d\u00fcn\u00e7 verme veya nesne sergileme konusunda hi\u00e7bir k\u0131s\u0131tlamas\u0131 yoktu. \u0130ki m\u00fcze birbirini tamaml\u0131yor ve her birinin kendine \u00f6zg\u00fc g\u00fc\u00e7l\u00fc y\u00f6nleri vard\u0131.<\/p>\n\n
May\u0131s ay\u0131nda, Julian Raby, Freer ve Sackler Galerileri’nin yeni direkt\u00f6r\u00fc oldu. Bir akademisyen, k\u00fcrat\u00f6r ve yay\u0131nc\u0131 olarak sahip oldu\u011fu \u00e7e\u015fitli deneyimleriyle Raby, Asya sanat\u0131 i\u00e7in izleyici kitlesini geni\u015fletmeyi hedefliyor. Ara\u015ft\u0131rman\u0131n, sergilerin ve Amerikan halk\u0131na eri\u015fimin \u00f6nemini vurguluyor.<\/p>\n\n
Freer ve Sackler Galerileri birlikte, ulusal Asya sanat\u0131 m\u00fczesini olu\u015fturmaktad\u0131r. Sackler’in daha esnek \u00f6d\u00fcn\u00e7 verme politikas\u0131na ra\u011fmen, Freer’in koleksiyonunun \u00f6nemli bir k\u0131sm\u0131 ideal ortam\u0131nda kal\u0131c\u0131 olarak bar\u0131nd\u0131r\u0131lmaktad\u0131r.<\/p>\n\n
Freer Galerisi’nin Asya koleksiyonlar\u0131, Freer’in \u00f6l\u00fcm\u00fcnden bu yana \u00f6nemli \u00f6l\u00e7\u00fcde b\u00fcy\u00fcd\u00fc. K\u00fcrat\u00f6rler ve akademisyenler, yeni nesneleri titizlikle ara\u015ft\u0131r\u0131p sat\u0131n alarak, orijinal koleksiyonla sorunsuz bir entegrasyon sa\u011flad\u0131lar. Galerinin \u00e7e\u015fitli koleksiyonu bronzlar, ye\u015fim ta\u015flar\u0131, paravanlar, par\u015f\u00f6menler, seramikler, resimler ve metal i\u015flerini i\u00e7ermektedir.<\/p>\n\n
Freer’in m\u00fckemmelli\u011fe olan sars\u0131lmaz inanc\u0131, Asya sanat\u0131 d\u00fcnyas\u0131nda kal\u0131c\u0131 bir iz b\u0131rakt\u0131. Koleksiyonu ve Freer Sanat Galerisi, ziyaret\u00e7ilere ilham vermeye ve onlar\u0131 e\u011fitmeye devam ederek, zaman ve co\u011frafyay\u0131 a\u015fan g\u00fczelli\u011fi, uyumu ve k\u00fclt\u00fcrel ba\u011flant\u0131lar\u0131 sergiliyor.<\/p>","protected":false},"excerpt":{"rendered":"
Sanatta M\u00fckemmellik: Freer Sanat Galerisi Freer’in M\u00fckemmellik Aray\u0131\u015f\u0131 Amerikal\u0131 bir sanat uzman\u0131 olan Charles Lang Freer, sanatta m\u00fckemmellik aray\u0131\u015f\u0131na amans\u0131zca ba\u011fl\u0131yd\u0131. Bu tak\u0131nt\u0131, Asya ve Amerikan sanat\u0131n\u0131n dikkate de\u011fer bir…<\/p>\n","protected":false},"author":2,"featured_media":24987,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16743],"tags":[3726,21645,21647,63,2524,21646,27],"class_list":["post-16321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-asian-art","tag-american-art","tag-asian-art","tag-freer-gallery-of-art","tag-culture","tag-museum","tag-perfection","tag-history"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=16321"}],"version-history":[{"count":2,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16321\/revisions"}],"predecessor-version":[{"id":24988,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16321\/revisions\/24988"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media\/24987"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=16321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=16321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=16321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}