1979’da Sovyet i\u015fgalinin arifesinde Steve McCurry, ilk kez Afganistan’a yerli bir kabile \u00fcyesi k\u0131l\u0131\u011f\u0131nda girdi. Sovyetlerin \u00e7ekilmesinden sonra \u00fclkenin yeniden uyan\u0131\u015f\u0131n\u0131 belgelemek i\u00e7in 1992’de geri d\u00f6nd\u00fc. Ba\u015fkent Kabil, geleneksel k\u0131yafetlerin modern ko\u015fu ayakkab\u0131lar\u0131yla harmanland\u0131\u011f\u0131, z\u0131tl\u0131klar \u015fehriydi.<\/p>\n\n
Bir g\u00fcn McCurry al\u0131\u015f\u0131lmad\u0131k bir manzarayla kar\u015f\u0131la\u015ft\u0131: 1959’dan kalma eski bir \u015eevrolet taksi. Canl\u0131 sar\u0131ya boyanm\u0131\u015f araba, yolcularla dolu halde, solgun sokaklarda ilerliyordu. McCurry, bu Amerikan ikonunun sava\u015f\u0131n y\u0131kt\u0131\u011f\u0131 \u015fehirdeki tezat\u0131ndan \u00e7ok etkilendi.<\/p>\n\n
McCurry, \u015eevroletin bagaj\u0131nda Afganistan’da s\u0131kl\u0131kla \u00f6tekile\u015ftirilen \u015eii M\u00fcsl\u00fcman az\u0131nl\u0131\u011f\u0131 Hazara’dan gen\u00e7 bir grup \u00e7ocuk fark etti. Okuldan evlerine d\u00f6nen \u00e7ocuklar\u0131n y\u00fczleri masumiyet ve dayan\u0131kl\u0131l\u0131\u011f\u0131n bir kar\u0131\u015f\u0131m\u0131yd\u0131. McCurry bu an\u0131, en ikonik foto\u011fraflar\u0131ndan biri haline gelecek bir kareyle \u00f6l\u00fcms\u00fczle\u015ftirdi.<\/p>\n\n
Hazaralar, Afganistan tarihi boyunca ayr\u0131mc\u0131l\u0131\u011fa ve zulme maruz kalm\u0131\u015ft\u0131r. Diren\u00e7lerine ra\u011fmen, \u00e7o\u011fu zaman di\u011fer etnik gruplar\u0131n \u015fakalar\u0131na ve \u00f6nyarg\u0131lar\u0131na maruz kalm\u0131\u015flard\u0131r. McCurry’nin foto\u011fraf\u0131, bu az\u0131nl\u0131k toplulu\u011funun kar\u015f\u0131la\u015ft\u0131\u011f\u0131 zorluklar\u0131 g\u00f6zler \u00f6n\u00fcne seriyor.<\/p>\n\n
McCurry, Afganistan’a sava\u015f\u0131n ve \u00e7at\u0131\u015fman\u0131n damgas\u0131n\u0131 vurdu\u011fu onlarca y\u0131la tan\u0131kl\u0131k etti. M\u00fccahit sava\u015f\u00e7\u0131lar, sava\u015f a\u011falar\u0131 ve ABD askerleriyle seyahat ederek sava\u015f\u0131n insan maliyetini belgeledi. 1992’de Kabil’de bir roket sald\u0131r\u0131s\u0131 s\u0131ras\u0131nda, d\u0131\u015far\u0131daki kaostan hem deh\u015fete kap\u0131lm\u0131\u015f hem de habersiz hastalarla kar\u015f\u0131la\u015ft\u0131\u011f\u0131 bir ak\u0131l hastanesinde s\u0131\u011f\u0131nd\u0131.<\/p>\n\n
Sovyetlerin \u00e7ekilmesinin ard\u0131ndan Afganistan i\u00e7 sava\u015fa s\u00fcr\u00fcklendi ve sonunda Taliban y\u00f6netimi ele ge\u00e7irdi. McCurry, Taliban’\u0131n devrilmesinden sonra \u00fclkeye geri d\u00f6nd\u00fc ve yeniden yap\u0131lanma ve uzla\u015fman\u0131n zorluklar\u0131na tan\u0131k oldu. Ayr\u0131ca, \u00fclkeye hem umut hem de belirsizlik getiren devam eden Amerikan m\u00fcdahalesini de belgeledi.<\/p>\n\n
McCurry, Afganistan’\u0131n say\u0131s\u0131z d\u00f6n\u00fc\u015f\u00fcme u\u011frad\u0131\u011f\u0131n\u0131 g\u00f6rd\u00fc. Sovyet i\u015fgalinden Taliban rejimine ve Amerikan varl\u0131\u011f\u0131na kadar \u00fclke k\u00f6kl\u00fc de\u011fi\u015fimler ya\u015fad\u0131. McCurry’nin foto\u011fraflar\u0131, bu \u00e7alkant\u0131l\u0131 ve ge\u00e7i\u015f anlar\u0131n\u0131 yakalayarak Afgan halk\u0131n\u0131n dayan\u0131kl\u0131l\u0131\u011f\u0131na ve uyum yetene\u011fine \u0131\u015f\u0131k tutuyor.<\/p>\n\n
McCurry’nin \u00e7al\u0131\u015fmalar\u0131, Afganistan’\u0131 anlamam\u0131zda hayati bir rol oynad\u0131. Foto\u011fraflar\u0131, \u00fclkenin g\u00fczelli\u011fini ve trajedisini yakalayarak, man\u015fetlerin ard\u0131ndaki insan hikayelerini g\u00f6zler \u00f6n\u00fcne serdi. Onun objektifinden, Afgan halk\u0131n\u0131n direncine, m\u00fccadelelerine ve gelece\u011fe y\u00f6nelik umutlar\u0131na tan\u0131kl\u0131k ediyoruz.<\/p>","protected":false},"excerpt":{"rendered":"
Steve McCurry’nin Afganistan\u0131: Bir foto\u011fraf\u00e7\u0131n\u0131n yolculu\u011fu \u0130lk Kar\u015f\u0131la\u015fmalar 1979’da Sovyet i\u015fgalinin arifesinde Steve McCurry, ilk kez Afganistan’a yerli bir kabile \u00fcyesi k\u0131l\u0131\u011f\u0131nda girdi. Sovyetlerin \u00e7ekilmesinden sonra \u00fclkenin yeniden uyan\u0131\u015f\u0131n\u0131 belgelemek…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19203],"tags":[1563,243,4241,8590,21656,21655],"class_list":["post-16332","post","type-post","status-publish","format-standard","hentry","category-photojournalism","tag-afghanistan","tag-resilience","tag-photojournalism","tag-humanity","tag-war-and-conflict","tag-steve-mccurry"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16332","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=16332"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16332\/revisions"}],"predecessor-version":[{"id":16333,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16332\/revisions\/16333"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=16332"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=16332"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=16332"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}