{"id":16624,"date":"2019-02-09T07:37:08","date_gmt":"2019-02-09T07:37:08","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=16624"},"modified":"2019-02-09T07:37:08","modified_gmt":"2019-02-09T07:37:08","slug":"saving-punjab-a-sikh-architects-mission-to-preserve-cultural-heritage","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/art\/architectural-preservation\/saving-punjab-a-sikh-architects-mission-to-preserve-cultural-heritage\/","title":{"rendered":"Bir Sih Mimar\u0131n Miras\u0131 Kurtarma Misyonu: Pencap&#8217;\u0131n Tarihi Hazinelerinin Korunmas\u0131"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Pencap&#8217;\u0131n Miras\u0131n\u0131 Kurtarmak: Bir Sih Mimar\u0131n Misyonu<\/h2>\n\n<h2 class=\"wp-block-heading\">Pencap&#8217;ta Tarihi Koruma<\/h2>\n\n<p>Kuzey Hindistan&#8217;da bir eyalet olan Pencap, y\u00fczy\u0131llar s\u00fcren tarih boyunca \u015fekillenmi\u015f zengin bir k\u00fclt\u00fcrel mirasa ev sahipli\u011fi yapmaktad\u0131r. Ancak Pencap&#8217;\u0131n tarihi yerlerinin \u00e7o\u011fu ihmal, \u00e7\u00fcr\u00fcme ve geli\u015ftirme tehdidi alt\u0131ndad\u0131r.<\/p>\n\n<p>Bu miras\u0131 koruma konusundaki \u00f6nemin fark\u0131nda olarak Sih mimar Gurmeet Rai, kariyerini Pencap&#8217;\u0131n k\u00fclt\u00fcrel hazinelerini korumaya adam\u0131\u015ft\u0131r. K\u00fclt\u00fcrel Kaynak Koruma Giri\u015fimi&#8217;ndeki (CRCI) \u00e7al\u0131\u015fmalar\u0131yla eyalet genelinde y\u00fczlerce tarihi yap\u0131y\u0131 belgeleme, restore etme ve koruma \u00e7abalar\u0131na \u00f6nc\u00fcl\u00fck etmi\u015ftir.<\/p>\n\n<h2 class=\"wp-block-heading\">B\u00fcy\u00fck Anayol: Tarihi Bir Yolculuk<\/h2>\n\n<p>Rai&#8217;nin b\u00fcy\u00fck projelerinden biri de Pencap&#8217;tan ge\u00e7en eski bir ticaret yolu olan B\u00fcy\u00fck Anayol&#8217;un korunmas\u0131 olmu\u015ftur. Yol, saraylar, kuyular, tap\u0131naklar, kiliseler ve t\u00fcrbeler gibi tarihi an\u0131tlarla doludur.<\/p>\n\n<p>Rai&#8217;nin ekibi, B\u00fcy\u00fck Anayol boyunca 1.100&#8217;den fazla tarihi a\u00e7\u0131dan \u00f6nemli yap\u0131y\u0131 belgelemi\u015ftir. Bu alanlar hakk\u0131nda fark\u0131ndal\u0131k yaratmak ve restorasyonlar\u0131 i\u00e7in fon sa\u011flamak i\u00e7in \u00e7al\u0131\u015f\u0131yorlar.<\/p>\n\n<h2 class=\"wp-block-heading\">Gobindgarh: Restore Edilmi\u015f Bir Sih Kalesi<\/h2>\n\n<p>Amritsar&#8217;da bulunan 18. y\u00fczy\u0131l Sih kalesi Gobindgarh, Rai&#8217;nin korunmas\u0131na yard\u0131mc\u0131 oldu\u011fu bir di\u011fer \u00f6nemli tarihi mekand\u0131r. Kale eski ihti\u015fam\u0131na kavu\u015fturulmu\u015f ve art\u0131k bir m\u00fcze ve k\u00fclt\u00fcr merkezi olarak hizmet vermektedir.<\/p>\n\n<p>Rai&#8217;nin Gobindgarh&#8217;\u0131 koruma \u00e7abalar\u0131 zorluklar olmadan ger\u00e7ekle\u015fmedi. Baz\u0131 geli\u015ftiriciler kaleyi l\u00fcks bir otele d\u00f6n\u00fc\u015ft\u00fcrmeyi \u00f6nerdi; bu, bu \u00f6nemli tarihi mekana halk\u0131n eri\u015fimini k\u0131s\u0131tlayacakt\u0131r. Ancak Rai, Gobindgarh&#8217;\u0131 t\u00fcm Pencap halk\u0131na ve ziyaret\u00e7ilere a\u00e7\u0131k tutmakta kararl\u0131d\u0131r.<\/p>\n\n<h2 class=\"wp-block-heading\">Wagah S\u0131n\u0131r Kap\u0131s\u0131: G\u00fcnl\u00fck Bayrak \u0130ndirme T\u00f6reni<\/h2>\n\n<p>Hindistan ve Pakistan s\u0131n\u0131r\u0131nda bulunan Wagah, iki Pencap aras\u0131ndaki tek s\u0131n\u0131r ge\u00e7i\u015f noktas\u0131d\u0131r. Her ak\u015fam Wagah&#8217;ta, s\u0131n\u0131r\u0131n her iki taraf\u0131ndan gelen y\u00fczlerce seyirciyi kendine \u00e7eken bir bayrak indirme t\u00f6reni d\u00fczenleniyor.<\/p>\n\n<p>T\u00f6ren hem etkileyici hem de g\u00fcl\u00fcn\u00e7, her iki \u00fclkeden askerler fiziksel g\u00fc\u00e7 g\u00f6sterileriyle birlikte y\u00fcr\u00fcy\u00fc\u015f yap\u0131yor ve rekabet ediyor. Hindistan ve Pakistan aras\u0131ndaki devam eden gerilimlere ra\u011fmen, t\u00f6ren her iki \u00fclkeden gelen insanlara birlik ve ortak deneyim an\u0131 sunmaktad\u0131r.<\/p>\n\n<h2 class=\"wp-block-heading\">Guru ki Mesiti: Ortak Bir Kutsal Alan<\/h2>\n\n<p>Sri Hargobindpur kasabas\u0131nda bulunan Guru ki Mesiti, Pencap&#8217;ta dinler aras\u0131 uyumun e\u015fsiz bir \u00f6rne\u011fidir. Cami 17. y\u00fczy\u0131lda Sihler taraf\u0131ndan yapt\u0131r\u0131lm\u0131\u015f ve o zamandan beri Nihang Sihleri taraf\u0131ndan korunmaktad\u0131r.<\/p>\n\n<p>1947 B\u00f6l\u00fcnmesi&#8217;nde, Sri Hargobindpur&#8217;da ya\u015fayan t\u00fcm M\u00fcsl\u00fcmanlar Pakistan&#8217;a ka\u00e7mak zorunda kald\u0131. Ancak Nihang Sihleri, caminin terk edilmesine veya y\u0131k\u0131lmas\u0131na izin vermeyi reddetti. Camii, dinine bak\u0131lmaks\u0131z\u0131n herkes i\u00e7in bir ibadet yeri olarak kalaca\u011f\u0131n\u0131 ilan ettiler.<\/p>\n\n<p>Bug\u00fcn Guru ki Mesiti, Pencap&#8217;ta Sihler ve M\u00fcsl\u00fcmanlar aras\u0131nda bir zamanlar var olan ortak tarihin ve kar\u015f\u0131l\u0131kl\u0131 sayg\u0131n\u0131n bir sembol\u00fcd\u00fcr. \u00c7at\u0131\u015fma zamanlar\u0131nda bile ortak zemin bulman\u0131n ve ortak miras\u0131 korumak i\u00e7in birlikte \u00e7al\u0131\u015fman\u0131n m\u00fcmk\u00fcn oldu\u011funu hat\u0131rlat\u0131r.<\/p>\n\n<h2 class=\"wp-block-heading\">Di\u011fer \u00d6nemli \u00c7abalar<\/h2>\n\n<p>B\u00fcy\u00fck Anayol, Gobindgarh, Wagah S\u0131n\u0131r Kap\u0131s\u0131 ve Guru ki Mesiti&#8217;ndeki \u00e7al\u0131\u015fmas\u0131n\u0131n yan\u0131 s\u0131ra Rai, Pencap&#8217;taki di\u011fer bir\u00e7ok tarihi sitin restorasyonunda da yer alm\u0131\u015ft\u0131r, bunlar \u015funlar\u0131 i\u00e7erir:<\/p>\n\n<ul class=\"wp-block-list\">\n<li>Sih gurdwaralar\u0131, Sihlerin ibadet yerleridir<\/li>\n<li>Hindular\u0131n ibadet yerleri olan Hindu tap\u0131naklar\u0131<\/li>\n<li>H\u0131ristiyanlar\u0131n ibadet yerleri olan H\u0131ristiyan kiliseleri<\/li>\n<li>1919 Amritsar katliam\u0131n\u0131n kurbanlar\u0131na bir an\u0131t olan Jallianwala Bagh<\/li>\n<li>Sih askerlerinin cesaretine ve fedakarl\u0131klar\u0131na \u00f6vg\u00fcde bulunan Sih Sava\u015f M\u00fczesi<\/li>\n<li>Bu Sih sava\u015f\u00e7\u0131 d\u00fczeninin ba\u011fl\u0131l\u0131\u011f\u0131n\u0131 ve sava\u015f becerilerini sergileyen Nihang Sihlerin y\u0131ll\u0131k mitingi<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Sonu\u00e7<\/h2>\n\n<p>Gurmeet Rai&#8217;nin Pencap&#8217;\u0131n k\u00fclt\u00fcrel miras\u0131n\u0131 koruma \u00e7al\u0131\u015fmas\u0131, eyaletin zengin tarihi ve geleneklerini s\u00fcrd\u00fcrmek i\u00e7in hayati \u00f6nem ta\u015f\u0131maktad\u0131r. \u00c7abalar\u0131yla gelecek nesil Pencap halk\u0131n\u0131n atalar\u0131n\u0131n geride b\u0131rakt\u0131\u011f\u0131 mimari ve tarihi hazineleri takdir etmelerini ve onlardan \u00f6\u011frenmelerini sa\u011flamaya yard\u0131mc\u0131 olmaktad\u0131r.<\/p>","protected":false},"excerpt":{"rendered":"<p>Pencap&#8217;\u0131n Miras\u0131n\u0131 Kurtarmak: Bir Sih Mimar\u0131n Misyonu Pencap&#8217;ta Tarihi Koruma Kuzey Hindistan&#8217;da bir eyalet olan Pencap, y\u00fczy\u0131llar s\u00fcren tarih boyunca \u015fekillenmi\u015f zengin bir k\u00fclt\u00fcrel mirasa ev sahipli\u011fi yapmaktad\u0131r. Ancak Pencap&#8217;\u0131n&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[22001],"tags":[817,89,297,21999,6120,22000,27],"class_list":["post-16624","post","type-post","status-publish","format-standard","hentry","category-architectural-preservation","tag-preservation","tag-cultural-heritage","tag-architecture","tag-punjab","tag-restoration","tag-sikhism","tag-history"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16624","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=16624"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16624\/revisions"}],"predecessor-version":[{"id":16625,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16624\/revisions\/16625"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=16624"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=16624"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=16624"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}