Paris’te ya\u015fayan yazar ve tarih\u00e7i Richard Covington, kariyerini k\u00fclt\u00fcrel ve tarihi konular\u0131 incelemeye adam\u0131\u015ft\u0131r. Son projesi, \u00e7o\u011funlukla \u00e7at\u0131\u015fma ve istikrars\u0131zl\u0131kla ili\u015fkilendirilen bir \u00fclke olan Afganistan’\u0131n zengin k\u00fclt\u00fcrel miras\u0131n\u0131 ara\u015ft\u0131r\u0131yor.<\/p>\n\n
Covington’un \u00fclkenin gizli hazinelerine olan ilgisi, Paris’teki Guimet M\u00fczesi’ni ziyaret etti\u011finde ba\u015flad\u0131. Sergilenen eserler, genellikle Afganistan ile ili\u015fkilendirilen olumsuz man\u015fetlerle tezat olu\u015fturan canl\u0131 ve sofistike bir ge\u00e7mi\u015fi ortaya koyuyordu.<\/p>\n\n
Afganistan’\u0131n k\u00fclt\u00fcrel miras\u0131n\u0131n kalbinde, Kabil’deki Ulusal M\u00fcze yer almaktad\u0131r. Devam eden \u00e7at\u0131\u015fmaya ra\u011fmen, m\u00fczenin m\u00fcd\u00fcr\u00fc Omara Khan Masoudi ve ekibi, \u00fclkenin tehlike alt\u0131ndaki sanatsal hazinelerini korumak i\u00e7in hayatlar\u0131n\u0131 riske att\u0131lar.<\/p>\n\n
Covington, eski Afgan g\u00f6\u00e7ebelerinin inan\u0131lmaz i\u015f\u00e7ili\u011fini ve sanatsal yeteneklerini sergileyen Baktriya alt\u0131n tak\u0131lar\u0131ndan \u00f6zellikle etkilendi. \u0130nce oymalar ve tuhaf tasar\u0131mlar, b\u00fcy\u00fck \u00f6l\u00e7\u00fcde ke\u015ffedilmemi\u015f sofistike bir k\u00fclt\u00fcre i\u015faret ediyordu.<\/p>\n\n
Ne yaz\u0131k ki Afganistan’\u0131n k\u00fclt\u00fcrel miras\u0131 say\u0131s\u0131z zorlukla kar\u015f\u0131 kar\u015f\u0131yad\u0131r. S\u00fcregelen \u00e7at\u0131\u015fma, arkeolojik alanlar\u0131n ya\u011fmalanmas\u0131na ve eserlerin ka\u00e7ak\u00e7\u0131l\u0131\u011f\u0131na yol a\u00e7t\u0131. Taliban’\u0131n yeniden canlanmas\u0131, arkeolojik ara\u015ft\u0131rmalar\u0131 ve yerel arkeologlar\u0131n e\u011fitimini daha da engelledi.<\/p>\n\n
Covington, Taliban taraf\u0131ndan “sapk\u0131n” sanat eserlerinin s\u00fcrekli olarak yok edilmesine dikkat \u00e7ekiyor. Bu uygulama Afganistan’a \u00f6zg\u00fc de\u011fildir, zira tarih, k\u00fclt\u00fcrel eserlerin \u00e7o\u011fu zaman de\u011fi\u015fen ahlaki ve estetik de\u011ferlerin kurban\u0131 oldu\u011funu g\u00f6stermi\u015ftir.<\/p>\n\n
Covington, bu zorluklara ra\u011fmen uluslararas\u0131 toplumun Afganistan’\u0131n k\u00fclt\u00fcrel miras\u0131n\u0131 koruma sorumlulu\u011fu oldu\u011funa inan\u0131yor. \u0130talya Ba\u015fbakan\u0131 Silvio Berlusconi’nin bir Tiepolo \u00e7\u0131pla\u011f\u0131n\u0131 r\u00f6tu\u015flamas\u0131 ve Hitler’in “yozla\u015fm\u0131\u015f sanat\u0131” yasaklamas\u0131 gibi \u00f6rnekler veriyor.<\/p>\n\n
Covington, bir sanat eserinin yasaklansa veya \u00fczeri \u00f6rt\u00fclse bile zaman\u0131n sonunda ger\u00e7e\u011fi ortaya \u00e7\u0131kard\u0131\u011f\u0131n\u0131 savunuyor. Ancak s\u0131k\u0131nt\u0131 kar\u015f\u0131s\u0131nda k\u00fclt\u00fcrel miras\u0131 korumak ve tan\u0131tmak i\u00e7in sava\u015fman\u0131n \u00f6nemini vurguluyor.<\/p>\n\n
Covington’un son projesi, y\u00fczy\u0131llar boyunca Asya, Avrupa ve Afrika’y\u0131 birbirine ba\u011flayan bir ticaret yollar\u0131 a\u011f\u0131 olan \u0130pek Yolu’nun k\u00fclt\u00fcrel d\u00f6n\u00fc\u015f\u00fcm\u00fcn\u00fc ara\u015ft\u0131r\u0131yor. Yol boyunca bulunan b\u00f6lgelerin k\u00fclt\u00fcrlerini \u015fekillendiren fikir, mal ve teknolojilerin de\u011fi\u015fimine dikkat \u00e7ekiyor.<\/p>\n\n
Covington’un \u0130pek Yolu ara\u015ft\u0131rmas\u0131, insanl\u0131k tarihinin birbirine ba\u011fl\u0131l\u0131\u011f\u0131n\u0131 ve k\u00fclt\u00fcrel de\u011fi\u015fimin kal\u0131c\u0131 miras\u0131n\u0131 ayd\u0131nlat\u0131yor.<\/p>\n\n
Richard Covington’un Afganistan’\u0131n k\u00fclt\u00fcrel miras\u0131 \u00fczerine \u00e7al\u0131\u015fmas\u0131, insanl\u0131\u011f\u0131n \u00e7e\u015fitli k\u00fclt\u00fcrel ifadelerini koruma ve kutlaman\u0131n \u00f6nemini hat\u0131rlat\u0131yor. Afganistan’\u0131n kar\u015f\u0131 kar\u015f\u0131ya oldu\u011fu zorluklara ra\u011fmen, zengin tarihi ve sanatsal hazineleri d\u00fcnyay\u0131 ilhamland\u0131rmaya ve zenginle\u015ftirmeye devam ediyor.<\/p>","protected":false},"excerpt":{"rendered":"
Richard Covington Afganistan’\u0131n K\u00fclt\u00fcrel Hazineleri \u00dczerine Afganistan’\u0131n Zengin K\u00fclt\u00fcrel Miras\u0131 Paris’te ya\u015fayan yazar ve tarih\u00e7i Richard Covington, kariyerini k\u00fclt\u00fcrel ve tarihi konular\u0131 incelemeye adam\u0131\u015ft\u0131r. Son projesi, \u00e7o\u011funlukla \u00e7at\u0131\u015fma ve istikrars\u0131zl\u0131kla…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1187],"tags":[1563,22224,1164,22225,817,89],"class_list":["post-16803","post","type-post","status-publish","format-standard","hentry","category-culture-and-history","tag-afghanistan","tag-bactrian-gold","tag-conflict","tag-silk-road","tag-preservation","tag-cultural-heritage"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16803","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=16803"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16803\/revisions"}],"predecessor-version":[{"id":16804,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16803\/revisions\/16804"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=16803"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=16803"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=16803"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}