1897 y\u0131l\u0131nda New Orleans’ta do\u011fan Sidney Bechet, 13 ya\u015f\u0131nda profesyonel olarak sahne almaya ba\u015flayan bir m\u00fczik dehas\u0131yd\u0131. Caz m\u00fczi\u011finin geli\u015fiminde, t\u00fcr daha yayg\u0131n bir isim bile almadan \u00f6nce \u00f6nemli bir rol oynad\u0131.<\/p>\n\n
Zaman\u0131n\u0131n di\u011fer New Orleans m\u00fczisyenlerinin aksine Bechet, daha pop\u00fcler olan kornet yerine klarnet ve soprano saksafon \u00e7almay\u0131 tercih etti. E\u015fsiz sesi ve do\u011fa\u00e7lama stili, onu ilk b\u00fcy\u00fck caz solistlerinden biri olarak \u00f6ne \u00e7\u0131kard\u0131.<\/p>\n\n
1917’de caz\u0131n ulusal do\u011fu\u015fu olarak kabul edilen “jass” kayd\u0131 yay\u0131nland\u0131. Bu olay caz m\u00fczisyenlerine olan talebin artmas\u0131na neden oldu ve Bechet, New Orleans’l\u0131 bir\u00e7ok \u00e7a\u011fda\u015f\u0131yla birlikte i\u015f bulmak i\u00e7in \u015fehirden ayr\u0131ld\u0131.<\/p>\n\n
Bechet’in yolculu\u011fu onu Chicago’ya ve sonunda yenilik\u00e7i m\u00fczi\u011fine daha a\u00e7\u0131k bir kitle bulan Fransa’ya g\u00f6t\u00fcrd\u00fc. Erken caz\u0131n a\u00e7\u0131k manzaras\u0131, kendi kendine \u00f6zg\u00fc tarz\u0131n\u0131 deneme ve geli\u015ftirme \u00f6zg\u00fcrl\u00fc\u011f\u00fcn\u00fc verdi.<\/p>\n\n
Bechet, kariyeri boyunca Duke Ellington, Louis Armstrong ve King Oliver gibi zaman\u0131n\u0131n en etkili caz m\u00fczisyenlerinden baz\u0131lar\u0131yla i\u015fbirli\u011fi yapt\u0131. \u00c7alma stili, Johnny Hodges, John Coltrane ve Wayne Shorter da dahil olmak \u00fczere say\u0131s\u0131z ba\u015fka m\u00fczisyeni derinden etkiledi.<\/p>\n\n
Bechet’in do\u011fa\u00e7lama becerileri efsaneviydi ve m\u00fczi\u011fe olan tutkusu her performans\u0131nda kendini g\u00f6steriyordu. Benzersiz ifadesi ve e\u015fli\u011fin \u00fczerinde y\u00fckselen melodiler yaratma yetene\u011fiyle tan\u0131n\u0131yordu.<\/p>\n\n
Muazzam yetene\u011fi ve etkisine ra\u011fmen Bechet, Amerika Birle\u015fik Devletleri’ndeki baz\u0131 meslekta\u015flar\u0131yla ayn\u0131 d\u00fczeyde pop\u00fcler tan\u0131n\u0131rl\u0131k elde edemedi. Son y\u0131llar\u0131n\u0131n \u00e7o\u011funu Avrupa’y\u0131 gezerek ge\u00e7irdi ve sonunda 1959’da \u00f6ld\u00fc\u011f\u00fc Fransa’ya yerle\u015fti.<\/p>\n\n
Ancak Bechet’in bir caz yenilik\u00e7isi olarak miras\u0131 g\u00fc\u00e7l\u00fc kalmaya devam ediyor. Klarnet ve soprano saksafonu \u00f6nc\u00fc kullan\u0131m\u0131, do\u011fa\u00e7lama dehas\u0131 ve caz m\u00fczi\u011finin geli\u015fmesine yapt\u0131\u011f\u0131 katk\u0131lar, ona t\u00fcm zamanlar\u0131n en b\u00fcy\u00fck caz m\u00fczisyenleri aras\u0131nda bir yer kazand\u0131rd\u0131.<\/p>\n\n
Bechet’in klarnet ve soprano saksafondaki teknik yenilikleri caz m\u00fczi\u011finin geli\u015fimi \u00fczerinde \u00f6nemli bir etkiye sahip oldu. Vibrato, glissando ve \u00e7ok sesli kullan\u0131m\u0131, bu enstr\u00fcmanlar\u0131n ifade olanaklar\u0131n\u0131 geni\u015fletti.<\/p>\n\n
\u00d6zellikle Bechet’in soprano saksafondaki ustal\u0131\u011f\u0131, onu cazda me\u015fru bir solo enstr\u00fcman olarak kabul ettirmeye yard\u0131mc\u0131 oldu. Enstr\u00fcmanda karma\u015f\u0131k melodiler ve do\u011fa\u00e7lama \u00e7izgiler \u00e7alma yetene\u011fi, say\u0131s\u0131z di\u011fer m\u00fczisyeni onun potansiyelini ke\u015ffetmeye te\u015fvik etti.<\/p>\n\n
Bechet’in m\u00fczi\u011fi ulusal s\u0131n\u0131rlar\u0131 a\u015ft\u0131 ve caz\u0131n k\u00fclt\u00fcrel manzaras\u0131 \u00fczerinde derin bir etki yaratt\u0131. Avrupal\u0131 m\u00fczisyenlerle yapt\u0131\u011f\u0131 i\u015fbirlikleri, caz\u0131n etkisinin d\u00fcnya \u00e7ap\u0131nda yay\u0131lmas\u0131na yard\u0131mc\u0131 oldu.<\/p>\n\n
Fransa’da Bechet k\u00fclt\u00fcrel bir ikon haline geldi ve benzersiz sesi ve Frans\u0131z caz\u0131na yapt\u0131\u011f\u0131 katk\u0131lar nedeniyle kutland\u0131. M\u00fczi\u011fi, caz tutkunlar\u0131 taraf\u0131ndan bug\u00fcn de sayg\u0131 g\u00f6r\u00fcyor.<\/p>\n\n
Sidney Bechet’in bir caz yenilik\u00e7isi olarak miras\u0131 yads\u0131namaz. Klarnet ve soprano saksafonu \u00f6nc\u00fc kullan\u0131m\u0131, do\u011fa\u00e7lama dehas\u0131 ve caz m\u00fczi\u011finin geli\u015fimine yapt\u0131\u011f\u0131 katk\u0131lar, ona caz tarihinin sayfalar\u0131nda kal\u0131c\u0131 bir yer kazand\u0131rd\u0131.<\/p>\n\n
Kendi zaman\u0131nda kar\u015f\u0131la\u015ft\u0131\u011f\u0131 zorluklara ra\u011fmen, Bechet’in m\u00fczi\u011fi d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndaki m\u00fczisyenlere ve caz tutkunlar\u0131na ilham vermeye ve onlar\u0131 etkilemeye devam ediyor. E\u015fsiz sesi ve m\u00fczi\u011fe olan tutkusu, caz t\u00fcr\u00fcnde kal\u0131c\u0131 bir iz b\u0131rakt\u0131.<\/p>","protected":false},"excerpt":{"rendered":"
Sidney Bechet: Caz\u0131n \u00d6nc\u00fcs\u00fc Erken Ya\u015fam\u0131 ve Kariyeri 1897 y\u0131l\u0131nda New Orleans’ta do\u011fan Sidney Bechet, 13 ya\u015f\u0131nda profesyonel olarak sahne almaya ba\u015flayan bir m\u00fczik dehas\u0131yd\u0131. Caz m\u00fczi\u011finin geli\u015fiminde, t\u00fcr daha…<\/p>\n","protected":false},"author":2,"featured_media":24015,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[327],"tags":[3107,22415,22416,788,714,6118],"class_list":["post-16962","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music","tag-jazz","tag-improvisation","tag-clarinet","tag-music","tag-new-orleans","tag-saxophone"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16962","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=16962"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16962\/revisions"}],"predecessor-version":[{"id":16963,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/16962\/revisions\/16963"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media\/24015"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=16962"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=16962"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=16962"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}