Metropolitan Sanat M\u00fczesi (Met), \u00fcnl\u00fc Harlem R\u00f6nesans\u0131 foto\u011fraf\u00e7\u0131s\u0131 James Van Der Zee’nin kapsaml\u0131 bir ar\u015fivini yak\u0131n zamanda sat\u0131n ald\u0131. Studio Museum of Harlem ile i\u015fbirli\u011fi i\u00e7inde yap\u0131lan bu sat\u0131n alma, yakla\u015f\u0131k 20.000 bask\u0131 ve 30.000 negatif i\u00e7eriyor ve Harlem’deki 20. y\u00fczy\u0131l siyah ya\u015fam\u0131na dair paha bi\u00e7ilmez bir kay\u0131t sa\u011fl\u0131yor.<\/p>\n\n
James Van Der Zee, 1886’da Lenox, Massachusetts’te do\u011fdu. 1900’lerin ba\u015f\u0131nda Harlem’e ta\u015f\u0131nd\u0131 ve 1910’lar\u0131n ortas\u0131nda Guarantee Photo Studio’sunu a\u00e7t\u0131. Van Der Zee’nin st\u00fcdyosu Harlem toplulu\u011fu i\u00e7in bir merkez haline geldi ve h\u0131zla semtin en ba\u015far\u0131l\u0131 foto\u011fraf\u00e7\u0131lar\u0131ndan biri olarak \u00fcn kazand\u0131.<\/p>\n\n
Sonraki on y\u0131llarda Van Der Zee, Harlem’in canl\u0131 k\u00fclt\u00fcr\u00fcn\u00fcn ve \u00f6nde gelen isimlerinin ikonik g\u00f6r\u00fcnt\u00fclerini yakalad\u0131. Konular\u0131 aras\u0131nda Marcus Garvey, Bill “Bojangles” Robinson, Muhammad Ali, Mamie Smith ve Countee Cullen gibi tan\u0131nm\u0131\u015f sanat\u00e7\u0131lar, aktivistler ve e\u011flenceciler vard\u0131.<\/p>\n\n
St\u00fcdyo portrelerinin yan\u0131 s\u0131ra Van Der Zee, sokak foto\u011fraf\u00e7\u0131l\u0131\u011f\u0131 yoluyla Harlem’in tarihini de belgeledi. Ge\u00e7it t\u00f6renlerinden ve sokak manzaralar\u0131ndan toplum etkinliklerine ve sivil haklar protestolar\u0131na kadar g\u00fcnl\u00fck ya\u015famdan g\u00f6r\u00fcnt\u00fcler yakalad\u0131. \u00d6zellikle, I. D\u00fcnya Sava\u015f\u0131’ndan d\u00f6nd\u00fckten sonra “Harlem Hellfighters” olarak bilinen 369. Piyade Alay\u0131’n\u0131n zafer ge\u00e7it t\u00f6reninin tek foto\u011fraflar\u0131ndan baz\u0131lar\u0131n\u0131 \u00e7ekti.<\/p>\n\n
Van Der Zee, yenilik\u00e7i teknikleri ve sanatsal vizyonuyla tan\u0131n\u0131yordu. Benzersiz kompozisyonlar olu\u015fturmak i\u00e7in g\u00f6r\u00fcnt\u00fcleri \u00fcst \u00fcste bindirerek fotomontajlar denedi. Ayr\u0131ca foto\u011fraflar\u0131n\u0131n baz\u0131lar\u0131n\u0131 elle renklendirerek portrelerine canl\u0131 bir dokunu\u015f katt\u0131.<\/p>\n\n
Met’in foto\u011fraf\u00e7\u0131l\u0131k b\u00f6l\u00fcm\u00fcn\u00fcn sorumlusu k\u00fcrat\u00f6r Jeff L. Rosenheim, “Ayd\u0131nlatma, bask\u0131, manip\u00fclasyon ve renklendirme konusunda ola\u011fan\u00fcst\u00fc bir bilgiye sahipti.” dedi.<\/p>\n\n
Van Der Zee’nin ar\u015fivinin Met taraf\u0131ndan sat\u0131n al\u0131nmas\u0131, paha bi\u00e7ilmez \u00e7al\u0131\u015fmalar\u0131n\u0131n korunmas\u0131n\u0131 sa\u011fl\u0131yor. M\u00fcze negatifl eri koruyacak ve tarayacak ve g\u00f6r\u00fcnt\u00fcleri \u00e7o\u011faltma telif hakk\u0131n\u0131 sat\u0131n ald\u0131. Van Der Zee’nin st\u00fcdyo ekipman\u0131 ve hat\u0131ralar\u0131 da ar\u015five dahil edilecek.<\/p>\n\n
Van Der Zee’nin ar\u015fivinin bir k\u0131sm\u0131na zaten sahip olan Studio Museum of Harlem, bu materyallerin m\u00fclkiyetini elinde tutmaya devam edecek. M\u00fczenin lise \u00f6\u011frencileri i\u00e7in Expanding the Walls foto\u011fraf\u00e7\u0131l\u0131k program\u0131, kendi \u00e7al\u0131\u015fmalar\u0131na ilham vermek i\u00e7in Van Der Zee’nin foto\u011fraflar\u0131n\u0131 kullan\u0131yor.<\/p>\n\n
Studio Museum’un y\u00f6netmeni ve ba\u015f k\u00fcrat\u00f6r\u00fc Thelma Golden, “Onun \u00e7ok \u00f6zel vizyonu, zamanda ve mek\u00e2nda bir halk\u0131 ve bir k\u00fclt\u00fcr\u00fc kaydetmenin ne anlama geldi\u011fini g\u00f6rme olana\u011f\u0131n\u0131 g\u00f6ren sanat\u00e7\u0131 nesillerine ilham verme g\u00fcc\u00fcne sahip.” dedi. “\u00c7al\u0131\u015fmalar\u0131, d\u00fcnyalar\u0131na hassasiyetle bakmalar\u0131n\u0131 ve onu \u015fimdiki zamanda kaydetmelerini sa\u011fl\u0131yor.”<\/p>\n\n
Van Der Zee ar\u015fivinden se\u00e7ilmi\u015f foto\u011fraflar \u015fu anda 30 May\u0131s 2022’ye kadar Washington, D.C.’deki Ulusal Sanat Galerisi’nde sergileniyor.<\/p>","protected":false},"excerpt":{"rendered":"
James Van Der Zee: Harlem R\u00f6nesans\u0131’n\u0131n Bir Foto\u011fraf\u00e7\u0131s\u0131n\u0131n Miras\u0131n\u0131 Korumak Met, Foto\u011fraf\u00e7\u0131 James Van Der Zee’nin Ar\u015fivini Edindi Metropolitan Sanat M\u00fczesi (Met), \u00fcnl\u00fc Harlem R\u00f6nesans\u0131 foto\u011fraf\u00e7\u0131s\u0131 James Van Der Zee’nin…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[6,8460,22728,17000,1434],"class_list":["post-17253","post","type-post","status-publish","format-standard","hentry","category-photography","tag-photography","tag-harlem-renaissance","tag-james-van-der-zee","tag-metropolitan-museum-of-art","tag-black-history"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/17253","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=17253"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/17253\/revisions"}],"predecessor-version":[{"id":17254,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/17253\/revisions\/17254"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=17253"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=17253"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=17253"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}