1970’lerde foto\u011fraf\u00e7\u0131 Mike Mandel’in tuhaf bir fikri vard\u0131: \u00dcnl\u00fc foto\u011fraf\u00e7\u0131lar\u0131 i\u00e7eren bir dizi beyzbol ticari kart\u0131 olu\u015fturmak. Gen\u00e7 koleksiyoncular aras\u0131nda beyzbol kartlar\u0131n\u0131n pop\u00fclaritesinden esinlenen Mandel, foto\u011fraf\u0131n me\u015fru bir sanat formu olarak giderek daha fazla tan\u0131nmas\u0131yla ilgili esprili bir yorumda bulunmay\u0131 ama\u00e7l\u0131yordu.<\/p>\n\n
Dan\u0131\u015fman\u0131 Gary Metz ve UCLA’n\u0131n foto\u011fraf\u00e7\u0131l\u0131k program\u0131n\u0131 kuran Robert Heinecken’in deste\u011fiyle Mandel, 134 foto\u011fraf\u00e7\u0131y\u0131 foto\u011fraflamak i\u00e7in \u00fclke \u00e7ap\u0131nda bir yolculu\u011fa \u00e7\u0131kt\u0131. Ansel Adams ve Imogen Cunningham gibi \u00fcnl\u00fc sanat\u00e7\u0131lara yakla\u015ft\u0131 ve onlar da projeye hevesle kat\u0131ld\u0131lar.<\/p>\n\n
Beyzbol Foto\u011fraf\u00e7\u0131s\u0131 Ticari Kartlar\u0131 sadece bir portre koleksiyonu de\u011fil, ayn\u0131 zamanda foto\u011fraf\u0131n ticarile\u015ftirilmesine y\u00f6nelik hicivsel bir yorumdu. Foto\u011fraf\u00e7\u0131lar\u0131 beyzbol \u00fcniformalar\u0131 ve pozlar\u0131yla yerle\u015ftirerek Mandel, sanat\u00e7\u0131lar\u0131n \u00fcnl\u00fc haline gelme fikriyle dalga ge\u00e7ti. Kartlar\u0131n arkas\u0131na “En Sevdi\u011fi Foto\u011fraf Ka\u011f\u0131d\u0131” ve foto\u011fraf\u00e7\u0131lar\u0131n kendilerinden al\u0131nt\u0131lar gibi esprili ayr\u0131nt\u0131lar ekledi.<\/p>\n\n
Beyzbol Foto\u011fraf\u00e7\u0131s\u0131 Ticari Kartlar\u0131n\u0131n olu\u015fturulmas\u0131, 1960’lar\u0131n ve 1970’lerin sosyal ve k\u00fclt\u00fcrel ayaklanmas\u0131yla ayn\u0131 zamana denk geldi. Foto\u011fraf, d\u00f6nemin adaletsizliklerini ve protestolar\u0131n\u0131 belgelemede \u00e7ok \u00f6nemli bir rol oynad\u0131. Mandel’in projesi, art\u0131k yaln\u0131zca teknik bir beceri olarak g\u00f6r\u00fclmeyen foto\u011fraf\u00e7\u0131l\u0131\u011fa y\u00f6nelik de\u011fi\u015fen tutumlar\u0131 yans\u0131t\u0131yordu; foto\u011fraf art\u0131k sosyal yorum i\u00e7in g\u00fc\u00e7l\u00fc bir ara\u00e7 olarak kabul ediliyordu.<\/p>\n\n
Beyzbol Foto\u011fraf\u00e7\u0131s\u0131 Ticari Kartlar\u0131 h\u0131zla tan\u0131nd\u0131 ve pop\u00fclerlik kazand\u0131. Sports Illustrated ve Newsweek gibi \u00f6nemli yay\u0131nlarda yer ald\u0131lar ve m\u00fczeler setleri tamamlamak i\u00e7in kart ticareti partileri d\u00fczenlediler. Orijinal 402.000 kartl\u0131k bask\u0131, eksiksiz setlerinin binlerce dolara sat\u0131ld\u0131\u011f\u0131 nadir bir koleksiyon \u00f6\u011fesi haline geldi.<\/p>\n\n
Son y\u0131llarda Mandel, Beyzbol Foto\u011fraf\u00e7\u0131s\u0131 Ticari Kartlar\u0131n\u0131 “Good 70s” adl\u0131 kutulu bir setin par\u00e7as\u0131 olarak yeniden bast\u0131. Bu set, orijinal kartlar\u0131n reprod\u00fcksiyonlar\u0131n\u0131 ve Mandel’in ar\u015fivlerinden daha \u00f6nce hi\u00e7 yay\u0131nlanmam\u0131\u015f \u00e7al\u0131\u015fmalar\u0131n\u0131 i\u00e7eriyor. Yeniden bas\u0131lan kartlar, geli\u015ftirilmi\u015f g\u00f6r\u00fcnt\u00fc kalitesine sahiptir ve projenin nostaljik unsurunu koruyan bir paket sahte sak\u0131zla birlikte gelir.<\/p>\n\n
Beyzbol Foto\u011fraf\u00e7\u0131s\u0131 Ticari Kartlar\u0131, foto\u011fraf\u00e7\u0131l\u0131k tarihinde \u00f6nemli bir katk\u0131 olmaya devam ediyor. Sadece \u00fcnl\u00fc foto\u011fraf\u00e7\u0131lar\u0131n ki\u015filiklerini ve stillerini yakalamakla kalm\u0131yor, ayn\u0131 zamanda 1970’lerin de\u011fi\u015fen k\u00fclt\u00fcrel manzaras\u0131n\u0131 da yans\u0131t\u0131yorlar. Sanat ve ticaretin s\u0131n\u0131rlar\u0131n\u0131 esprili bir \u015fekilde bulan\u0131kla\u015ft\u0131rarak Mandel, sanatsal me\u015fruiyetin geleneksel kavramlar\u0131na meydan okudu ve foto\u011fraf\u00e7\u0131l\u0131k ortam\u0131 i\u00e7in yeni olanaklar yaratt\u0131.<\/p>","protected":false},"excerpt":{"rendered":"
Beyzbol Foto\u011fraf\u00e7\u0131s\u0131 Ticari Kartlar\u0131: E\u015fsiz Bir Sanat Projesi Ge\u00e7mi\u015f 1970’lerde foto\u011fraf\u00e7\u0131 Mike Mandel’in tuhaf bir fikri vard\u0131: \u00dcnl\u00fc foto\u011fraf\u00e7\u0131lar\u0131 i\u00e7eren bir dizi beyzbol ticari kart\u0131 olu\u015fturmak. Gen\u00e7 koleksiyoncular aras\u0131nda beyzbol…<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[16],"tags":[4408,1111,6,3385,9],"class_list":["post-2085","post","type-post","status-publish","format-standard","hentry","category-photography","tag-1970s","tag-baseball","tag-photography","tag-humor","tag-art"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/2085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=2085"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/2085\/revisions"}],"predecessor-version":[{"id":2086,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/2085\/revisions\/2086"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=2085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=2085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=2085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}