1993 y\u0131l\u0131nda \u00e7\u0131\u011f\u0131r a\u00e7an film “Philadelphia”, AIDS krizini do\u011frudan ele ald\u0131 ve hastal\u0131\u011fa yakalanan e\u015fcinsel erkeklerin kar\u015f\u0131la\u015ft\u0131\u011f\u0131 \u00f6nyarg\u0131 ve ayr\u0131mc\u0131l\u0131\u011fa \u0131\u015f\u0131k tuttu. Tom Hanks’in canland\u0131rd\u0131\u011f\u0131 filmin ba\u015f kahraman\u0131 Andrew Beckett, AIDS te\u015fhisi konduktan sonra firmas\u0131ndan kovulan ba\u015far\u0131l\u0131 bir avukatt\u0131.<\/p>\n\n
Andrew’un davas\u0131, Denzel Washington’\u0131n canland\u0131rd\u0131\u011f\u0131 homofobik ambulans kovalay\u0131c\u0131s\u0131 Joe Miller taraf\u0131ndan \u00fcstlenildi. Andrew ve Joe ba\u015flang\u0131\u00e7taki farkl\u0131l\u0131klar\u0131na ra\u011fmen, AIDS’i \u00e7evreleyen damgalanma ve ayr\u0131mc\u0131l\u0131\u011fa kar\u015f\u0131 adalet m\u00fccadelelerinde bir ba\u011f kurdular.<\/p>\n\n
“Philadelphia”, iki Akademi \u00d6d\u00fcl\u00fc kazanarak ve AIDS ve homofobi hakk\u0131nda \u00f6nemli tart\u0131\u015fmalar\u0131 tetikleyerek hem ele\u015ftirel hem de ticari bir ba\u015far\u0131yd\u0131. Filmin miras\u0131 g\u00fcn\u00fcm\u00fczde de devam ediyor, \u00e7\u00fcnk\u00fc toplum LGBTQ+ bireylere y\u00f6nelik devam eden \u00f6nyarg\u0131 ve ayr\u0131mc\u0131l\u0131k zorluklar\u0131yla bo\u011fu\u015fuyor.<\/p>\n\n
Philadelphia \u015fehri hem filmde hem de ger\u00e7ek hayatta AIDS’e kar\u015f\u0131 m\u00fccadelede \u00e7ok \u00f6nemli bir rol oynad\u0131. Film, Philadelphia’da \u00e7ekildi ve \u015fehrin kendine \u00f6zg\u00fc enerjisini ve mimarisini yakalad\u0131. \u015eehrin adliye binas\u0131, Belediye Binas\u0131, filmin bir\u00e7ok \u00f6nemli sahnesinin fonu olarak hizmet etti.<\/p>\n\n
Filmin \u00f6tesinde Philadelphia, AIDS aktivizmi ve deste\u011fi i\u00e7in bir merkez olmu\u015ftur. AIDS’li insanlara bak\u0131m sa\u011flayan \u00f6nc\u00fc bir sa\u011fl\u0131k merkezi olan ActionAIDS, filmde yer ald\u0131. Kurulu\u015f, bug\u00fcn de Philadelphia toplulu\u011funa temel hizmetler sunmaya devam ediyor.<\/p>\n\n
“Philadelphia”, \u00f6nyarg\u0131 ve ayr\u0131mc\u0131l\u0131\u011f\u0131n \u00fcstesinden gelmenin \u00f6nemini vurgulad\u0131. Filmin ad\u0131, cinsel y\u00f6nelimleri veya HIV durumlar\u0131 ne olursa olsun, adaletin ve temsilin herkes i\u00e7in mevcut olmas\u0131 gerekti\u011fi fikrini vurguluyor.<\/p>\n\n
Filmin y\u00f6netmeni Jonathan Demme, “Philadelphia”n\u0131n sadece AIDS ile ilgili de\u011fil, ayn\u0131 zamanda t\u00fcm bireyler i\u00e7in adalet hakk\u0131yla ilgili oldu\u011funu a\u00e7\u0131klad\u0131. Filmin g\u00fc\u00e7l\u00fc mesaj\u0131 izleyicilerle yank\u0131 buldu ve AIDS’li insanlara kar\u015f\u0131 tutumlar\u0131n de\u011fi\u015fmesine yard\u0131mc\u0131 oldu.<\/p>\n\n
Son y\u0131llarda Philadelphia, bir ba\u015fka trajik salg\u0131nla kar\u015f\u0131 kar\u015f\u0131ya kald\u0131: opioid krizi. \u015eehir, ulusal e\u011filimi yans\u0131tan \u00f6l\u00fcmc\u00fcl opioid a\u015f\u0131r\u0131 dozlar\u0131nda bir art\u0131\u015fa tan\u0131k oldu.<\/p>\n\n
Opioid salg\u0131n\u0131, AIDS kriziyle bir\u00e7ok benzerlik payla\u015f\u0131yor. Her iki salg\u0131n da orant\u0131s\u0131z bir \u015fekilde marjinalle\u015ftirilmi\u015f topluluklar\u0131 etkiledi ve her ikisi de damgalanma ve yanl\u0131\u015f bilgiyle k\u00f6r\u00fcklendi.<\/p>\n\n
Trans bireyler, renkleri insanlar ve d\u00fc\u015f\u00fck gelirli kesimlerden gelenler, hem AIDS hem de opioid salg\u0131nlar\u0131nda sa\u011fl\u0131k hizmetlerine eri\u015fim ve \u00f6nyarg\u0131lar\u0131n \u00fcstesinden gelme konusunda benzersiz zorluklarla kar\u015f\u0131 kar\u015f\u0131yad\u0131r. Bu kesi\u015fen zorluklar, \u00f6nleme ve tedavi i\u00e7in \u00f6zel yakla\u015f\u0131mlar gerektirmektedir.<\/p>\n\n
Her iki salg\u0131nla m\u00fccadelede topluluk deste\u011fi \u00e7ok \u00f6nemlidir. ActionAIDS gibi kurulu\u015flar, AIDS ve HIV’li insanlara onlarca y\u0131ld\u0131r hayati hizmetler ve destek sa\u011flad\u0131. Opioid krizine \u00e7\u00f6z\u00fcm bulmak i\u00e7in de benzer deste\u011fe ihtiya\u00e7 var.<\/p>\n\n
E\u011fitim ve fark\u0131ndal\u0131ktaki ilerlemelere ra\u011fmen, HIV ve opioid ba\u011f\u0131ml\u0131l\u0131\u011f\u0131yla ilgili damgalama devam ediyor. Bu damgalama, insanlar\u0131n yard\u0131m almas\u0131n\u0131 ve temel hizmetlere eri\u015fmesini engellemektedir.<\/p>\n\n
“Philadelphia”, \u00f6nyarg\u0131 ve ayr\u0131mc\u0131l\u0131\u011f\u0131n y\u0131k\u0131c\u0131 sonu\u00e7lar\u0131n\u0131n g\u00fc\u00e7l\u00fc bir hat\u0131rlat\u0131c\u0131s\u0131 olmaya devam ediyor. Filmin miras\u0131, bu zorluklar\u0131n \u00fcstesinden gelmek ve herkes i\u00e7in daha adil ve e\u015fitlik\u00e7i bir toplum yaratmak i\u00e7in \u00e7abalara ilham vermeye devam ediyor.<\/p>","protected":false},"excerpt":{"rendered":"
Philadelphia: \u00d6nyarg\u0131 ve Salg\u0131nlara Kar\u015f\u0131 M\u00fccadelede Bir Kilometre Ta\u015f\u0131 Film AIDS Krizi ve Homofobi 1993 y\u0131l\u0131nda \u00e7\u0131\u011f\u0131r a\u00e7an film “Philadelphia”, AIDS krizini do\u011frudan ele ald\u0131 ve hastal\u0131\u011fa yakalanan e\u015fcinsel erkeklerin…<\/p>\n","protected":false},"author":6,"featured_media":23789,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[296],"tags":[14,4513,4787,178,4788,4789,4791,4790,3169,147,527],"class_list":["post-2321","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-health-and-wellness","tag-aids","tag-discrimination","tag-film","tag-public-health","tag-hiv","tag-lgbtqia","tag-prejudice","tag-opioid-crisis","tag-philadelphia","tag-health","tag-social-justice"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/2321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/6"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=2321"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/2321\/revisions"}],"predecessor-version":[{"id":2322,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/2321\/revisions\/2322"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media\/23789"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=2321"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=2321"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=2321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}