{"id":3459,"date":"2021-06-29T03:28:17","date_gmt":"2021-06-29T03:28:17","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=3459"},"modified":"2021-06-29T03:28:17","modified_gmt":"2021-06-29T03:28:17","slug":"objects-usa-2020-reimagining-the-american-studio-craft-movement","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/art\/craft\/objects-usa-2020-reimagining-the-american-studio-craft-movement\/","title":{"rendered":"Objects: USA 2020: A Contemporary Reimagining of American Studio Craft"},"content":{"rendered":"

Objeler: ABD 2020: Amerikan St\u00fcdyo Sanatlar\u0131 Hareketini Yeniden D\u00fc\u015f\u00fcnmek<\/strong><\/h2>\n\n

“Objeler: ABD”nin (1969) Miras\u0131<\/h3>\n\n

1969’da Smithsonian Amerikan Sanat M\u00fczesi, \u00e7e\u015fitli ve canl\u0131 Amerikan st\u00fcdyo sanatlar\u0131 hareketini sergileyen \u00e7\u0131\u011f\u0131r a\u00e7an bir sergi olan “Objeler: ABD”yi a\u00e7t\u0131. Belirlenmi\u015f ve yeni sanat\u00e7\u0131lar\u0131n 500’den fazla eserini sergileyen sergi, sanat d\u00fcnyas\u0131 ve \u00f6tesi \u00fczerinde derin bir etkiye sahipti. Hareketi yeni bir merakl\u0131 nesline tan\u0131tt\u0131, Amerikal\u0131 sanat\u00e7\u0131lara \u00e7al\u0131\u015fmalar\u0131n\u0131 k\u00fcresel bir sahnede sergilemeleri i\u00e7in bir platform sa\u011flad\u0131 ve a\u011f\u0131rl\u0131kl\u0131 olarak beyaz ve erkek olan sanat ortam\u0131n\u0131 \u00e7e\u015fitlendirmeye yard\u0131mc\u0131 oldu.<\/p>\n\n

21. Y\u00fczy\u0131lda El Sanatlar\u0131n\u0131n Yeniden Canlanmas\u0131<\/h3>\n\n

Bug\u00fcn, bir sanat formu olarak el sanatlar\u0131na olan ilginin yeniden canland\u0131\u011f\u0131na tan\u0131k oluyoruz. Sanat ve el sanatlar\u0131 aras\u0131ndaki bir zamanlar net olan ayr\u0131m, seramikler, fiber sanatlar ve di\u011fer el yap\u0131m\u0131 nesnelerin b\u00fcy\u00fck sanat galerilerine ve kurumlar\u0131na girmesiyle bulan\u0131kla\u015f\u0131yor. Bu r\u00f6nesans, k\u0131smen el sanatlar\u0131nda yer alan beceri ve yarat\u0131c\u0131l\u0131\u011fa duyulan artan takdirin yan\u0131 s\u0131ra, giderek daha dijitalle\u015fen bir d\u00fcnyada \u00f6zg\u00fcnl\u00fck ve ba\u011flant\u0131 arzusuyla y\u00f6nlendiriliyor.<\/p>\n\n

R & Company’de “Objeler: ABD 2020”<\/h3>\n\n

Orijinal serginin ruhuna uygun olarak, R & Company, \u00e7\u0131\u011f\u0131r a\u00e7an g\u00f6sterinin \u00e7a\u011fda\u015f bir yeniden yorumu olan “Objeler: ABD 2020″yi sunuyor. \u015eu andan Temmuz 2021’e kadar sergilenen sergi, hem orijinal “Objeler: ABD”nin \u00f6nc\u00fc isimlerini hem de yeni nesil \u00e7a\u011fda\u015f heykelt\u0131ra\u015flar, ah\u015fap i\u015f\u00e7ileri, cam ustalar\u0131 ve seramik\u00e7iler olmak \u00fczere 100 sanat\u00e7\u0131n\u0131n 100 eserini i\u00e7eriyor.<\/p>\n\n

Kal\u0131b\u0131 K\u0131rmak: \u00c7a\u011fda\u015f El Sanatlar\u0131nda \u00c7e\u015fitlilik ve Kapsay\u0131c\u0131l\u0131k<\/h3>\n\n

“Objeler: ABD 2020”, \u00e7e\u015fitlilik ve kapsay\u0131c\u0131l\u0131k konusundaki ba\u011fl\u0131l\u0131\u011f\u0131yla benzersizdir. Sergi, sanat bi\u00e7imlerinin geleneksel hiyerar\u015fisine meydan okuyarak \u00e7ok \u00e7e\u015fitli bak\u0131\u015f a\u00e7\u0131lar\u0131n\u0131, stilleri ve metotlar\u0131 sergiliyor. Yeni sanat\u00e7\u0131lar\u0131 yerle\u015fik isimlerle birlikte sunarak sergi, yeni seslerin duyulmas\u0131 i\u00e7in bir platform sa\u011fl\u0131yor ve daha kapsay\u0131c\u0131 ve e\u015fitlik\u00e7i bir sanat d\u00fcnyas\u0131n\u0131 destekliyor.<\/p>\n\n

Ebitenyefa Baralaye: \u00c7a\u011fda\u015f Seramikte Y\u00fckselen Bir Y\u0131ld\u0131z<\/h3>\n\n

“Objeler: ABD 2020″de yer alan \u00e7a\u011fda\u015f sanat\u00e7\u0131lar aras\u0131nda, Nijerya do\u011fumlu, Detroit merkezli bir seramik\u00e7i, heykelt\u0131ra\u015f ve tasar\u0131mc\u0131 olan Ebitenyefa Baralaye yer al\u0131yor. \u00d6zellikle Toshiko Takaezu olmak \u00fczere, orijinal “Objeler: ABD”nin \u00e7\u0131\u011f\u0131r a\u00e7an sanat\u00e7\u0131lar\u0131ndan ilham alan Baralaye, kimlik, miras ve insanl\u0131k durumu temalar\u0131n\u0131 ara\u015ft\u0131ran zarif ve d\u00fc\u015f\u00fcnd\u00fcr\u00fcc\u00fc eserler yarat\u0131yor. Sergideki iki eseri, “Meiping” ve “Serpent I”, form ve s\u0131r konusundaki ustal\u0131\u011f\u0131n\u0131 ve \u00e7al\u0131\u015fmalar\u0131na bir s\u0131cakl\u0131k ve a\u015final\u0131k hissi a\u015f\u0131lama yetene\u011fini sergiliyor.<\/p>\n\n

“Objeler: ABD”nin Kal\u0131c\u0131 Etkisi<\/h3>\n\n

\u0130lk \u00e7\u0131k\u0131\u015f\u0131ndan 50 y\u0131l\u0131 a\u015fk\u0131n bir s\u00fcre sonra, “Objeler: ABD” sanat\u00e7\u0131lar\u0131 ve k\u00fcrat\u00f6rleri etkilemeye ve onlara ilham vermeye devam ediyor. Serginin, \u00f6ne \u00e7\u0131kan sanat\u00e7\u0131lar\u0131n biyografilerini ve \u00e7al\u0131\u015fmalar\u0131n\u0131 i\u00e7eren katalo\u011fu, akademisyenler ve merakl\u0131lar i\u00e7in vazge\u00e7ilmez bir ba\u015fvuru kayna\u011f\u0131 olmaya devam ediyor. Smithsonian Amerikan Sanat M\u00fczesi’nde k\u0131demli halk programlar\u0131 koordinat\u00f6r\u00fc Gloria Kenyon, “Objeler: ABD”yi, el sanatlar\u0131n\u0131 halka yeni bir \u015fekilde eri\u015filebilir k\u0131lmak ve sanat d\u00fcnyas\u0131nda daha \u00e7e\u015fitli seslere kap\u0131 a\u00e7makla \u00f6v\u00fcyor.<\/p>\n\n

Modern Sanat D\u00fcnyas\u0131nda El Sanatlar\u0131n\u0131n G\u00fcc\u00fc<\/h3>\n\n

“Objeler: ABD 2020” k\u00fcrat\u00f6rlerinden Glenn Adamson, yak\u0131n zamanda yazd\u0131\u011f\u0131 bir denemede, el sanatlar\u0131n\u0131n sanat d\u00fcnyas\u0131n\u0131n gelece\u011fi i\u00e7in \u00e7ok \u00f6nemli oldu\u011funu savunuyor. El sanatlar\u0131n\u0131n \u00e7e\u015fitlili\u011fi te\u015fvik etme, geleneksel hiyerar\u015filere meydan okuma ve giderek dijitalle\u015fen bir \u00e7a\u011fda \u00e7ok ihtiya\u00e7 duyulan el yap\u0131m\u0131yla ba\u011flant\u0131 sa\u011flama potansiyelini vurguluyor. El sanatlar\u0131n\u0131 benimseyerek sanat d\u00fcnyas\u0131 zenginle\u015febilir ve daha kapsay\u0131c\u0131 ve anlaml\u0131 hale gelebilir.<\/p>\n\n

El Yap\u0131m\u0131 Nesneleri Destekleme \u00c7a\u011fr\u0131s\u0131<\/h3>\n\n

R & Company’nin kurucu orta\u011f\u0131 Evan Snyderman, el yap\u0131m\u0131 nesnelere y\u00f6nelik mevcut hareketin sanat\u0131n gelece\u011fi i\u00e7in olumlu bir i\u015faret oldu\u011funa inan\u0131yor. Koleksiyoncular\u0131 ve merakl\u0131lar\u0131, \u00e7a\u011fda\u015f el sanat\u0131 sanat\u00e7\u0131lar\u0131n\u0131n \u00e7al\u0131\u015fmalar\u0131n\u0131 desteklemeye ve eserlerine giden beceriyi ve yarat\u0131c\u0131l\u0131\u011f\u0131 takdir etmeye te\u015fvik ediyor. Bunu yaparak, Amerikan st\u00fcdyo sanatlar\u0131 hareketinin canl\u0131l\u0131\u011f\u0131n\u0131 ve evrimini sa\u011flamaya yard\u0131mc\u0131 olabiliriz.<\/p>","protected":false},"excerpt":{"rendered":"

Objeler: ABD 2020: Amerikan St\u00fcdyo Sanatlar\u0131 Hareketini Yeniden D\u00fc\u015f\u00fcnmek “Objeler: ABD”nin (1969) Miras\u0131 1969’da Smithsonian Amerikan Sanat M\u00fczesi, \u00e7e\u015fitli ve canl\u0131 Amerikan st\u00fcdyo sanatlar\u0131 hareketini sergileyen \u00e7\u0131\u011f\u0131r a\u00e7an bir sergi…<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6619],"tags":[6611,6612,6613,6616,6617,6614,6615,6618],"class_list":["post-3459","post","type-post","status-publish","format-standard","hentry","category-craft","tag-american-studio-craft","tag-art-and-craft","tag-contemporary-craft","tag-handmade-objects","tag-objects-usa","tag-craft-renaissance","tag-diversity-in-art","tag-studio-craft-movement"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/3459","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=3459"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/3459\/revisions"}],"predecessor-version":[{"id":3460,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/3459\/revisions\/3460"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=3459"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=3459"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=3459"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}