{"id":3584,"date":"2021-08-23T13:34:52","date_gmt":"2021-08-23T13:34:52","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=3584"},"modified":"2021-08-23T13:34:52","modified_gmt":"2021-08-23T13:34:52","slug":"fall-of-zahi-hawass-controversial-egyptian-archaeologist","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/life\/history\/fall-of-zahi-hawass-controversial-egyptian-archaeologist\/","title":{"rendered":"Zahi Hawass’\u0131n D\u00fc\u015f\u00fc\u015f\u00fc: M\u0131s\u0131r Arkeolojisinde Tart\u0131\u015fmal\u0131 Bir Fig\u00fcr"},"content":{"rendered":"

Zahi Hawass’\u0131n \u00c7\u00f6k\u00fc\u015f\u00fc: M\u0131s\u0131r Arkeolojisinde Tart\u0131\u015fmal\u0131 Bir Fig\u00fcr<\/h2>\n\n

Eski Eserler Bakanl\u0131\u011f\u0131’ndan Al\u0131nmas\u0131<\/h2>\n\n

M\u0131s\u0131r’\u0131n eski eserlerine yakla\u015f\u0131k on y\u0131l boyunca liderlik eden \u00f6nde gelen arkeolog Zahi Hawass, Temmuz 2011’de Eski Eserler Bakan\u0131 g\u00f6revinden ani bir \u015fekilde al\u0131nd\u0131. Bu karar, M\u0131s\u0131r Devrimi’nin ard\u0131ndan \u00fclkenin kabinesinde yap\u0131lan daha geni\u015f \u00e7apl\u0131 bir revizyonun par\u00e7as\u0131 olarak geldi.<\/p>\n\n

Su\u00e7lamalar ve Protestolar<\/h2>\n\n

Hawass’\u0131n g\u00f6revden al\u0131nmas\u0131 kar\u0131\u015f\u0131k tepkilerle kar\u015f\u0131land\u0131. Uluslararas\u0131 alanda geni\u015f \u00e7apta sayg\u0131 g\u00f6rmesine ra\u011fmen, M\u0131s\u0131r i\u00e7inde artan ele\u015ftirilerle kar\u015f\u0131 kar\u015f\u0131yayd\u0131. Gen\u00e7 arkeologlar ve g\u00f6stericiler onu yolsuzluk, kalitesiz bilim ve g\u00f6revden al\u0131nan Cumhurba\u015fkan\u0131 H\u00fcsn\u00fc M\u00fcbarek ile yak\u0131n ba\u011flarla su\u00e7lad\u0131.<\/p>\n\n

Devrimde aktif rol alan gen\u00e7 bir M\u0131s\u0131rl\u0131 arkeolog olan Nora Shalaby, Hawass’a kar\u015f\u0131 duyulan hissiyat\u0131 \u015f\u00f6yle \u00f6zetledi: “O eski eserlerin M\u00fcbarek’iydi.”<\/p>\n\n

Ge\u00e7ici Yeniden G\u00f6revlendirme<\/h2>\n\n

G\u00f6revden al\u0131nmas\u0131n\u0131n ard\u0131ndan Hawass’\u0131n durumu birka\u00e7 g\u00fcn belirsiz kald\u0131. Bir halef olan Abdel Fatta El Banna’n\u0131n atanmas\u0131, El Banna’n\u0131n arkeolojik yeterlili\u011fini sorgulayan bakanl\u0131k \u00e7al\u0131\u015fanlar\u0131n\u0131n protestolar\u0131 nedeniyle geri \u00e7ekildi.<\/p>\n\n

Hawass, e-posta yoluyla yeniden g\u00f6revlendirildi\u011fini do\u011frulad\u0131, ancak ne kadar s\u00fcreyle g\u00f6revde kalaca\u011f\u0131 belli de\u011fildi.<\/p>\n\n

Eski Eserler Bakanl\u0131\u011f\u0131’n\u0131n Olas\u0131 G\u00f6zden D\u00fc\u015f\u00fcr\u00fclmesi<\/h2>\n\n

M\u00fcbarek taraf\u0131ndan h\u00fck\u00fcmetini kurtarma \u00e7abalar\u0131n\u0131n bir par\u00e7as\u0131 olarak olu\u015fturulan Eski Eserler Bakanl\u0131\u011f\u0131, bir kabine d\u00fczeyindeki kurumdan daha d\u00fc\u015f\u00fck bir seviyeye indirilebilir. Bu olas\u0131l\u0131k, M\u0131s\u0131r’\u0131n k\u00fclt\u00fcrel miras\u0131n\u0131n gelece\u011fi konusunda endi\u015felenen yabanc\u0131 arkeologlar aras\u0131nda kayg\u0131 yaratt\u0131.<\/p>\n\n

Birmingham’daki Alabama \u00dcniversitesi’nde M\u0131s\u0131rbilimci olan Sarah Parcak, olas\u0131 g\u00f6zden d\u00fc\u015f\u00fcrme konusundaki endi\u015felerini \u015f\u00f6yle dile getirdi:<\/p>\n\n

“Eski eserler konusunda \u00e7ok endi\u015feliyim,” dedi Parcak. “Ve bu an\u0131tlar M\u0131s\u0131r ekonomisinin can damar\u0131.”<\/p>\n\n

Hawass’\u0131n Tart\u0131\u015fmal\u0131 Kariyeri<\/h2>\n\n

Hawass, 1980’lerde Pensilvanya \u00dcniversitesi’nden arkeoloji alan\u0131nda doktora derecesi ald\u0131ktan sonra \u00fcn kazand\u0131. Giza Platosu’nun simgesel piramitlerine ev sahipli\u011fi yapan antikac\u0131lar\u0131n ba\u015f m\u00fcfetti\u015fi oldu. 2002’de Y\u00fcksek Eski Eserler Konseyi ba\u015fkanl\u0131\u011f\u0131na atand\u0131.<\/p>\n\n

G\u00f6rev s\u00fcresi boyunca Hawass, \u0130ngiliz M\u00fczesi’ndeki Rosetta Ta\u015f\u0131 ve Berlin’deki Neues M\u00fczesi’ndeki Nefertiti b\u00fcst\u00fc gibi ikonik eski eserlerin yabanc\u0131 m\u00fczelerden iade edilmesini talep ederek man\u015fetlere \u00e7\u0131kt\u0131. Ayr\u0131ca M\u0131s\u0131r h\u00fck\u00fcmeti i\u00e7in \u00f6nemli gelir elde ederek yabanc\u0131 sergiler i\u00e7in M\u0131s\u0131r eserlerine eri\u015fim sa\u011flad\u0131.<\/p>\n\n

Ancak Hawass, \u00f6zellikle “Chasing Mummies” adl\u0131 reality \u015fovunda televizyon g\u00f6r\u00fcn\u00fcmlerinde eski eserlere kar\u015f\u0131 sayg\u0131s\u0131z davran\u0131\u015flar\u0131 nedeniyle de ele\u015ftirildi. M\u0131s\u0131rl\u0131lar ayr\u0131ca kitap turlar\u0131, konferanslar ve televizyon g\u00f6r\u00fcn\u00fcmleriyle ilgili mali i\u015flemlerinin \u015feffafl\u0131\u011f\u0131n\u0131 da sorgulad\u0131.<\/p>\n\n

Uluslararas\u0131 Tan\u0131nma ve Turizmin Te\u015fviki<\/h2>\n\n

Tart\u0131\u015fmalara ra\u011fmen Hawass, uluslararas\u0131 alanda sayg\u0131n bir fig\u00fcr olmaya devam etti. Yabanc\u0131 ziyaret\u00e7ileri geri d\u00f6nmeye te\u015fvik etmek i\u00e7in Haziran 2011’de Amerika Birle\u015fik Devletleri’ne bir tur d\u00fczenleyerek M\u0131s\u0131r’da turizmin tan\u0131t\u0131lmas\u0131nda kilit bir rol oynad\u0131.<\/p>\n\n

Hawass’\u0131n Miras\u0131 ve M\u0131s\u0131r Arkeolojisinin Gelece\u011fi<\/h2>\n\n

Zahi Hawass’\u0131n g\u00f6revden al\u0131nmas\u0131, M\u0131s\u0131r arkeolojisinde \u00f6nemli bir an\u0131 temsil etti. Miras\u0131 karma\u015f\u0131k bir hal al\u0131yor ve hem ba\u015far\u0131lar hem de tart\u0131\u015fmalarla damgas\u0131n\u0131 vuruyor.<\/p>\n\n

M\u0131s\u0131r arkeolojisinin gelece\u011fi, \u00fclke siyasi ve ekonomik zorluklarla bo\u011fu\u015ftu\u011fu i\u00e7in belirsizli\u011fini koruyor. Eski Eserler Bakanl\u0131\u011f\u0131’n\u0131n olas\u0131 g\u00f6zden d\u00fc\u015f\u00fcr\u00fclmesi ve arkeolojik alanlar\u0131n korunmas\u0131 ve korunmas\u0131 ihtiyac\u0131, M\u0131s\u0131r’\u0131n zengin k\u00fclt\u00fcrel miras\u0131n\u0131n korunmas\u0131 konusunda endi\u015felere yol a\u00e7\u0131yor.<\/p>","protected":false},"excerpt":{"rendered":"

Zahi Hawass’\u0131n \u00c7\u00f6k\u00fc\u015f\u00fc: M\u0131s\u0131r Arkeolojisinde Tart\u0131\u015fmal\u0131 Bir Fig\u00fcr Eski Eserler Bakanl\u0131\u011f\u0131’ndan Al\u0131nmas\u0131 M\u0131s\u0131r’\u0131n eski eserlerine yakla\u015f\u0131k on y\u0131l boyunca liderlik eden \u00f6nde gelen arkeolog Zahi Hawass, Temmuz 2011’de Eski Eserler…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[767],"tags":[88,1643,4548,6788,6787],"class_list":["post-3584","post","type-post","status-publish","format-standard","hentry","category-history","tag-archaeology","tag-ancient-history","tag-egypt","tag-politics-and-culture","tag-controversial-figures"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/3584","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=3584"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/3584\/revisions"}],"predecessor-version":[{"id":3585,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/3584\/revisions\/3585"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=3584"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=3584"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=3584"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}