1924 do\u011fumlu Joe Pyne, zor bir \u00e7ocukluk ge\u00e7irdi ve \u00e7ocukken kekemeydi. Bu zorluklara ra\u011fmen, II. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda Deniz Piyadelerine kat\u0131ld\u0131 ve cesareti nedeniyle birka\u00e7 madalya kazand\u0131. Sava\u015ftan sonra drama dersleriyle kekemeli\u011finin \u00fcstesinden geldi ve radyo kariyerine Kuzey Carolina’da ba\u015flad\u0131. Pyne, a\u00e7\u0131k s\u00f6zl\u00fc ve \u00e7at\u0131\u015fmac\u0131 bir sunucu olarak h\u0131zla \u00fcn kazand\u0131.<\/p>\n\n
1949’da Wisconsin, Kenosha’daki bir radyo istasyonunda \u00e7al\u0131\u015f\u0131rken Pyne, radyo programlar\u0131nda devrim yaratacak bir fikre sahip oldu. Telefon ahizesini mikrofonuna tutarak dinleyicilerin aray\u0131p programa kat\u0131lmalar\u0131na olanak tan\u0131d\u0131. \u00c7a\u011fr\u0131 merkezli radyo yay\u0131n\u0131 do\u011fdu ve Pyne, sava\u015f\u00e7\u0131 tarz\u0131 ve k\u0131\u015fk\u0131rt\u0131c\u0131 konuklar\u0131yla tan\u0131nd\u0131.<\/p>\n\n
1950’lerde ve 1960’larda Pyne, \u015fok jokey olarak ulusal bir sansasyon haline geldi. Sendikasyonlu televizyon program\u0131 ve 200’den fazla radyo kanal\u0131, ona Johnny Carson’la yar\u0131\u015facak bir izleyici kitlesi sa\u011flad\u0131. Pyne’\u0131n \u00e7at\u0131\u015fmac\u0131 tarz\u0131 ve \u00e7irkin konuklar\u0131, onu tart\u0131\u015fmalar\u0131n y\u0131ld\u0131z\u0131 haline getirdi ancak ayn\u0131 zamanda sad\u0131k bir takip\u00e7i kitlesi de kazand\u0131.<\/p>\n\n
Pyne’\u0131n a\u00e7\u0131k s\u00f6zl\u00fc g\u00f6r\u00fc\u015fleri s\u0131kl\u0131kla tart\u0131\u015fmalara yol a\u00e7t\u0131. Bir zorba ve k\u0131\u015fk\u0131rt\u0131c\u0131 olmakla su\u00e7land\u0131, ancak daha yumu\u015fak bir yan\u0131 da vard\u0131. Pyne, kar\u015f\u0131t g\u00f6r\u00fc\u015flere sahip olanlar da dahil olmak \u00fczere her kesimden konukla etkile\u015fime girmeye haz\u0131rd\u0131.<\/p>\n\n
Pyne’\u0131n etkisi kendi program\u0131n\u0131n \u00f6tesine ge\u00e7ti. Koruyucular\u0131 aras\u0131nda ba\u015far\u0131l\u0131 talk-show sunucular\u0131 olan Bob Grant, Sean Hannity ve Rush Limbaugh vard\u0131. Ba\u015fkan Yard\u0131mc\u0131s\u0131 Mike Pence da Pyne’a olan borcunu kabul ederek kendisini “kafeinsiz Rush Limbaugh” olarak tan\u0131mlad\u0131.<\/p>\n\n
Pyne’\u0131n 1970’teki \u00f6l\u00fcm\u00fcnden sonra program\u0131 radyo dalgalar\u0131ndan kayboldu. Ancak son y\u0131llarda miras\u0131na olan ilgi yeniden canland\u0131. Teknisyenler ve ar\u015fivciler, Pyne’\u0131n programlar\u0131ndan yeni ke\u015ffedilen kasetleri restore etmek ve korumak i\u00e7in \u00e7al\u0131\u015f\u0131yorlar; bu da Amerikan tarihine ve modern s\u00f6yle\u015fi radyosunun k\u00f6kenlerine b\u00fcy\u00fcleyici bir bak\u0131\u015f sunuyor.<\/p>\n\n
Pyne’\u0131n en unutulmaz anlar\u0131ndan biri, Frank Zappa’y\u0131 program\u0131na davet etti\u011finde ya\u015fand\u0131. Zappa’n\u0131n uzun sa\u00e7lar\u0131 ve al\u0131\u015f\u0131lmad\u0131k g\u00f6r\u00fcn\u00fcm\u00fc izleyicilerden yuhalamalar ald\u0131. Fazla etkilenmeyen Zappa, “San\u0131r\u0131m tahta baca\u011f\u0131n seni bir masaya d\u00f6n\u00fc\u015ft\u00fcr\u00fcyor” diye espri yapt\u0131.<\/p>\n\n
Ba\u015fka bir \u00fcnl\u00fc m\u00fcnazara, Pyne’\u0131n program\u0131n\u0131 “salaklar i\u00e7in bir orji” olarak nitelendiren gazeteci David Susskind’i i\u00e7eriyordu. Pyne kar\u015f\u0131l\u0131k verdi: “Sahte entelekt\u00fcalizmini al\u0131p g\u00fcne\u015fin do\u011fmad\u0131\u011f\u0131 yere sokabilirsin.”<\/p>\n\n
Joe Pyne karma\u015f\u0131k ve tart\u0131\u015fmal\u0131 bir fig\u00fcrd\u00fc. Zorbal\u0131k taktikleri ve \u00e7irkin a\u00e7\u0131klamalar\u0131yla tan\u0131n\u0131yordu, ancak ayn\u0131 zamanda insanlar\u0131 konu\u015fturmada da bir yetene\u011fe sahipti. Orijinal \u015fok jokey olarak miras\u0131, s\u00f6yle\u015fi radyosu ve televizyonunu t\u00fcketme ve bunlarla etkile\u015fim kurma \u015feklimizi \u015fekillendirmeye devam ediyor.<\/p>","protected":false},"excerpt":{"rendered":"
Joe Pyne: \u00c7at\u0131\u015fman\u0131n Orijinal Kral\u0131 Erken Ya\u015fam ve Kariyer 1924 do\u011fumlu Joe Pyne, zor bir \u00e7ocukluk ge\u00e7irdi ve \u00e7ocukken kekemeydi. Bu zorluklara ra\u011fmen, II. D\u00fcnya Sava\u015f\u0131 s\u0131ras\u0131nda Deniz Piyadelerine kat\u0131ld\u0131…<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7673],"tags":[7670,7672,1791,168,7671,27,10],"class_list":["post-4181","post","type-post","status-publish","format-standard","hentry","category-media-and-culture","tag-joe-pyne","tag-talk-radio","tag-media","tag-pop-culture","tag-shock-jock","tag-history","tag-controversy"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=4181"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4181\/revisions"}],"predecessor-version":[{"id":4182,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4181\/revisions\/4182"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=4181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=4181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=4181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}