{"id":4226,"date":"2023-06-03T04:06:19","date_gmt":"2023-06-03T04:06:19","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=4226"},"modified":"2023-06-03T04:06:19","modified_gmt":"2023-06-03T04:06:19","slug":"vision-enhancement-technologies-across-the-centuries","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/science\/vision-science\/vision-enhancement-technologies-across-the-centuries\/","title":{"rendered":"G\u00f6rme Geli\u015ftirme Teknolojileri: Y\u00fczy\u0131llar Boyunca Yenilikler"},"content":{"rendered":"

G\u00f6r\u00fc\u015f Geli\u015ftirme Teknolojileri: Y\u00fczy\u0131llar Boyu S\u00fcren Yenilikler<\/h2>\n\n

Antik Optik Yenilikleri<\/h2>\n\n

Merak ve g\u00f6r\u00fc\u015f\u00fc iyile\u015ftirme arzusu, y\u00fczy\u0131llard\u0131r optik cihazlarda yeniliklere yol a\u00e7m\u0131\u015ft\u0131r. 3.000 y\u0131ll\u0131k bir kaya kristali merce\u011fi olan Nimrud merce\u011fi, en eski \u00f6rneklerden biridir. Vikingler, dekoratif mercekler yapmak \u00fczere kaya kristalini parlatarak g\u00fcne\u015f \u0131\u015f\u0131\u011f\u0131n\u0131 yo\u011funla\u015ft\u0131rarak ate\u015f yakabilmi\u015flerdir.<\/p>\n\n

G\u00f6r\u00fc\u015f\u00fcn B\u00fcy\u00fct\u00fclmesi ve D\u00fczeltilmesi<\/h2>\n\n
    \n
  1. y\u00fczy\u0131lda Ibn al-Haytham, d\u0131\u015fb\u00fckey merceklerin b\u00fcy\u00fctme g\u00fcc\u00fcn\u00fc ke\u015ffetti. Kendi b\u00fcy\u00fcte\u00e7 merce\u011fini bilimsel incelemeleri okumak i\u00e7in kullanm\u0131\u015ft\u0131r. Opus Majus yaz\u0131t\u0131nda, \u0130ngiliz rahip Roger Bacon d\u00fczeltici mercekler i\u00e7in tasar\u0131mlar \u00e7izmi\u015ftir fakat bunlar\u0131n hi\u00e7 \u00fcretildi\u011fi belli de\u011fildir.<\/li>\n<\/ol>\n\n

    G\u00f6zl\u00fcklerin \u0130cad\u0131<\/h2>\n\n

    \u0130talya’daki rahip katipler, 13. y\u00fczy\u0131l civar\u0131nda d\u00fczeltici g\u00f6zl\u00fckleri icat etmekle itibar kazanm\u0131\u015ft\u0131r. Bu ilk g\u00f6zl\u00fckler, birbirine birle\u015ftirilmi\u015f iki d\u0131\u015fb\u00fckey mercekten olu\u015fmaktayd\u0131 ve bir sap yard\u0131m\u0131yla y\u00fcze tutulmaktayd\u0131.<\/p>\n\n

    Uza\u011f\u0131 ve Yak\u0131n\u0131 G\u00f6rmek<\/h2>\n\n

    \u0130lk teleskop patenti, 1608 y\u0131l\u0131nda Hans Lippershey taraf\u0131ndan al\u0131nm\u0131\u015ft\u0131r. Galileo daha sonra Lippershey’in tasar\u0131m\u0131n\u0131 iyile\u015ftirerek nesneleri daha da b\u00fcy\u00fctebilen bir teleskop yaratm\u0131\u015ft\u0131r. Lippershey, Hans Janssen ve Zacharias Janssen ayn\u0131 zamanda mikroskobun da mucitleri olarak kabul edilmektedir.<\/p>\n\n

    Kibir ve G\u00fcne\u015ften Korunma<\/h2>\n\n
      \n
    1. y\u00fczy\u0131lda, lorgnetler kad\u0131nlar\u0131n y\u00fczlerinde g\u00f6zl\u00fck takmaktan ka\u00e7\u0131nmalar\u0131na olanak tan\u0131d\u0131, \u00e7\u00fcnk\u00fc bu durum modaya uygun g\u00f6r\u00fclm\u00fcyordu. Burnun k\u00f6pr\u00fcs\u00fcn\u00fc s\u0131k\u0131\u015ft\u0131ran g\u00f6zl\u00fckler olan pince-nez, 19. y\u00fczy\u0131l\u0131n ortalar\u0131nda pop\u00fcler hale geldi. 1913 y\u0131l\u0131nda, Sir William Crookes, ultraviyole ve k\u0131z\u0131l \u00f6tesi \u0131\u015f\u0131\u011f\u0131 emebilen ve g\u00fcne\u015f g\u00f6zl\u00fcklerinin yarat\u0131lmas\u0131na yol a\u00e7an mercekler geli\u015ftirmi\u015ftir.<\/li>\n<\/ol>\n\n

      Duyusal E\u011flence<\/h2>\n\n

      Morton Heilig’in Telesphere Mask’\u0131 (1960), 3D slaytlar, stereo ses ve bir koku \u00fcreteci birle\u015ftirmi\u015ftir. Sensorama Sim\u00fclat\u00f6r\u00fc (1962), tek bir ki\u015fi i\u00e7in s\u00fcr\u00fckleyici bir sinema deneyimiydi. Hugo Gernsback’in TV g\u00f6zl\u00fckleri (1963), antenler arac\u0131l\u0131\u011f\u0131yla sinyal al\u0131yor ve do\u011frudan y\u00fcz\u00fcnde tak\u0131lan bir ekrana \u0131\u015f\u0131k kanallar\u0131 veriyordu.<\/p>\n\n

      3D G\u00f6r\u00fcnt\u00fcleme<\/h2>\n\n

      Ivan Sutherland’\u0131n Sword of Damocles’\u0131 (1965), do\u011frudan retinaya 3D g\u00f6r\u00fcnt\u00fcler yans\u0131tan hantal bir ba\u015fa monte edilmi\u015f \u00fcniteydi. Bu kullan\u0131m\u0131 zor icat, tavana tutturulmu\u015f mekanik bir kol gerektiriyordu.<\/p>\n\n

      \u00d6zel G\u00f6z ve Art\u0131r\u0131lm\u0131\u015f Ger\u00e7eklik<\/h2>\n\n

      Reflection Technology’nin Private Eye’\u0131 (1989), g\u00f6zl\u00fck \u00fczerine monte edilmi\u015f ve ger\u00e7ek d\u00fcnyaya bindirilmi\u015f bir aray\u00fcz olu\u015fturan bir cihaz idi. KARMA gibi projelerde kullan\u0131ld\u0131 ve bu sayede tamiratlar s\u0131ras\u0131nda teknik \u015femalar\u0131n ekipman\u0131n \u00fczerine yerle\u015ftirilmesine olanak sa\u011flad\u0131.<\/p>\n\n

      Steve Mann’\u0131n Arac\u0131l\u0131 Ger\u00e7ekli\u011fi<\/h2>\n\n

      Steve Mann, 1970’lerden bu yana giyilebilir ve yerle\u015ftirilebilir teknolojiler geli\u015ftirmi\u015ftir. EyeTap’i, kask tak\u0131l\u0131 bir cihazdan, kullan\u0131c\u0131n\u0131n ortam\u0131n\u0131 kaydeden ve \u00fczerine g\u00f6r\u00fcnt\u00fc yerle\u015ftiren \u015f\u0131k, giyilebilir bir ekrana d\u00f6n\u00fc\u015fm\u00fc\u015ft\u00fcr.<\/p>\n\n

      Siborglar ve G\u00f6z Siborglar\u0131<\/h2>\n\n

      Katalan bir siborg ve sanat\u00e7\u0131 olan Neil Harbisson, kafatas\u0131na kal\u0131c\u0131 olarak yerle\u015ftirilmi\u015f bir g\u00f6z siborguna sahiptir. Bu cihaz, \u0131\u015f\u0131k dalgalar\u0131n\u0131 ses frekanslar\u0131na d\u00f6n\u00fc\u015ft\u00fcrerek renkleri “duymas\u0131n\u0131” sa\u011flar. Bu frekanslar\u0131, renkli sanat eserlerine ve ses portrelerine d\u00f6n\u00fc\u015ft\u00fcrd\u00fc\u011f\u00fc titre\u015fimler olarak deneyimler.<\/p>","protected":false},"excerpt":{"rendered":"

      G\u00f6r\u00fc\u015f Geli\u015ftirme Teknolojileri: Y\u00fczy\u0131llar Boyu S\u00fcren Yenilikler Antik Optik Yenilikleri Merak ve g\u00f6r\u00fc\u015f\u00fc iyile\u015ftirme arzusu, y\u00fczy\u0131llard\u0131r optik cihazlarda yeniliklere yol a\u00e7m\u0131\u015ft\u0131r. 3.000 y\u0131ll\u0131k bir kaya kristali merce\u011fi olan Nimrud merce\u011fi,…<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[7738],"tags":[97,7737,37,5651,9,27,497],"class_list":["post-4226","post","type-post","status-publish","format-standard","hentry","category-vision-science","tag-science","tag-vision-enhancement","tag-innovation","tag-optics","tag-art","tag-history","tag-technology"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=4226"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4226\/revisions"}],"predecessor-version":[{"id":4227,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4226\/revisions\/4227"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=4226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=4226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=4226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}