{"id":4923,"date":"2024-05-19T12:08:40","date_gmt":"2024-05-19T12:08:40","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=4923"},"modified":"2024-05-19T12:08:40","modified_gmt":"2024-05-19T12:08:40","slug":"syrian-refugees-recreate-lost-monuments-in-miniature-preserving-heritage-amidst-conflict","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/art\/public-art\/syrian-refugees-recreate-lost-monuments-in-miniature-preserving-heritage-amidst-conflict\/","title":{"rendered":"Minyat\u00fcr An\u0131tlarla Kay\u0131p Suriye Miras\u0131n\u0131n Korunmas\u0131"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Suriyeli m\u00fclteciler kay\u0131p an\u0131tlar\u0131 minyat\u00fcr olarak yeniden in\u015fa ediyor ve \u00e7at\u0131\u015fman\u0131n ortas\u0131nda miras\u0131 koruyor<\/h2>\n\n<h2 class=\"wp-block-heading\">Koruman\u0131n Sanat\u0131<\/h2>\n\n<p class=\"wp-block-paragraph\">Sava\u015f Suriye&#8217;yi kas\u0131p kavururken, bir grup Suriyeli m\u00fclteci sanat yoluyla teselli buluyor ve k\u00fclt\u00fcrel miraslar\u0131n\u0131 koruyor. Topluluk lideri Ahmad Hariri \u00f6nderli\u011findeki bu sanat\u00e7\u0131lar, \u00dcrd\u00fcn&#8217;\u00fcn Za&#8217;atari m\u00fclteci kamp\u0131nda \u00e7at\u0131\u015fmada kaybedilen tarihi mekanlar\u0131 ve simgesel an\u0131tlar\u0131 yeniden in\u015fa etmek i\u00e7in bir araya geldi.<\/p>\n\n<p class=\"wp-block-paragraph\">Tahta, kil ve kaya gibi at\u0131k malzemeleri kullanan sanat\u00e7\u0131lar, \u015eam Emevi Camii, Halep Kalesi ve antik Palmyra kenti gibi simge yap\u0131lar\u0131n minyat\u00fcr kopyalar\u0131n\u0131 titizlikle i\u015fliyorlar. Eserleri, Suriye halk\u0131n\u0131n dayan\u0131kl\u0131l\u0131\u011f\u0131n\u0131n ve yerinden edilmelerine ra\u011fmen kimliklerini koruma kararl\u0131l\u0131klar\u0131n\u0131n bir kan\u0131t\u0131 olarak hizmet ediyor.<\/p>\n\n<h2 class=\"wp-block-heading\">Tarihin \u00d6nemi<\/h2>\n\n<p class=\"wp-block-paragraph\">Sanatsal de\u011ferlerinin \u00f6tesinde, bu minyat\u00fcr an\u0131tlar muazzam bir tarihi \u00f6neme sahip. Sanat \u00f6\u011fretmeni Mahmoud Hariri&#8217;nin a\u00e7\u0131klad\u0131\u011f\u0131 gibi, sanat ge\u00e7mi\u015f uygarl\u0131klar hakk\u0131ndaki bilgileri korumada hayati bir rol oynam\u0131\u015ft\u0131r. Bu kay\u0131p simge yap\u0131lar\u0131 yeniden in\u015fa ederek sanat\u00e7\u0131lar, gelecek nesillerin \u00fclkelerinin miras\u0131 ile somut bir ba\u011flant\u0131ya sahip olmas\u0131n\u0131 sa\u011fl\u0131yor.<\/p>\n\n<h2 class=\"wp-block-heading\">Bilginin Aktar\u0131lmas\u0131<\/h2>\n\n<p class=\"wp-block-paragraph\">D\u00fcnya \u00e7ap\u0131ndaki milyonlarca Suriyeli m\u00fclteci i\u00e7in, vatanlar\u0131yla bir ba\u011flant\u0131 s\u00fcrd\u00fcrmek \u00e7ok \u00f6nemlidir. Bu minyat\u00fcr modeller, ya\u015fl\u0131 m\u00fcltecilerin de\u011ferli an\u0131lar\u0131 yeniden ya\u015famalar\u0131na ve gen\u00e7 nesillerin \u00fclkelerinin zengin tarihi hakk\u0131nda bilgi edinmelerine olanak tan\u0131yor. Ahmad Hariri&#8217;nin belirtti\u011fi gibi, m\u00fclteci kamplar\u0131ndaki baz\u0131 \u00e7ocuklar vatanlar\u0131ndan ziyade \u00dcrd\u00fcn hakk\u0131nda daha fazla bilgi sahibi olabilir. Bu modeller bu bo\u015flu\u011fu doldurarak bir kimlik ve aidiyet duygusu olu\u015fturuyor.<\/p>\n\n<h2 class=\"wp-block-heading\">Becerilerin Sergilenmesi<\/h2>\n\n<p class=\"wp-block-paragraph\">Proje ayn\u0131 zamanda sanat\u00e7\u0131lar\u0131n becerilerini geli\u015ftirmeleri i\u00e7in bir f\u0131rsat g\u00f6revi g\u00f6r\u00fcyor. 2013 y\u0131l\u0131nda Suriye&#8217;den ka\u00e7an Mahmoud Hariri, m\u00fclteci kamp\u0131nda sanatsal yeteneklerini yitirmekten korkuyordu. Ancak proje ona yenilenmi\u015f bir ama\u00e7 duygusu ve yetene\u011fini sergilemek i\u00e7in bir platform sa\u011flad\u0131.<\/p>\n\n<h2 class=\"wp-block-heading\">Dijital Koruma<\/h2>\n\n<p class=\"wp-block-paragraph\">Suriyeli sanat\u00e7\u0131lar miraslar\u0131n\u0131 fiziksel modeller arac\u0131l\u0131\u011f\u0131yla korurken, arkeologlar tehlike alt\u0131ndaki tarihi mekanlar\u0131 belgelemek i\u00e7in son teknolojiyi kullan\u0131yor. 3 boyutlu tarama kullanarak, devam eden \u00e7at\u0131\u015fma kar\u015f\u0131s\u0131nda bu simge yap\u0131lar\u0131n de\u011ferli bir kayd\u0131 olarak hizmet edecek ayr\u0131nt\u0131l\u0131 dijital modeller olu\u015fturuyorlar.<\/p>\n\n<h2 class=\"wp-block-heading\">Meydan Okuyan Bir Jest<\/h2>\n\n<p class=\"wp-block-paragraph\">Miras alanlar\u0131n\u0131n militan gruplar taraf\u0131ndan tahrip edilmesi d\u00fcnya \u00e7ap\u0131nda \u00f6fkeye neden oldu. Sembolik bir meydan okuma eyleminde, Palmira&#8217;daki Bel Tap\u0131na\u011f\u0131&#8217;ndan 3 boyutlu yazd\u0131r\u0131lm\u0131\u015f kopya kemerler bu bahar New York ve Londra&#8217;ya kurulacak. Bu kemerler, Suriye halk\u0131n\u0131n dayan\u0131kl\u0131l\u0131\u011f\u0131n\u0131 ve tarihlerinin silinmesine izin vermeme kararl\u0131l\u0131\u011f\u0131n\u0131 temsil ediyor.<\/p>\n\n<h2 class=\"wp-block-heading\">Sonu\u00e7<\/h2>\n\n<p class=\"wp-block-paragraph\">Suriyeli m\u00fcltecilerin minyat\u00fcr an\u0131tlar\u0131 ve arkeologlar\u0131n dijital koruma \u00e7abalar\u0131, tarihin korunmas\u0131 ve y\u0131k\u0131ma meydan okunmas\u0131 i\u00e7in sanat\u0131n ve teknolojinin kal\u0131c\u0131 g\u00fcc\u00fcn\u00fcn kan\u0131tlar\u0131d\u0131r. Kay\u0131p simge yap\u0131lar\u0131 yeniden in\u015fa ederek ve tehlike alt\u0131ndaki mekanlar\u0131 belgelerek, bu giri\u015fimler Suriye&#8217;nin k\u00fclt\u00fcrel miras\u0131n\u0131n gelecek nesillere ilham vermeye ve onlar\u0131 birbirine ba\u011flamaya devam etmesini sa\u011fl\u0131yor.<\/p>","protected":false},"excerpt":{"rendered":"<p>Suriyeli m\u00fclteciler kay\u0131p an\u0131tlar\u0131 minyat\u00fcr olarak yeniden in\u015fa ediyor ve \u00e7at\u0131\u015fman\u0131n ortas\u0131nda miras\u0131 koruyor Koruman\u0131n Sanat\u0131 Sava\u015f Suriye&#8217;yi kas\u0131p kavururken, bir grup Suriyeli m\u00fclteci sanat yoluyla teselli buluyor ve k\u00fclt\u00fcrel&hellip;<\/p>\n","protected":false},"author":3,"featured_media":23396,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2009],"tags":[1164,817,346,8808,4036,9,8807],"class_list":["post-4923","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-public-art","tag-conflict","tag-preservation","tag-cultural-identity","tag-miniature-monuments","tag-heritage","tag-art","tag-syrian-refugees"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4923","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=4923"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4923\/revisions"}],"predecessor-version":[{"id":4925,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/4923\/revisions\/4925"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media\/23396"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=4923"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=4923"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=4923"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}