{"id":636,"date":"2022-12-14T18:02:33","date_gmt":"2022-12-14T18:02:33","guid":{"rendered":"https:\/\/www.lifescienceart.com\/?p=636"},"modified":"2022-12-14T18:02:33","modified_gmt":"2022-12-14T18:02:33","slug":"afghan-cultural-center-honors-destroyed-buddha-statues","status":"publish","type":"post","link":"https:\/\/www.lifescienceart.com\/tr\/art\/architectural-heritage\/afghan-cultural-center-honors-destroyed-buddha-statues\/","title":{"rendered":"Y\u0131k\u0131lan Bamiyan Budalar\u0131&#8217;na Adanacak K\u00fclt\u00fcr Merkezi"},"content":{"rendered":"<h2 class=\"wp-block-heading\">Taliban&#8217;\u0131n Y\u0131kti\u011fi Buda Heykellerini Anmak \u0130\u00e7in Planlanan Afgan K\u00fclt\u00fcr Merkezi<\/h2>\n\n<h2 class=\"wp-block-heading\">Arka Plan<\/h2>\n\n<p>Mart 2001&#8217;de Taliban, yakla\u015f\u0131k 1500 y\u0131ld\u0131r Afganistan&#8217;\u0131n Bamiyan Vadisi&#8217;nde bulunan iki devasa Buda heykelini y\u0131kt\u0131. D\u00fcnyan\u0131n en b\u00fcy\u00fckleri olarak kabul edilen heykeller, hem Budizm hem de yerel k\u00fclt\u00fcr\u00fcn ayr\u0131lmaz bir par\u00e7as\u0131yd\u0131. Y\u0131k\u0131mlar\u0131 d\u00fcnya \u00e7ap\u0131nda b\u00fcy\u00fck tepki toplad\u0131.<\/p>\n\n<h2 class=\"wp-block-heading\">Yeniden \u0130n\u015fa Konusundaki Tart\u0131\u015fma<\/h2>\n\n<p>Bir on y\u0131ldan fazla s\u00fcredir, heykellerin yeniden in\u015fa edilip edilmeyece\u011fi konusunda bir tart\u0131\u015fma vard\u0131. Baz\u0131 arkeologlar yeniden in\u015falar\u0131n\u0131 savundu, ancak an\u0131tsal yeniden yap\u0131larda orijinal olmayan malzemelerin kullan\u0131m\u0131n\u0131 yasaklayan UNESCO&#8217;nun Venedik t\u00fcz\u00fc\u011f\u00fc bunu olas\u0131 k\u0131lmad\u0131.<\/p>\n\n<h2 class=\"wp-block-heading\">UNESCO&#8217;nun K\u00fclt\u00fcr Merkezi Giri\u015fimi<\/h2>\n\n<p>UNESCO, 2003 y\u0131l\u0131nda Bamiyan Vadisi&#8217;ni D\u00fcnya Miras\u0131 alan\u0131 ilan etti. Kurulu\u015f ayr\u0131ca, Buda heykellerinin kayb\u0131n\u0131 onurland\u0131rmak i\u00e7in bir k\u00fclt\u00fcr merkezinin tasar\u0131m\u0131 i\u00e7in bir yar\u0131\u015fma ba\u015flatt\u0131. Merkezin amac\u0131 k\u00fclt\u00fcrleraras\u0131 anlay\u0131\u015f\u0131, miras\u0131n korunmas\u0131n\u0131 ve bar\u0131\u015f in\u015fas\u0131n\u0131 te\u015fvik etmekti.<\/p>\n\n<h2 class=\"wp-block-heading\">Kazanan Tasar\u0131m<\/h2>\n\n<p>\u015eubat ay\u0131 sonunda a\u00e7\u0131klanan kazanan tasar\u0131m, Arjantin&#8217;deki M2R mimarl\u0131k firmas\u0131ndan geldi. Tasar\u0131m, eski Budist manast\u0131rlar\u0131ndan unsurlar i\u00e7eriyor ve bo\u015fluk ve negatif alanlar\u0131n yarat\u0131lmas\u0131na vurgu yap\u0131yor.<\/p>\n\n<h2 class=\"wp-block-heading\">\u0130lham ve Tasar\u0131m \u0130lkeleri<\/h2>\n\n<p>Tasar\u0131m ekibi, a\u015fa\u011f\u0131dakiler de dahil olmak \u00fczere \u00e7e\u015fitli kaynaklardan ilham ald\u0131:<\/p>\n\n<ul class=\"wp-block-list\">\n<li>Da\u011fa oyulmu\u015f antik Budist manast\u0131rlar\u0131<\/li>\n<li>Etiyopya, Lalibela&#8217;daki kaya oyma kiliseler<\/li>\n<li>Bask heykelt\u0131ra\u015f Eduardo Chillida&#8217;n\u0131n \u00e7al\u0131\u015fmalar\u0131<\/li>\n<li>Kumta\u015f\u0131 kayal\u0131klara oyulmu\u015f tarih \u00f6ncesi bir \u00dcrd\u00fcn \u015fehri olan Petra&#8217;n\u0131n altyap\u0131s\u0131<\/li>\n<\/ul>\n\n<p>Merkez \u00e7o\u011funlukla yer alt\u0131nda olacak ve vadiye bakan bir meydan\u0131 olacak. Mimarlar, &#8220;ya\u015fam\u0131n, tarihin ve insanlar\u0131n ba\u015frolde oldu\u011fu&#8221; hem tefekk\u00fcr hem de hareketli bir alan yaratmay\u0131 ama\u00e7lad\u0131lar.<\/p>\n\n<h2 class=\"wp-block-heading\">Sembolizm ve Anlam<\/h2>\n\n<p>Y\u0131k\u0131lan Buda heykellerinin b\u0131rakt\u0131\u011f\u0131 bo\u015f ni\u015fler &#8220;a\u00e7\u0131k yaralar&#8221; ve \u015fiddet ve istikrars\u0131zl\u0131k sembolleri olarak tan\u0131mland\u0131. K\u00fclt\u00fcr merkezi, bu olumsuz alanlar\u0131 bir \u015fifa, uzla\u015fma ve umut yerine d\u00f6n\u00fc\u015ft\u00fcrmeyi ama\u00e7l\u0131yor.<\/p>\n\n<h2 class=\"wp-block-heading\">\u0130n\u015faat ve Finansman<\/h2>\n\n<p>Mimarlar, in\u015faata \u00f6n\u00fcm\u00fczdeki y\u0131l ba\u015flamay\u0131 hedefleyerek bir in\u015faat takvimi belirlemek i\u00e7in UNESCO ile birlikte \u00e7al\u0131\u015f\u0131yor. Proje, UNESCO ve Afganistan Bilgi ve K\u00fclt\u00fcr Bakanl\u0131\u011f\u0131 taraf\u0131ndan y\u00f6netiliyor ve G\u00fcney Kore taraf\u0131ndan finansal destek sa\u011flan\u0131yor.<\/p>\n\n<h2 class=\"wp-block-heading\">\u00d6nem ve Etki<\/h2>\n\n<p>Bamiyan K\u00fclt\u00fcr Merkezi, a\u015fa\u011f\u0131dakileri ama\u00e7layan \u00f6nemli bir giri\u015fimdir:<\/p>\n\n<ul class=\"wp-block-list\">\n<li>Y\u0131k\u0131lm\u0131\u015f Buda heykellerinin an\u0131s\u0131n\u0131 korumak<\/li>\n<li>K\u00fclt\u00fcrleraras\u0131 anlay\u0131\u015f ve miras\u0131n korunmas\u0131n\u0131 te\u015fvik etmek<\/li>\n<li>Afganistan&#8217;da bar\u0131\u015f in\u015fas\u0131na ve ekonomik kalk\u0131nmaya katk\u0131da bulunmak<\/li>\n<li>B\u00f6lgenin zengin mimari ve k\u00fclt\u00fcrel geleneklerini sergilemek<\/li>\n<\/ul>\n\n<p>Merkezin d\u00fcnyan\u0131n d\u00f6rt bir yan\u0131ndan ziyaret\u00e7i \u00e7ekmesi ve Afganistan&#8217;\u0131n k\u00fclt\u00fcrel miras\u0131na olan ba\u011fl\u0131l\u0131\u011f\u0131n\u0131n ve direncinin bir sembol\u00fc olarak hizmet vermesi bekleniyor.<\/p>","protected":false},"excerpt":{"rendered":"<p>Taliban&#8217;\u0131n Y\u0131kti\u011fi Buda Heykellerini Anmak \u0130\u00e7in Planlanan Afgan K\u00fclt\u00fcr Merkezi Arka Plan Mart 2001&#8217;de Taliban, yakla\u015f\u0131k 1500 y\u0131ld\u0131r Afganistan&#8217;\u0131n Bamiyan Vadisi&#8217;nde bulunan iki devasa Buda heykelini y\u0131kt\u0131. D\u00fcnyan\u0131n en b\u00fcy\u00fckleri&hellip;<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1566],"tags":[1563,1564,96,89,297,1565],"class_list":["post-636","post","type-post","status-publish","format-standard","hentry","category-architectural-heritage","tag-afghanistan","tag-peace-building","tag-buddhism","tag-cultural-heritage","tag-architecture","tag-reconstruction"],"_links":{"self":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/636","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/comments?post=636"}],"version-history":[{"count":1,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/636\/revisions"}],"predecessor-version":[{"id":637,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/posts\/636\/revisions\/637"}],"wp:attachment":[{"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/media?parent=636"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/categories?post=636"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.lifescienceart.com\/tr\/wp-json\/wp\/v2\/tags?post=636"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}